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Say My Name

Nov14
Say My Name

Say My Name

 

 

 

 

 

 

 

 

 

 

Say My Name

Joanna Ho

Khoa Le

HarperCollins, 2023

40pp., hbk., RRP $A24.99

9780063205338

There is an old riddle that goes, “What is yours alone but used by everyone else? Your name”. 

There is so much embodied in a person’s name that it can be (and was) one of the most popular units of work that I did with my students at the beginning of each year.  They loved to discover why they had the name they did, its history and significance within their family, its meaning, its cultural connections  and how it shaped their own identity. They enjoyed having conversations with family members about why it was chosen, seeing their birth announcements and sharing their stories.  But most importantly, they wanted to teach us how to say it properly because that demonstrated that we respected them, cared enough about them,  to make the effort to learn it and use it and acknowledge that they were not invisible.  Even though some chose to use a more common “European” name, there was always a spark in their eyes if their birth name was used and pronounced correctly.

In this new book by Joanna Ho, whose stories  Eyes the Kiss in the Corners and Eyes that Speak to the Stars embody and celebrate diversity in a perception-changing way, six children of Chinese, Tongan, Persian, Diné, Nahuatl, or Akan descent share the meaning and history of their names. Names that are “full of tones and rhythms, melodies and harmonies, chords and cadences, Each syllable, each sound, is a building block in an architecture constructed over oceans and across generations.” (And there is a pronunciation guide and other material included in the final pages to help you out.)

Accompanied by stunning illustrations that are rich in the symbolism of the culture of the child, the lyrical text shows us how important it is to each child, indeed each person on the planet, to say their name correctly because “My name is a window to my world, a door to my destiny, a key to unlock the dreams of my ancestors, the hopes of my family and the divine that lives within. Anything less is not me.”

Sadly for some children having someone say their name and smile is the only positive acknowledgement that they will get in a day and it is that affirmation that they exist that is enough to bring them back to school for one more day.  If ever there was a book that demonstrates just how important your name is and how we each cling to its uniqueness, this is it.  With a pronunciation guide and other material included in the final pages to serve as a model for each child’s story, here, embedded in this literary treasure,  is your program for the first few weeks of Term 1 2024 sorted…

Edward the Emu 35th Anniversary Edition

Jul19
Edward the Emu

Edward the Emu

 

 

 

 

 

 

 

 

 

 

Edward the Emu 35th Anniversary Edition

Sheena Knowles

Rod Clement

HarperCollins, 2023

32pp., hbk., RRP $A22.99

9781460764084

Edward the emu was sick of the zoo,

There was nowhere to go and nothing to do,

And compared to the seals that lived right next door,

Well being an emu was frankly, a bore. 

And so Edward decides he is going to be someone else entirely – he tries swimming with the seals, he spends a day lounging with the lions, and even slithers with the snakes – before realising that perhaps the thing he is best at is being himself.

This is an Australian children’s classic, first published 35 years ago, and one shared with so many classes and children in my care ever since.  The children always respond so well because apart from the storyline, its rhyme and rhythm and its glorious illustrations, it is one of the best stories ever for helping our young people understand that who they are and being that is enough.  And their turn to shine will come, even if the spotlight is on someone else right now.  Certainly, when I include a copy of it in a storybook cushion, parents buy it because they remember it as an integral part of their childhood story journey.

And there is even more fun if it is teamed with  Edwina the Emu, the sequel which follows Edward’s journey but with a focus on his mate who is also trying to find her identity.

 

Edwina the Emu

Edwina the Emu

These two stories are classic Australian children’s literature at its best – there is a message of being comfortable and confident about who you are but it is subtle and embedded first and foremost in an entertaining engaging story which has to be the primary focus of any author. No wonder they have stood the test of time and are still around to delight yet another generation.

If I Were a Lion

Jul8
If I Were a Lion

If I Were a Lion

 

 

 

 

 

 

 

 

 

 

If I Were a Lion

Kitty Black

Giuseppe Poli

Wombat Books, 2023

32pp., hbk., RRP $A24.99

 9781761110191

I wish I was a lion. If I were a lion, I would be fierce, wild, and free.

When asked about their favourite animal, many young children choose a lion because they see it as being the king of the jungle with all sorts of attributes like strength and courage that they themselves wish they have.  In this new release, the reader follows the journey of different children who also wish they were lions and could be fierce and wild and free, brave,  dominant and able to roar, curious and courageous.  But as they wish they had these qualities, they realise  that they already possess them – it’s just that they manifest themselves differently.

Words and pictures combine cleverly to show young readers that they are indeed, already lions. 

 

Where The River Takes Us

May1
Where The River Takes Us

Where The River Takes Us

 

 

 

 

 

 

 

 

 

 

Where The River Takes Us

Lesley Parr

Bloomsbury, 2023

320pp., pbk., RRP $A16.99

9781526647771

Wales, February 1974. The coal miners are on strike for better pay and conditions, and energy rationing is enforced with power to homes and businesses only being allowed at certain times of the day, and thus many businesses are working on a three-day week. It’s winter, it’s wet and cold.  And to add to this misery, in a small village 13-year-old Jason  and 18-year-old Richie are grieving the death of their parents in a car accident while struggling to stay together in their family home.  The mortgage is due again on March 1 but there will be no celebration for St David’s Day this year because Richie’s wages just aren’t enough.

When Jason learns how Richie has been tricked into making some extra money on the side, he is terrified his brother will end up in prison and they will be separated, regardless, and so when he learns about a reward being offered for proof of the existence of a wild beast roaming nearby mountains, it seems like a lifeline worth pursuing at all costs.  An idea is born and a quest begun.  With his best friends Jinx, Tam and Catrin, he sets off on adventure following the river up into the high country, determined to be the first to photograph the Beast with the camera Catrin has “borrowed” from her father. But they’re not the only ones on the hunt as they are dogged by their arch-enemies Gary and Dean, and so the trip is made even more hazardous…

Underpinned by the bonds between the four children, this is a brilliant, fresh, original story that kept me reading until I finished.  While the lure of the £100 reward which they have agreed will be used to pay the boys’ mortgage. is the carrot that keeps them going physically, it is as much an emotional journey for each of them as they learn so much about themselves, about each other and about the power of friendship and the complexity of grief.  Unbreakable ties are forged that will exist regardless of the outcome of the quest,  while both Jason and Richie begin to accept that they are not alone and it’s okay to let others in for support and guidance.  

Like The Valley of Lost Secrets, (the first chapter of which is included at the end), this is a superbly crafted story built on the interactions between the key characters – ordinary kids doing something as ordinary as an overnight camping trip in the school holidays, but who find themselves learning more than they ever imagined.  When questioned about what they are doing, rather than divulge their hunt for the Beast in case others are too, Catrin refers to the Duke of Edinburgh Award, one often associated with outdoor adventure, but if the reader examines the full purpose of it – “to explore their full potential and find their purpose, passion and place in the world, regardless of their location or circumstance” – then perhaps that’s exactly what they did, just without the formality.

Independent readers who like authentic stories with real body will adore this, as will class teachers looking for an absorbing read-aloud that will hook the entire class.

In the meantime, I am eagerly awaiting a copy of When the War Came Home because Lesley Parr is becoming a name I am always going to look for. 

Garlic and the Witch

Apr20
Garlic and the Witch

Garlic and the Witch

 

 

 

 

 

 

 

 

 

 

Garlic and the Witch

Bree Paulsen

HarperCollins, 2023

160pp., graphic novel, RRP $A24.99

 9780062995124

Brave little Garlic is back in this standalone companion to Garlic and the Vampire, with another tale of friendship, magic, and self-discovery. 

Garlic loves spending time with Witch Agnes, Carrot, and her new friend, the Count, who has proven to be a delightful neighbour to the village of vegetable people rather than the scary vampire the village feared in the first story,. But despite Agnes’s best attempts to home-brew a vegetarian blood substitute for Count, the ingredient she needs most can only be found at the Magic Market, far from the valley.

Before she knows it, with a broomstick in hand, Garlic is nervously preparing for a journey.

But Garlic is experiencing another change too—finger by finger, she appears to be turning human. Witch Agnes assures her that this is normal for her garden magic, but Garlic isn’t so sure that she’s ready for such a big change. After all, changes are scary…and what if she doesn’t want to be human after all…

As with the first one, this is not a complex read,- cheerful rather than chilling – with a subtle message about believing in stereotypes and rumours, readers will still need to have the reading skills necessary to interpret a graphic novel, seamlessly integrating the illustrations with the plot because there are many passages where there is no speech.  That said, with its warm colours, and faces which are friendly rather than frightening, this is a gentle introduction into both the format and fantasy. 

A fresh, new series to entertain readers who are looking for something a bit different. 

The Grizzled Grist Does Not Exist

Mar4
The Grizzled Grist Does Not Exist

The Grizzled Grist Does Not Exist

 

 

 

 

 

 

 

 

 

 

The Grizzled Grist Does Not Exist

Juliette MacIver

Sarah Davis

Gecko Press, 2022

36pp., hbk., RRP $A27.99

9781776574155

It’s the class trip to Dismal Hills wilderness. and the children are excited to show off their outdoor skills—foraging, climbing, trapping and hiking – under the leadership of the indomitable Ms Whiskersniff (who prefers to be called Ms Whisk).  That is, all except quiet little Liam who would rather hide…

A hider moves with soundless ease and treads as softly as the breeze.
At times, a hider barely breathes—but what is this the hider sees?

But when what he sees is dismissed as non-existent let alone a threat, the class finds themselves in big trouble.  Can Liam save them by being the world’s best Hider?

From endpaper to endpaper (and including them) this is a brilliant story that should be shared just for the fun of it.  It bounces along in rhyming language, mostly carried in the conversation between Ms Whisk and Liam, but superbly accompanied by the illustrations which are such an integral part of the story, as the best picture books are.  Readers will delight in spotting the clues that observant Liam does and many will relate to being the more introverted, non-outdoorsy type so often not seen and not heard.  

But as well as the clever wordplay and diverse characters, this story will appeal because it is just an entertaining, engaging read.  There’s no overt message of impending global  gloom, doom and disaster (unless you count the fate of Ms Whisk and Liam’s classmates) that seem to permeate so many recent picture books for young readers and while there is much to discover and discuss, there is not the sense that they must do something as a result of reading the story – except to read it again and again for the sheer joy of it. 

 

Jacob’s New Dress

Feb24

 

 

 

 

 

Jacob's New Dress

Jacob’s New Dress

 

 

 

 

 

 

 

 

 

Jacob’s New Dress

Sarah and Ian Hoffman

Chris Case

Albert Whitman, 2014

hbk., 32pp.,  RRP $A24.95

9780807563731

There are many costumes to choose from in the class dress-up corner – firemen, dragons, farmers, knights in shining armour – but Jacob insists on wearing the princess dress complete with crown.  Even when Ms Wilson suggests alternatives to deflect the derision he is receiving, particularly from Christopher, he proudly informs her that he is the princess.  At home that afternoon, his mother reaffirms that boys can wear dresses and even suggests he plays in his Hallowe’en witch’s outfit but when he proposes to wear it to school the next day she is caught in a dilemma of acknowledging her son’s choices and protecting him for the cruelty of his classmates.  When Jacob creates an alternative – a toga-like outfit he makes from towels – she is happier, especially when Jacob agrees to wear shorts and a shirt underneath.

However, while his friend Emily admires his creation, that is not enough for Christopher and the rest of the boys who cannot deal with Jacob’s nonconformist persona and Jacob goes home miserable and confused, but determined. He asks his mother to make him a real dress but she hesitates, and the longer she hesitates the harder it is for Jacob to breathe.  Will his mum support what for him is a natural expression of who he is, or will she try to protect him from the Christophers of the world? If she allows Jacob to make and then wear his dress to school is she subjecting him to ridicule?  If she denies him, is she protecting the stereotype?

Just ten years ago, there was a “Jacob” at the school where I taught – a young lad who preferred the princess outfits, made long hair from plaited pantyhose, and whose choices made him not only the butt of the playground bullies but also the subject of many teacher-parent and teacher-teacher conferences as we tried to find a way through the minefield that saw him become more and more anxious and isolated as he progressed through the years. Gender identity issues were not common – in fact, our Jacob was the first gender nonconforming child that many of us had taught. In hindsight and with what we know now, his dependence in other areas was just a manifestation of his insecurity and need to be acknowledged like a regular child, that he was more than his gender confusion and we needed to look harder beneath the outer to seek the inner. How welcome a book like Jacob’s New Dress would have been to give us some guidance, for like Jacob’s parents in the story, teachers too are trapped in the dilemma of acknowledgement and protection.  Ms Wilson tells her class that Jacob wears what he’s comfortable in. Just like you do. Not very long ago little girls couldn’t wear pants. Can you imagine that?”  If we don’t make judgements about a girl’s future sexuality because she prefers to wear blue jeans and to play football, why do we react so strongly to a boy making alternative choices?

This story was born of the authors’ own experience with their own child and while there are many unanswered questions about both the cause of and the future for such children, the strong message is that “support and acceptance from family, peers and community make a huge difference in the future health and mental health of these kids”.  Just like any child, really.  Ms Wilson is a role model for teachers – gender nonconformity is just another way of being different and “there are many ways to be boys [and girls].” Just a couple of generations ago people who were left-handed often had the offending hand tied behind their back to compel them to write with their right – perhaps it won’t be too long before “pink boys” are as accepted as lefties are today. Perhaps we could start the conversations with questions such as

  • If Jacob were in our class, are you more likely to be like Emily or Christopher?
  • How would you feel if someone made fun of you wearing your favourite clothes or wouldn’t let you wear them?
  • Has that happened to you?  Do you want to share?
  • Why do you think Christopher reacts the way he does?
  • What did you like/not like about the way Ms Wilson dealt with the issue?
  • If you were Jacob’s mum or dad, what decision would you make?

Apart from anything else, an astute teacher will pick up on any sexism and bullying issues that might be bubbling below the surface.

However, there is another level to this book.  While, on the surface, this appears to be a picture book for the young (the recommended age is 4-7) it would also be a brilliant springboard to a study about what is masculine and what is feminine and the messages portrayed through the media about what is valued about and for each; the relationship between the clothes we wear and our perceived position in society; and whether, despite the feminist movement, whether deep-down core values and beliefs have really changed. Are gender-based stereotypes perpetuated?  In the vein of Tomie dePaola’s Oliver Button is a Sissy this is yet another example of a picture book (usually seen as the reading realm of the very young) actually having an audience of all ages.

A peek inside...

A peek inside…

Originally published May 4, 2014

Updated February 2023

Julian Is a Mermaid

Feb23

 

 

 

 

Julian Is a Mermaid

Julian Is a Mermaid

 

 

 

 

 

 

 

 

Julian Is a Mermaid

Jessica Love

Walker, 2018

40pp., hbk., RRP $A24.99

9781406380637

Going home on the subway with his grandmother, Julian spots three glamorous women dressed as mermaids and is immediately transported to his imaginary world living under the sea as a mermaid, at one with the creatures there.  He is pulled from his reverie as the train reaches his stop but the memory lingers and once he is home and his grandmother goes to have a bath, he uses the things in her apartment to transform himself – plant fronds for flowing, hair, lacy curtains for a splendid tail, and some lipstick. But then his grandmother comes out – will she scold him for becoming something so feminine or will she embrace his imagination and diversity?

In what is almost a wordless picture book, the reader has to immerse themselves in the pictures to really engage with this story that challenges the stereotype of being a mermaid being a girl’s dream and celebrates diversity, being true to yourself and accepted for that. 

One can imagine the eyebrows that would be raised on an Australian metro train should three glamorous women dressed as mermaids get on, each confident in themselves and their dress (reminiscent of the costumes of Priscilla, Queen of the desert)- but this is New York and instead of derision they encourage a young child to dream and then make that dream a reality. 

His grandmother, somewhat overweight but nevertheless flamboyant in her own style, is clearly very comfortable in her own skin, not driven by the expectations of others and definitely not the stereotype grey-hair-and-knitting that is so commonly portrayed in stories, and so it is not surprising that she embraces Julian’s desires and takes him to a place where he can truly belong. 

Because so much of the story is told in the illustrations, they have to be superb and they are. From the stunning undersea creature presenting the mermaid Julian with a coral necklace to the characters that Julian and his grandmother pass in the street, indeed even the women in the pool in the endpages, each with is imbued with personality and confidence and pride in who they are. 

This is a book that demands close reading and reflection so its riches are revealed; it is one that will raise questions and demand explanations; but to those who are like Julian and dream of things that are beyond the traditional stereotype bounded by gender, it will bring comfort and maybe confidence so they too can be themselves. 

Originally published June 28 2018

Updated February 2023

Introducing Teddy: A story about being yourself

Feb22

 

 

 

 

Introducing Teddy

Introducing Teddy

 

 

 

 

 

 

 

 

Introducing Teddy: A story about being yourself

Jessica Walton

Dougal Macpherson

Bloomsbury, 2016

32pp., hbk., RRP $A24.99

9781408877630

 

Errol and his teddy, Thomas, are best friends.  They do everything together and go everywhere together.  Riding the bike, planting the veges, eating sandwiches in the treehouse, and having tea parties indoors when it is raining. 

But one day Thomas seems incredibly sad and nothing Errol can do can cheer him up – not even playing on the swings in the park. 

“What’s wrong, Thomas. Talk to me,” said Errol.

“If I tell you,” said Thomas, you might not be my friend any more.”

“I will always be your friend, Thomas.”

Thomas the teddy took a deep breath.  “I need to be myself, Errol.  In my heart. I’ve always known that I’m a girl teddy, not a boy teddy.  I wish my name was Tilly, not Thomas.”

Does this revelation affect Errol’s friendship with his teddy?  Not at all. It’s their friendship that matters.  Neither does it bother their friend Ava, who scoots by and joins in the fun of the park.  And at the very next tea party Errol and Tilly have a lovely time with Ava and her robot.

The publisher’s blurb for this book says it is “a ground-breaking children’s book about gender identity and friendship’ and indeed it is for if you have ever tried to find stories about this topic for young people, you will know they are few and far between.  In fact, anything that touches on gender diversity is scarce and yet it is an area that needs and deserves attention.  Written in response to a personal need, its Australian author has really highlighted that gender orientation should not be that which defines us, and for kids, it isn’t.  Being a friend is much more important.  Having witnessed the transition of a girl to a boy first-hand, what was very evident was that the other students just accepted the child for who he was.  There was no fuss or bother, teasing or bullying.  Perhaps this was because of the way both the parents and the school handled the matter, but it was very apparent, that as with any form of discrimination, it is the adult generation that finds things hard to accept and imposes sanctions.  Just like Errol, the existing friendship was stronger and more important than anything else.

Through a wonderful marriage of text and illustrations, Walton and Macpherson have explored this concept perfectly – the repositioning of the bow tie to hair ribbon is just exquisite.

However, while I believe that this book and others like it have a place in the school library collection, there are those who are likely to object and therefore it would be prudent to make sure that your Collection Policy includes a statement such as “no resource in the general collection will be shelved, labelled or displayed in a way that discriminates or marginalises a user on the grounds of ability, culture, ethnicity, religion sexual orientation, or any other consideration”.  It would also be prudent to talk to your exec so they are in the loop as they are usually the go-to people when parents complain.  (For more information on this go to The Tricky Topics Hat )

“Inclusivity” and “diversity” have to be more than just buzzwords in the current educational jargon, and we need more writers like Jessica Walton to enable us to ensure that all our students are able to read about themselves in the resources we offer them.

Originally published June 1 2016

Updated February 2023

Perfectly Norman

Feb21

 

 

 

 

Perfectly Norman

Perfectly Norman

 

 

 

 

 

 

 

 

 

 

Perfectly Norman

Tom Percival

Bloomsbury, 2017

32pp., pbk., RRP $A12.99

9781408880982

Norman had always been perfectly normal. That was until the day he grew a pair of wings! 

He had imagined growing taller or even growing a beard like his dad, but not growing  a pair of wings!

Norman is very surprised to have wings suddenly – and he has the most fun ever trying them out high in the sky. But then he has to go in for dinner. What will his parents think? What will everyone else think? Norman feels the safest plan is to cover his wings with a big coat.

But hiding the thing that makes you different can prove tricky and upsetting. The coat became a burden, even an embarrassment and Norman began to resent the wings until he realised it was the coat making him unhappy, not the wings. After all, no-one else has wings, so why him? Can he find the courage to discard the coat? What does he discover when he does?

In this poignant story about being different, Percival has set the text against striking backgrounds of various shades of grey depicting normal and dull while giving Norman bright colour and light so that his feelings of being unique are highlighted physically as well as emotionally. He has also chosen to depict a diversity of characters, each unique in their own way and each of whom accept Norman as normal, so really, what does “normal’ mean? What do Norman’s wings represent – could it be he has come to terms with his gender identity and regardless of the coat, he can now use the wings to be true to himself?  

 For a wonderful part of their lives, children don’t see difference and they just love who they are but then awareness starts to develop and they start to see themselves with new and often unkind eyes.  They want nothing more than to be the same as their peers, to not stand out, to be normal and anything that makes them unique, whether it is skin colour, wearing spectacles, being an only child or growing a set of wings, becomes a burden that they would rather not carry. But the freedom when the coat is shed… 

Accepting and celebrating who we are and what we are, especially those things that make us special and unique is so important for our mental health and at last, we are starting to understand that the self-talk and messages we give ourselves as we interpret our interactions and experiences as a child can have an incredible impact on the well-being of our older selves. The more children can encounter books like Perfectly Norman and discuss them so they understand that there is no ‘normal’ or “perfect” the healthier they will be.  It is our responsibility as teacher librarians, teachers and other significant adults in their lives to make sure they meet lots of Normans and not only grow to love their own wings but to use them to fly!

Originally published October 1 2017

Updated February 2023