Archives

Forgotten Fairy Tales of Brave and Brilliant Girls

Forgotten fairy tales of brave and brilliant girls

Forgotten fairy tales of brave and brilliant girls

 

 

 

 

 

 

 

 

 

 

Forgotten Fairy Tales of Brave and Brilliant Girls

Lesley Sims (editor)

Usborne, 2019

208pp., hbk., RRP $A24.99

9781474966429

Ask a young child for the title of a fairy tale and you are likely to be told Cinderella, Snow White, Sleeping Beauty, Ariel or Rapunzel or whatever the Disney princess-du-jour is. But in fact, there are many more fairy tales than those that were collected and written down by the great storytellers like the Brothers Grimm, Charles Perrault and Hans Christian Andersen. Fairy tales were told orally for many generations before they were preserved in print, each being shared a little differently by the teller according to time, place and circumstance, but each having a fundamental truth at its core. 

For whatever reason, the tales that were collected and written share common characteristics of strong men and weak women who needed to be rescued by the male’s prowess and those in which the females were the leading protagonists were almost lost to time. The story of their discovery and recovery is almost as fascinating as the stories themselves, and shows the slowly changing attitudes towards women and their place in society. Food for discussion and debate right there!

In the meantime, this remains a collection of very readable and beautifully illustrated fairy tales that deserve to be as well-known as their more famous counterparts. Perhaps the next Disney heroine will arise from this anthology. Regardless, stories about brave and brilliant girls are always good for the soul.

 

 

 

Midnight Ninja

Midnight Ninja

Midnight Ninja

 

 

 

 

 

 

 

Midnight Ninja

Sam Lloyd

Bloomsbury, 2019

32pp., pbk., RRP $A14.99

9781408884836

Meet this little boy and his pussycat called Ginger.
He’s got a great big secret. At bedtime he’s the might MIDNIGHT NINJA!

When the emergency bell sounds, he springs out of bed and is off to find and fight the baddies! Tonight’s mystery is socks going missing from clotheslines everywhere and so, using his teleporter he’s off on his mission.  What he discovers is quite surprising and he finds himself in BIG trouble.  But it’s his trusty cat Ginger who comes to the rescue and between them, they not only retrieve all the missing socks but solve the problem so they won’t need to be taken again.

This is an action-packed story that will appeal to young readers, particularly boys who will see themselves in the role of the hero and delight in using all the weapons , Written in rhyme, it bounces along at a great pace with intriguing, detailed illustrations that complement the text and set the imagination running!

A great bedtime story for little lads and lasses who can drift off to sleep dreaming that they are also Midnight Ninjas.

 

The Suitcase

The Suitcase

The Suitcase

 

 

 

 

 

 

 

 

 

The Suitcase

Chris Naylor-Ballesteros

Nosy Crow, 2019

32pp., hbk., RRP $A24.99

9781788004473

A strange creature, looking dusty, tired, sad and frightened, arrived in the neighbourhood pulling a big suitcase. Immediately, the locals started quizzing him about what was inside. And the stranger told them there was a teacup, as well as a table and a wooden chair for the teacup and him to sit on, and that there was even a little kitchen in a wooden cabin where he made his cup of tea.  Then, because he was so tired after having travelled for so long, he lay down to rest.

But the locals were sceptical.  How could all that fit in one suitcase?  How could they befriend and trust anyone who told such lies? And so they decided to break open the suitcase…

Naylor-Ballesteros, author of I Love you, Stick Insect and I’m Going to eat This Ant, can be relied upon to write engaging and entertaining stories for young readers that are always a bit different, and this one is no exception.  Told almost entirely in dialogue – a different colour for each character – it echoes the natural reticence we have for strangers who seem a bit different, but also sets up the dilemma of how far is too far when it comes to investigating them. Did Fox, Rabbit and Bird go too far smashing open the suitcase? There is also the rich discussion that could be had about what they discovered; what it tells them about the stranger and how everyone has a unique story, perhaps even secrets; their efforts to right their wrong and the stranger’s reaction to that.  How would they have responded?

On the surface, it seems like a simple read-once story for little ones, but, like the best picture books, there are many layers waiting to be discovered and discussed.

The Caveman Next Door

The Caveman Next Door

The Caveman Next Door

 

 

 

 

 

 

 

 

The Caveman Next Door

Tom Tinn-Disbury

New Frontier, 2019

32pp., hbk., RRP $A24.99

9781925594850

Penny’s street and home were just like any others until a caveman moved into an empty lot next door.  A caveman who cooked his meals outside, didn’t have a TV, didn’t wear socks and whose furniture (what there was of it) was made of sticks and stones. And he didn’t speak English – all he could do was grunt.

One day after school, Penny decided to show him around the neighbourhood – the library, the bus, the park, a restaurant… But wherever they went, and no matter how hard he tried, Ogg didn’t know what to do or how to act and they were shown the door of every place. Until Penny took him to her school…

It’s hard enough fitting into a new neighbourhood when you speak the language and have mastered the social niceties, but to do so without either of these like Ogg, must be overwhelming and daunting.  And yet, with our multicultural and global perspective that welcomes people from all over the world, this must be a common experience for many.  While the children are able to go to school, make friends, learn the language and the expectations, parents, particularly mums, are left at home isolated, mixing only with others who share their lifestyle and so a vicious cycle of exclusion and racism begins.  While Ogg’s attempts to do the right thing are funny, there is an underlying pathos at his awkwardness and also a sadness at the actions of those who object to his actions.  Only at school does he find compassion.  

Using a caveman analogy to bring awareness to the issues of being different is clever because not only does it highlight just how hard it can be, no one can criticise the author for being insensitive towards one group or another.  It certainly opens up the opportunities for discussions about how we respond to newcomers and identifying those things peculiar to us that they might have difficulty adjusting to as well as putting the students in Ogg’s shoes.  With space travel on the horizon, what if they went to Mars to live and found there were indeed Martians…?

While the theme of being different, fitting in and accepting others is common in children’s picture book, even though it might be expressed in a unique way each time, the more often we expose our students to these sorts of stories and talk about them, provoke their thinking and even develop strategies to embrace all, then the better and stronger the communities we build will be.  Strong, united communities are the key to a peaceful, harmonious future if we are to move beyond the current, nationalistic “our best interests” philosophy and look at what is good for humanity as a whole.

The Voyage

The Voyage

The Voyage

 

 

 

 

 

 

 

 

 

The Voyage

Robert Vescio

Amanda Edmonds

EK Books, 2019

32pp., hbk., RRP $A24.99

9781925820034

Fourteen words. If books were priced based on the number of words the story had, then you would probably ask for your money back with this one, but those 14 words document a life-changing episode in one family – a family that could be any one of a number of those whose children we teach and will teach as conflict continues to circle the world. Just fourteen words to tell such a story that are more powerful than if there were 10 or 100 times that many. 

War displaces the family and their pet duck and so they must escape on a boat into the unknown. At first there is the CHAOS of the conflict; then there is the WILD ocean as a storm tosses the boat and overturns it;but BEAUTY awaits as they finally sight land ahead and at last they are SAFE.

But words alone are not enough and it is the remarkable and powerful watercolour illustrations that meld with those 14 words to tell an all-too familiar story of despair, hope, courage, resilience and joy. In fact, more mature readers might be able to empathise with the family and retell the story using an emotion for each page, perhaps sparking greater understanding and compassion  for their peers who have lived the nightmare.  But while those illustrations have strong words to convey, they have soft lines and gentle colours so the humanity and reality of the people is maintained and the reader is not turned off by page after page of darkness.. Again, older students could compare the illustrations and mood of this book with those of the 2019 CBCA Honours Book The Mediterranean

Accompanying notes tell us that both author and illustrator were driven by the need to tell what is becoming a common story so that there is greater understanding and compassion amongst those whose lives are less traumatic and through that, build stronger, more cohesive communities so that life is better, enriched and enhanced for everyone. Edmonds deliberately chose a Middle Eastern family as her centrepiece because of the richness of the culture so that the reader can appreciate the depth and meaning of what is being left behind – the dilemma  of leaving  all that is known and loved for the uncertainty of the unknown and the heartache and danger that either choice will bring.

Beyond the storyline itself, this is a book that so clearly demonstrates the critical, integral relationship between text and illustration, that a picture really is “worth a thousand words” , and often the picture book format is the most powerful way to tell a story.

Look for this one in the 2020 awards lists.

 

Trouble in the Surf

Trouble in the Surf

Trouble in the Surf

 

 

 

 

 

 

 

 

 

Trouble in the Surf

Stephanie Owen Reeder

Briony Stewart

National Library of Australia, 2019

32pp., hbk., RRP $A24.99

9780642279460

Summer. 1907. Two boys take the tram to Bondi Beach and change history.

Charlie Smith and his cousin Rupert Swallow beg Charlie’s mother to allow them to go to the beach and with her warning of “no shenanigans” ringing in their ears, but quickly forgotten, they set off.  It’s a glorious day and the boys are soon in the water with Charlie floating way out past the breakers watching the seagulls and vowing that one day he will fly like them. But when it comes to heading back into shore, they realise how far out they are and they are in trouble.  And this is 1907 with no such thing as red and yellow flags and highly trained and well-equipped lifesavers on the beach…

The rescue that then took place, performed by bystanders on the beach, became the catalyst for awareness and change – seven weeks later on 21 February 1907 the Bondi lifesaving club was formed, the foundation of the Surf Bathing Association of New South Wales officially promulgated in October that year and the nucleus of what we now know as Surf Lifesaving Australia. It was the work of the surf bathers on the beach and Nurse Sadie Sweeney that demonstrated that there needed to be and could be a way to help those who got into difficulty in the surf and after the formation of the Bondi club, clubs were also formed at other Sydney beaches, eventually becoming the familiar and vital service we have today.  

But to add a twist to the story, Charlie was Charles Kingsford Smith who realised his dream of being able to fly like those seagulls, and changed to path of aviation in both Australia and the world.

With summer coming and record temperatures already meaning our beaches are the place to be for so many, this is a timely publication with its story of how those red and yellow flags came to be and its strong message of surf safety, particularly of being able to recognise a rip and what to do if one is caught in it.  (Sadly, there has already been one drowning this season because of not knowing this,) We don’t learn who Charlie is until the very end, so we are able to focus on the boys’ predicament and the actions of those who saved them – the story is clearly about the event rather than the characters – and the fact that he went on to be famous is almost incidental. 

The author, Dr Stephanie Owen Reeder  must have her own desk at the NLA  in Canberra because she has built up an impressive body of work using their resources to tell our history in a way that is interesting, accessible and engaging for our younger students.  Briony Stewart’s illustrations takes us back to the fashions and culture on 1907 prompting discussions about the “neck-to-knees” as well as why the majority of those in them are male. And as usually with NLA publications, there is further information at the back for readers to learn more and follow up. And while Rupert Swallow’s story is largely unknown, there is always that of Charlie’s to explore…

Available to order from Storybook Cushions

Available to order from Storybook Cushions

 

 

 

Atticus Van Tasticus

Atticus Van Tasticus

Atticus Van Tasticus

 

 

 

 

 

 

 

 

Atticus Van Tasticus

Andrew Daddo

Stephen Michael King

Puffin, 2019

240pp., pbk., RRP $A14.99

9780143796541

1750, when times were tough and teeth were rotten…

As part of an ancient family tradition, young Atticus Van Tasticus narrowly escapes a life down the coal mines – or worse, going to school – when he gets to choose the gift of a pirate ship from his Grandnan’s treasure pile. ..

Atticus has a taste for adventure, beauty and danger – “where any minute might be your last, and your next minute could be your best” – so he pulls together a crew of misfit friends, of both genders and hits the high seas to lead the life of a pirate.

Spiked with humour and dozens of quirky illustrations, including a continuing comic strip of a stowaway puppy, this is a book full of crazy adventures that will appeal to all those longing to escape the humdrum of school, home and homework. Daddo has moved on a little from his recent focus on picture books for the very young and created a quirky character who is really quite ordinary but who, with the help of a very rich grandmother, is able to make his innermost dreams come true because on his 10th birthday he is allowed to pick something  from her wealth. Trouble is that his older brother and sister squandered their picks and now the future of the family is squarely on his shoulders. Choosing a pirate ship so he can search for treasure to replace what has been lost seems the obvious choice…

For independent readers who still need a little support, who appreciate and dream of crazy, out-there adventures and who like their illustrations to be more than just decoration, this is the first in a new series that will capture the imagination and the hearts of younger students and keep them reading.

 

Moonfish

Moonfish

Moonfish

 

 

 

 

 

 

 

 

 

 

 

Moonfish

Graeme Base 

Puffin, 2019

48pp., hbk. RRP $A26.99

9780143791409

The fish that live in the pond beneath the dragon-moon are happy. They know the moon will keep them safe. But it was not always like this . . . There was a time when they looked to the skies with fear.

In this stunning new picture book, Graeme Base, creator of so many stunning picture books including Animalia , has crafted a story about being and belonging, about having to leave to discover who you are, with undertones of the ugly duckling but so much more than that. Set in China, it tells the story of a baby fish who is found and taken in by a family who care for him, but as he grows and grows and grows, understand his feeling that he doesn’t fit in and needs to undertake a journey to discover where he does. It will resonate with lots of students who feel where they are isn’t quite the best fit for them, whether that is physically, sexually, culturally or whatever is making them uncomfortable, yet despite its dark palette it offers hope and possibility.

You can learn more about the story behind the story here., but expect this one to be on the 2020 awards lists.

Annie and the Waves

Annie and the Waves

Annie and the Waves

 

 

 

 

 

 

 

 

Annie and the Waves

Louise Lambeth

Carissa Harris

Louise Lambeth, 2018

44pp., pbk., RRP $A15.00

9780648435709

Holidays are coming and Annie and her family are heading to the beach for a week.  It’s their first time and Annie is very glad that some surf lifesavers have come to her school to teach her about the nature of waves and how to stay safe in them.  But when she is confronted with the actual thing she is very daunted and it takes time and a chat with a surf lifesaver to pluck up the courage to take the first step. But sometimes a little bit of confidence can be overestimated and Annie finds herself having to put what she has learned to the test.  

Over the Australian summer of 2017-2018, 249 people drowned in our waters, and while the majority of these were young men taking risks and drinking alcohol, nevertheless it could be argued that the lessons learned in schools about surf safety prevented many more, particularly among children.  So, with warm weather here already and summer holidays being planned, this is a timely book to share with students to reinforce those messages. Uncluttered by rhyme and rhythm and extravagant illustrations, the plot is simple and the message unfettered – you can be safe in the ocean and here’s how. It’s not about being cocky but being confident because you respect the danger and know how to minimise it.

Although Annie’s experiences drive the story, the key theme is taking care, being able to recognise “safe” waves, knowing the role of lifesavers, swimming between the flags and never swimming alone.  And while teachers and parents can talk about these for ever, it is the impact of a story, perhaps coupled with a visit from some surf lifesavers that is likely to stick and perhaps keep our children safer. Written by a surf lifesaver who has seen what can happen firsthand, the rules for beach safety are clearly written at the front (perhaps inspiring a poster activity to illustrate them) and reiterated with a quiz at the end, and there is also a link to BeachSafe , a website and app that provides information about the conditions about every Australian beach, including rips. 

Endorsed by Surf Lifesaving Australia, this is a critical addition to your health and safety program and resources. As well as the small book format, it is also available as a big book and an education bundle. There is also an audio book being produced so those who find it difficult to access print for whatever reason, do not miss out on this vital message.  And although, on the surface, it appears to be for early childhood, we have many students who have arrived in Australia older than that who need to hear this message now and share it with their parents because while the beach can be our greatest drawcard it can also be our greatest tragedy for those not familiar with it.  Let’s do all we can to ensure our students and their families are safe in the surf this summer. 

 

Available to order from Storybook Cushions

Available to order from Storybook Cushions

Don’t Worry, Little Crab

Don't Worry, Little Crab

Don’t Worry, Little Crab

 

 

 

 

 

 

 

 

 

 

Don’t Worry, Little Crab

Chris Haughton

Walker Books, 2019

48pp., hbk., RRP $A24.99

9781406385519

In the rockpool above the sea, live two crabs: Big Crab and Little Crab. Today, they’re going for a dip in the sea. “This is going to be so great!” says Little Crab as they go tic-a-tac, tic-a-tac over the rocks, splish splash, splish splash across the pools and squelch, squelch, squelch through the slimy, slippery seaweed. “I can go ANYWHERE”, says Little Crab.

But when he reaches the sea and sees the size of the ocean waves, he is somewhat daunted and very reluctant to take that final leap.  Will he find the courage?

The illustration style  is very distinctive and it tells as much of the story as the text does, about a little one finding the courage to face their uncertainty. This is a common theme in children’s picture books, this time inspired by the creator’s observations of crabs and their human-like way of moving. and the way they braced for the impact of a wave but then went about their business once it frothed away. In fact, the story of the story’s evolution gives a real insight into where authors get their ideas and how they are shaped, so it is worth sharing that too. It wasn’t so much the message that came first, but thinking about what was in front of him and working from that! Perhaps a lesson for budding writers about being observant and curious and working backwards!