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All Bodies Are Good Bodies

All Bodies Are Good Bodies

All Bodies Are Good Bodies

 

 

 

 

 

 

 

 

 

All Bodies Are Good Bodies

Charlotte Barkla

Erica Salcedo

Little Hare, 2019

24pp., hbk., RRP $A19.99

9781760503932

I love hands!
Hands that are white and hands that are brown,
Freckles mean sunshine has sent kisses down.
Short fingers, long fingers, bendy or straight,
Hands to clap, or high-five your mate.

Even though the human body comprises the same elements, each is unique. No two are the same unless you are an identical twin.  In this superbly illustrated book, each body part such as hands, hair, eyes and even tummies is featured while those characteristics which make them unique are celebrated.  It doesn’t matter if your nose is long and thin or short and flat or even turned up like a pussycat, we each have one and each does its special job.

With its bouncy rhyme and positive message about accepting the diversity and differences which make each of us special, it actively promotes the acceptance of the body regardless of shape, colour, or size so that we appreciate our individuality and are inclusive in our choices. When even our youngest readers are aware of their physical appearance these days and start to develop their relationship with their body, this is a critical message that encourages the positive mental health mindset so essential to developing resilience and empathy and offering lots of scope to collect and interpret data as the children compare and contrast their differences. 

 

Foothand Elbownose

Foothand Elbownose

Foothand Elbownose

 

 

 

 

 

 

 

 

 

Foothand Elbownose

Kiah Thomas

Connah Brecon

Little Hare, 2019

24pp., hbk., RRP $A19.99

9781760502027

While Max liked to splash in puddles and get his feet soaking wet, Right Foot had finally had enough.  Sick of being wet, living inside smelly, squelchy socks, and having to contend with prickles and stubbed toes, it finally rebels and demands to be a hand.  Max is open to the idea and for the rest of the day, Foot is happy being a hand, painting letters and helping Max eat his dinner.  But the trouble begins when the other parts of Max’s body decide they want to be different parts too and suddenly Max find himself with an elbownose, mouthear, headbottom,  and a tonguefoot and fingernail had just declared a wish to be an eyelash. Max is so confused he shouts “Enough!” but will the body bits agree to return to their original functions?

This is a quirky book cleverly illustrated that not only helps little ones focus on the parts of their body and how they are perfectly formed for the job they have to do, but also whether who they are is enough or is the grass really greener? Even though they might admire someone a great deal and want to swap lives with them, would they be really happy and suited to being that other person?

Exploiting the preschooler’s ability to totally suspend their imagination so that a foot becoming a hand is utterly plausible, both author and illustrator offer an opportunity for our youngest readers to indulge in the fantasy , perhaps even suggesting other swaps that could have hilarious consequences.

The Fate of Fausto: A Painted Fable

The Fate of Fausto: A Painted Fable

The Fate of Fausto: A Painted Fable

 

 

 

 

 

 

 

 

 

The Fate of Fausto: A Painted Fable

Oliver Jeffers

HarperCollins, 2019

96pp., hbk., RRP $A29.99

9780008357917

There was once a man who believed he owned everything and set out to survey what was his.

Claiming a flower, a sheep and a tree with relative ease he meets opposition from first the lake, and then the mountain but shaking his fist, stamping his foot and shouting brings them into line and they too, finally bow before him.  But still unsatisfied with those possessions and his seemingly invincible power, he commands a boat and sails out to sea, determined to conquer that too.  But the sea has other ideas…

Using traditional lithography and deceptively simple text, this is one of those books that those who adhere to reading levels would classify as juvenile fiction suitable for 4-8 year-olds, and perhaps on the surface, that’s what it would seem to be. Younger readers might say it is about being friendly, more co-operative and not being bossy because no one will like you.

But to really appreciate what Jeffers is saying, particularly in light of the explanation of its dedication, readers need to have a much deeper knowledge of human behaviour, of the drive of an individual’s ego and its need to be fed often by power and greed; of the transient nature of human life against the backdrop of Mother Nature; and a realisation that who we are as individual, compassionate beings is enough. Even the choice of the protagonist’s name is significant, presumably referring to Faust who, in the German legend, is highly successful but still dissatisfied with his life, leading him to make a pact with the Devil exchanging his soul for unlimited knowledge and worldly pleasures. In addition, the subtitle A Painted Fable suggests that there is more to this story than meets the eye, opening up discussions that are likely to run deep.

If ever there were a “poster-child” for picture books being for all ages, this would be it.  Jeffers is a genius.

 

 

Sulwe

Sulwe

Sulwe

 

 

 

 

 

 

 

 

Sulwe

Lupita Nyong’o

Vashti Harrison

Puffin, 2019

48pp., hbk., RRP $A24.99

9780241394328

Sulwe was born the colour of midnight – not the colour of dawn like her mother; the colour of dusk like her father or even the colour of high noon like her sister Mich. No one in her school was as dark as Sulwe and while Mich was called “Sunshine’ and “Ray ” and “beauty”, Sulwe was called “Blackie’ and “Darky” and “Night”, names that hurt her so she hid and wished with all her might that she could be lighter like her sister.  But not even wishing, using an eraser on her skin, Mama’s makeup, eating only light-coloured foods or even praying made the slightest difference.

Desperately unhappy, she finally told her mother how she was feeling and her mother gave her some great advice but it is not until she has a magical nighttime adventure and hears the story of Day and Night that she finally gets some self-belief.

In some ways mirroring the experiences of the author, actress Lupita Nyong’o , this is a story deliberately written to inspire those who look different to look inside themselves for their beauty. While “what is on the outside is only one part of being beautiful…[and] it’s important to feel good about yourself when you look in the mirror …what is more important is working on being beautiful inside.” With body image still playing such a key role in our mental health, any story like this that helps our young readers begin to feel positive about themselves as early as possible before the ignorant taunts of others do their damage, has to be shared and discussed.  Highlighting how Sulwe felt when she was called names, asking what if Sulwe was in this class, listing the mean names directed at students that are heard in the classroom and playground and their impact on their peers might be what is needed to confront the bullies with the impact and power of their words, calling the behaviour for what it is could be the tough love that some of our students need.Starting with the fiction but transferring it to reality, having the students be in the shoes of Sulwe, can be the most powerful teaching tool.  This is a story that is not just about empowering the individual, it’s about awakening the collective. 

All of Us: A history of Southeast Asia

All of Us: A history of Southeast Asia

All of Us: A history of Southeast Asia

 

 

 

 

 

 

 

 

 

All of Us: A history of Southeast Asia

Jackie French & Virginia Hooker

Mark Wilson

HarperCollins, 2019

48pp., hbk., RRP $A29.99

9781460750025

Just over 25 years ago, then-Prime Minister Paul Keating delivered a speech in which he told Australians “our destiny [is] as a nation in Asia and the Pacific” much to the horror of those who saw us as irrevocably tied to Britain and causing shockwaves which reverberated across all facets of the nation. Now, in November 2019 Prime Minister Scott Morrison has committed to being part of RCEP, the world’s largest trade deal centering on the key Asian nations. Yet, in this new book written by Australia’s leading writer of historical fiction for young people and social historian Emeritus Professor Virginia Hooker, our ties to Asia go back 200 000 000 years when we are part of the supercontinent Gondwanaland and homo sapiens walk out of Africa, travel around and through the lands now known as Asia and eventually establishing the first known indigenous populations in Lake Mungo, NSW 40 000 years ago. Our connections to our neighbours are so much more and so much older than speeches of political leaders seeking new economic directions.

And it is those connections which set this beautifully illustrated book apart, making it unique in the cacophony of books about the history of the region. Accompanying the timeline of major events that have shaped the geographical, political and economic landscapes, French introduces the social perspective through superbly evocative poems telling the stories of two children of each era making this a personal story that shows the thread of connectivity of the people down through the ages.

From the rock art of Timor-Leste …”We carved a face upon the rock to say, “I’m here. I’m me.”‘ to the modern day “Kita semma, all of us, we stride towards tomorrow” the common bonds of seeking identity, dignity, recognition and connection are woven into something unique, beautiful and personal.  It is not a litany of transient, petty power-seeking but a story of the determination and resilience of humans culminating in a collection of ways that the reader can continue the journey forwards. 

IMO, with its emphasis on our connectivity despite our diversity, this book should be at the core of your resources for the Asia and Australia cross-curriculum priority for all ages and stages. either as an introduction or a springboard. It seems to capture all the essential elements of understanding that that CCP embodies.

Teachers’ notes are available. and don’t be surprised to see it in all the awards’ lists in 2020.

Tulip and Brutus

Tulip and Brutus

Tulip and Brutus

 

 

 

 

 

 

 

 

 

Tulip and Brutus

Liz Ledden

Andrew Plant

Ford Street, 2019

32pp., pbk., RRP $A16.95

9781925804348

Tulip and her ladybug friends live amongst the flowers while Brutus and his stinkbug friends live up in a tree.  They never play together. They are so very different that it would be hard to think they could ever be friends. But after a day of heavy rain, their habitats become merged and they realise they have to work together to protect themselves.  As they do, they begin to understand they have more in common than they realise, and each discovers new joys to explore.

The theme of unlikely friendships is not new in children’s literature, but this one is brought to life by the scintillating, action-packed illustrations of Andrew Plant (Pippa, The Perfect Leaf; Glitch,  Spark, and The Poppy) . With a mix of imagination and real-world, Ledden and Plant have combined to create a story that will appeal to young readers, bug-lovers and haters alike, and help them understand that being different and diverse is natural but that there is much to learn and enjoy through trying new things.

 

 

Africa, Amazing Africa: Country by Country

Africa, Amazing Africa: Country by Country

Africa, Amazing Africa: Country by Country

 

 

 

 

 

 

 

 

 

Africa, Amazing Africa: Country by Country

Atinuke

Mouni Feddag

Walker, 2019

80pp., hbk.,  RRP $A29.99

9781406376586

No continent’s political borders seem to be as fluid as those of Africa and so this new publication is an introduction to all 55 countries on the African continent.  It captures Africa’s unique mix of the modern and the traditional, as its geography, its peoples, its animals, its history, its resources and its cultural diversity are explored in accessible text and colourful illustrations.

The book divides Africa into five sections: South, East, West, Central and North, each with its own introduction. This is followed by a page per country,which provides the merest taste of the riches of each that can be explored further if desired. The richest king, the tallest sand dunes and the biggest waterfall on the planet are all here, alongside drummers, cocoa growers, inventors, balancing stones, salt lakes, high-tech cities and nomads who use GPS! 

With so many classes now including students of African origin, this is a wonderful way to begin exploring their background, showing them that they are represented in the library’s collection and have a unique heritage to share – as the author says, Africa is the birthplace of the world’s population. It could be a great adjunct to an EALD program using the child’s home country to introduce meaningful reading and information literacy skills.

The Caveman Next Door

The Caveman Next Door

The Caveman Next Door

 

 

 

 

 

 

 

 

The Caveman Next Door

Tom Tinn-Disbury

New Frontier, 2019

32pp., hbk., RRP $A24.99

9781925594850

Penny’s street and home were just like any others until a caveman moved into an empty lot next door.  A caveman who cooked his meals outside, didn’t have a TV, didn’t wear socks and whose furniture (what there was of it) was made of sticks and stones. And he didn’t speak English – all he could do was grunt.

One day after school, Penny decided to show him around the neighbourhood – the library, the bus, the park, a restaurant… But wherever they went, and no matter how hard he tried, Ogg didn’t know what to do or how to act and they were shown the door of every place. Until Penny took him to her school…

It’s hard enough fitting into a new neighbourhood when you speak the language and have mastered the social niceties, but to do so without either of these like Ogg, must be overwhelming and daunting.  And yet, with our multicultural and global perspective that welcomes people from all over the world, this must be a common experience for many.  While the children are able to go to school, make friends, learn the language and the expectations, parents, particularly mums, are left at home isolated, mixing only with others who share their lifestyle and so a vicious cycle of exclusion and racism begins.  While Ogg’s attempts to do the right thing are funny, there is an underlying pathos at his awkwardness and also a sadness at the actions of those who object to his actions.  Only at school does he find compassion.  

Using a caveman analogy to bring awareness to the issues of being different is clever because not only does it highlight just how hard it can be, no one can criticise the author for being insensitive towards one group or another.  It certainly opens up the opportunities for discussions about how we respond to newcomers and identifying those things peculiar to us that they might have difficulty adjusting to as well as putting the students in Ogg’s shoes.  With space travel on the horizon, what if they went to Mars to live and found there were indeed Martians…?

While the theme of being different, fitting in and accepting others is common in children’s picture book, even though it might be expressed in a unique way each time, the more often we expose our students to these sorts of stories and talk about them, provoke their thinking and even develop strategies to embrace all, then the better and stronger the communities we build will be.  Strong, united communities are the key to a peaceful, harmonious future if we are to move beyond the current, nationalistic “our best interests” philosophy and look at what is good for humanity as a whole.

The Voyage

The Voyage

The Voyage

 

 

 

 

 

 

 

 

 

The Voyage

Robert Vescio

Amanda Edmonds

EK Books, 2019

32pp., hbk., RRP $A24.99

9781925820034

Fourteen words. If books were priced based on the number of words the story had, then you would probably ask for your money back with this one, but those 14 words document a life-changing episode in one family – a family that could be any one of a number of those whose children we teach and will teach as conflict continues to circle the world. Just fourteen words to tell such a story that are more powerful than if there were 10 or 100 times that many. 

War displaces the family and their pet duck and so they must escape on a boat into the unknown. At first there is the CHAOS of the conflict; then there is the WILD ocean as a storm tosses the boat and overturns it;but BEAUTY awaits as they finally sight land ahead and at last they are SAFE.

But words alone are not enough and it is the remarkable and powerful watercolour illustrations that meld with those 14 words to tell an all-too familiar story of despair, hope, courage, resilience and joy. In fact, more mature readers might be able to empathise with the family and retell the story using an emotion for each page, perhaps sparking greater understanding and compassion  for their peers who have lived the nightmare.  But while those illustrations have strong words to convey, they have soft lines and gentle colours so the humanity and reality of the people is maintained and the reader is not turned off by page after page of darkness.. Again, older students could compare the illustrations and mood of this book with those of the 2019 CBCA Honours Book The Mediterranean

Accompanying notes tell us that both author and illustrator were driven by the need to tell what is becoming a common story so that there is greater understanding and compassion amongst those whose lives are less traumatic and through that, build stronger, more cohesive communities so that life is better, enriched and enhanced for everyone. Edmonds deliberately chose a Middle Eastern family as her centrepiece because of the richness of the culture so that the reader can appreciate the depth and meaning of what is being left behind – the dilemma  of leaving  all that is known and loved for the uncertainty of the unknown and the heartache and danger that either choice will bring.

Beyond the storyline itself, this is a book that so clearly demonstrates the critical, integral relationship between text and illustration, that a picture really is “worth a thousand words” , and often the picture book format is the most powerful way to tell a story.

Look for this one in the 2020 awards lists.

 

Moonfish

Moonfish

Moonfish

 

 

 

 

 

 

 

 

 

 

 

Moonfish

Graeme Base 

Puffin, 2019

48pp., hbk. RRP $A26.99

9780143791409

The fish that live in the pond beneath the dragon-moon are happy. They know the moon will keep them safe. But it was not always like this . . . There was a time when they looked to the skies with fear.

In this stunning new picture book, Graeme Base, creator of so many stunning picture books including Animalia , has crafted a story about being and belonging, about having to leave to discover who you are, with undertones of the ugly duckling but so much more than that. Set in China, it tells the story of a baby fish who is found and taken in by a family who care for him, but as he grows and grows and grows, understand his feeling that he doesn’t fit in and needs to undertake a journey to discover where he does. It will resonate with lots of students who feel where they are isn’t quite the best fit for them, whether that is physically, sexually, culturally or whatever is making them uncomfortable, yet despite its dark palette it offers hope and possibility.

You can learn more about the story behind the story here., but expect this one to be on the 2020 awards lists.