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Sketch

Sketch

Sketch

 

 

 

 

 

 

 

 

 

 

Sketch

Jacques Goldstyn

Translated by Helen Mixter

Greystone Kids, 2026

88pp., hbk., RRP $A29.99

9781778402777 

From the moment Sketch was born, it was clear that he was a little different. For although he looked the same, right from the get-go, he was “livelier, more rambunctious, spontaneous and a little bit wild”. And in “a perfect town where there was a place for everything and everything in its place” and even the people and geese walked in straight lines, being different in any way makes you stand out and those around you are disconcerted, if not afraid, perhaps even a target as Sketch discovered on his first day of school when the principal automatically assumed he was a trouble-maker because he was a bit scruffier than the other new students.

In a place that values conservatism and conformity, it’s tricky being innovative and imaginative. He draws when he is supposed to write, and in art class where he is happiest, his drawings were always different.  But even though he had the love and support of his parents and his art teacher, he still felt different, misunderstood and alone. Until the day he goes to high school where most of the students walk around like robots staring at their phones except for…

A peek inside...

A peek inside…

Told as a narrative with all the action and emotion contained in the illustrations, this is a finding-your-tribe story that will give hope to those like Sketch who not only think and feel differently from those around them, but who feel isolated because of them.  There is strength to be gained from Sketch’s remaining true to himself, particularly in the somewhat surprising ending when instead of wanting to leave the town, he knows that he is needed there.  

Although the stereotypes of principals and school-marms who try to shape Sketch into being like the other children have largely disappeared from schools where diversity is now celebrated, there is still an element of society that not only values “the old school” but seeks to maintain, even return, to it (as current political trends show) and anyone like Sketch is viewed with suspicion, if not openly shunned.  So, while this is billed as a book for young children, IMO its greatest value belongs in sharing it with older children who can better understand its message, begin conversations about how they perceive and treat those who see the world differently, and consider and discuss why Sketch felt there was a need for him to stay in the town. And if they are among those who isolate and shun, how do their words and actions impact those around them, particularly the shunned?  What if they were the ones wearing Sketch’s shoes?  Author Goldstyn is a French-Canadian political cartoonist so what might his underlying message have been, beyond that of accepting and celebrating neurodiversity and being true to yourself, if, indeed, there is one? Why might he have chosen the picture book medium to convey that message?

The best picture books always take the reader beyond the words and pictures on the page, and this is one of those.

The Prime Minister Problem

The Prime Minister Problem

The Prime Minister Problem

 

 

 

 

 

 

 

 

 

 

The Prime Minister Problem

Brenton Cullen

Riveted Press, 2026

192pp.,  pbk., RRP $A17.99

 9781764256728

So many of us know Wren – the quiet, shy, introverted child who seeks solace in the library because it’s safer than the playground; the child who reads the Guinness Book of Records so they can say something but is never asked to contribute; the child who is always the last to be picked when it comes to team tasks; the child whose mum loves him dearly but is so busy working two jobs to make ends meet she never has time; the child who desperately wants a friend but whose only friend is his grandmother with whom he shares a love of nature and birdwatching… The invisible child who begins to think he is unworthy of attention, let alone love.

But then his teacher Miss Peg tells them that the term’s focus will be the government and particularly the prime minister, their roles and responsibilities and the class will work in teams to present a speech. Could being teamed with Tamara, the kid new to the school and the town, be a turning point for Wren? No- it seems not for she quickly sizes up the atmosphere and joins the hurt-you-before-you-hurt-me in-crowd who relentlessly tease Wren, before they discover her vulnerabilities.  But Wren is used to disappointment and goes it alone, again, convinced that if the PM’s job is to help everyone, surely she will help him save the animals from the current bushfires. So he writes to her and then waits and waits and waits for a reply…

However, while he is waiting a bigger, more personal problem arises – his beloved Grandma has a stroke and is going to need full-time care.  Problem is, there is no full-time care available in his small rural town and she is going to have to go to a nursing home in  the city three hours away where she knows no one and visiting is going to be hard.  Surely that is a problem that the prime minister would respond to – but another letter to her goes unanswered and even an attempt to travel to Canberra is thwarted.

And then Wren has an idea – one so big and important that from deep within he finds the courage to put himself in the spotlight, overcome his fear of speaking to groups, . An idea that finally gets the PM’s attention, but by them it doesn’t matter because his thinking has gone viral and the whole country is behind him already…

This is a powerful, read-beyond-lights-out story that is going to resonate with so many readers whether they see themselves as Wren, Tamara, or one of their school’s in-crowd, or even know Grandma or Mr Bright. In a digitally connected society that has never been more disconnected, loneliness is rife particularly as families and friends are so scattered, yet is masked by that prevalent unwillingness to show our deepest fears and feelings, in case we be judged in a world that thrives on likes and the approval of others. 

Few viewers who watched it will forget the warmth, charm and life-changing events of Old People’s Home for 4 Year Olds. and this is a story in the same vein for younger independent readers. Cullen has touched a hidden nerve, one that the Prime Minister can’t fix, but which one child’s hope, love, courage and determination does, and which may even spark a similar solution in the reader’s realm. One child can spark change and while helping others, help themselves too – not just growing a friendship group, but self-confidence and self-worth too.

Cullen has crafted an authentic novel that not only reflects real life but also addresses the “Now I know this, what next?” issue. At a time when every problem is blamed on the Government and therefore should be fixed by them, Wren (and the reader) learn that often the greatest solutions come from within those most affected.

Somewhere You Can Dream

Somewhere You Can Dream

Somewhere You Can Dream

 

 

 

 

 

 

 

 

 

Somewhere You Can Dream

Janeen Brian

Hilary Jean Tapper

A & U Children, 2026

32pp., hbk., RRP $A24.99

9781761181764

Do you love shadowy secret nooks or cosy hideaways?
Leafy, shady trees or sheltered, rocky bays?
Do you love comfy little cubbies or tree forts way up tall?
Or spaces behind places where you can curl up small?

If you are a little person, or even a big person, sometimes the world just seems too big, too busy,  too noisy, too overwhelming to deal with and you just need to seek solace and silence for a while to regroup and “gather yourself” (as my friend says) so you can face it again.  And in this delightful picture book, so perfectly illustrated in soft, calming watercolours, Janeen Brian explores this need to seek shelter, take stock and dream the big dreams. 

A peek inside...

A peek inside…

Many of the places are small, one-person crannies where the borders are visible and the need to be enclosed is instinctive, almost as though we are returning to the womb, but she acknowledges that there are those who find  comfort in the great outdoors – 

Or maybe you love sea and sky and clouds that are spread out

And hills that roll and valleys deep that give you room to shout!

Regardless of where we each prefer to find that intimate, recharge-our-batteries space, the fact is that it is a universal human need and Brian not only helps our youngest readers understand this, but encourages them to think about where they like to go to dream and think.  Where is their happy place in which they feel safe and secure which, in time, they might have to retreat to mentally, if not physically? However, as well as helping them learn about their own needs, they can also build their emotional intelligence by appreciating that like them, others -including their parents – have the need to also take time out in their special space and hang up a metaphorical “Do Not Disturb” sign.

I always admire those who can take something as seemingly innocuous and everyday as  this and turn it into an engaging story that resonates so clearly, and Brian has done this superbly, while Tapper has taken those words on paper and turned them into something masterful.  I may no longer curl up in my sheet-over-chairs cubby that my seven-year-old-self sought relief from all the boisterous boys in my life in, but my 70+ year old self has enjoyed revisiting and revitalising that special cocoon.

Dreaming of being the star of the show, and how she is...

Dreaming of being the star of the show, and now she is…

It’s a Twin Thing: The Break Up

 

It's a Twin Thing: The Break Up

It’s a Twin Thing: The Break Up

 

 

 

 

 

 

 

 

 

 

 

It’s a Twin Thing: The Break Up

Kristin Darell

A. Yi

Penguin, 2026

208pp., pbk., RRP $A14.99

9781761353598

Ever since they can remember, identical twins Brooklyn and Abigail have done things together with their “third twin”, Chari, and wherever one was, the others were close by, even sharing “twin-tingles” when they find themselves thinking the same thing or finishing each other’s sentences..  But now as they enter Year 5, their parents have decided that they need to forge their own paths and have asked for them to be in separate classes.  While Abi still finds herself paired with Chari and her friends from previous years, Brooklyn is by herself amongst those who had been nasty in the past, and that’s just the first of the changes… Brooklyn is asked to run the annual Talent Show without Abi by her side, while Abi is asked to join the debating team and be a library monitor without Brooklyn.  How will they cope in this new world of being one instead of two-in-one?

This is an engaging novel for independent readers who, although they may not be a twin and sharing that special bond that twins have, may still be finding themselves out of their comfort zone working out who they are and forging their own identity in a new friendship landscape.  Wisely, Brooklyn and Abi’s father has given them a journal to express their feelings, and through this, the reader gets an insight into the confused emotions of each twin as they struggle to understand that just because they look alike on the outside, they are not necessarily the same on the inside. And who they were then, may not be who they are now, or who they want to be in the future. Outwardly extrovert Brook struggles with the public speaking side of being a leader, while the more introverted Abi finds being in the public eye of the friends’ band too much to cope with. Can they find a way back to being the team they were while still being true to themselves?

This is the first in this new series that explores all the familiar emotions of acceptance and rejection, popularity and peer pressure and other complexities and confusion as the friendship groups of  the tweenage girl ebb and flow like kelp on the tide. Friends become enemies, enemies become friends, molehills become mountains as growing independence, self-awareness and hormones kick in and the need to be one of the in-crowd seems to overwhelm everything.  But Darell has skilfully demonstrated that even identical twins are individuals and perhaps the most important trait of all is having the courage to say no, be yourself and follow your own path, yet still remain a good friend.   To quote a recent review, not everyone fits under the same umbrella no matter how hard they try, and neither do they want to. 

The powerful pull of peers is a huge force in the lives of upper-primary/early-secondary girls and this is likely to resonate with many readers of this age, but by reading it, perhaps they will understand that all those feelings of self-doubt, unworthiness, unattractiveness, not-living-up-to-expectations are common and, through Brooklyn’s and Abi’s stories, which include supportive, wise parents who are neither monsters nor the fun police,  they do have the power within them to march to the beat of their own drum.

If this story prevents just one person from being headline news, or worse. a suicide victim, then it has changed a life – and an author can ask for little more than that. 

 

Jayden Noticed

Jayden Noticed

Jayden Noticed

 

 

 

 

 

 

 

 

 

 

 

Jayden Noticed

Carolyn Crimi

Shamar Knight-Justice

Candlewick Press. 2026

32pp., hbk., RRP $A34.99

9781536227307

Jayden notices everything. He notices the way the moon looks different every night as it peeks through the oak tree. He notices spiderweb wheels and egg freckles, mouse paws and rose petals. But most of all, Jayden notices rocks. Jayden collects a rock to go with everything: a homework rock, a Saturday rock, even enough wishing rocks to fill up a jar. 

But now, Jayden has moved to a new home in a new neighbourhood and the first thing he notices is its weird colour, the trees are too short and the mailbox is in the wrong place.  Immediately he says he is not going to like it, but his wise mother suggests that he give it some time.  Will he find a rock that will help him have the courage to embrace this change that he has no control over?  Maybe even find a friend?

Little people often find it tricky to embrace the changes that adults impose on them for whatever reason, because for many is is the certainty of routine and regularity that enable them to feel safe. But through the author’s sensitive text and the illustrator’s expressive and emotive pictures, they can be guided through the upheaval by learning to look for the positives in the new situation, like the fact that the short trees enable Jayden to see the moon unimpeded in its full-moon glory, rather than just peeking through the trees. And who knows what new worlds might open up to him now that he has notice and made friends with Alex, a boy as curious as himself but his focus is bugs.

Parents and  teachers alike will find this a helpful way to start conversations and navigate big life changes that are looming for children, whether home or school-based, by encouraging them to concentrate on the small details rather than the big picture.  They might not notice rocks in the way Jayden does, but by honing in on the child’s particular interest and showing how it will stay the same or may even be better than now, focusing on the positives that are within the child’s realm, perhaps the disruption may not be as traumatic as anticipated and gradually they build their emotional resilience and their anxiety diminishes.

Ideal for adding to the collection that help little people navigate the big feelings that they don’t yet have the words to articulate, especially when they are out of their comfort zone.  

My Super Uncle

My Super Uncle

My Super Uncle

 

 

 

 

 

 

 

My Super Uncle

Dannika Patterson

Seantelle Walsh

Ford Street, 2026

32pp., hbk., RRP $a27.95

9781922696540

My friends all love my uncle
when he jokes and fools around.
To me, he’s super special
’cause he never lets me down.
I don’t need x-ray vision,
to see the way he cares.
I don’t need super senses,
to know he’ll be right there.

Families come in all shapes and sizes – always have, always will – but now, more than ever before, those shapes and sizes can not only be accepted, but be celebrated. And in this joyful story, it is the shape of a family of two mums, a child and the sperm donor – depicted in a delightful “child’s” drawing on the endpapers, an a subtle hint on the front cover – that is celebrated.

But because endpapers are often overlooked, for much of this story, it seems that the little girl is just celebrating the joy and fun she has with a special adult in her life, and their unique relationship is not revealed till the final pages. But how excited will many little readers be when they see their family structure depicted in such a happy way, not just through the rhyming text but also the warm-hearted, realistic illustrations that convey a sense that these are real people, not just book characters -as, indeed, they are. 

While first term is often a time when young students investigate and share their family structures, learning about the internal relationships between the various adults and children, comprehensive teachers’ notes offer ways to delve deeper into the story behind the story, to use the clues in the illustrations to understand that each character has their own story rather than just being a 2D representation of an anonymous, imagined person and to appreciate the diversity of family structures in the 21st century. While this might be this little girl’s story, every child has one.

In Australia, at least, we have come a long way in the last decade being able to provide and promote stories like this that strayed beyond the ‘norm’ – as recently as 2015 some principals wanted to be kept in the loop so they could field any parental complaints in an informed manner, while many teacher librarians themselves, felt that to read such inclusions without prior parental approval would be “outrageous and cause uproar” – and although there will still be concerns about sharing a story about family diversity, sexual orientation or assisted reproduction,  even though most are more than willing to share those relating to physical disabilities, mental health issues, particular illnesses and different cultural, social and religious backgrounds as we try to promote the message that these things should not define the person or their worth, IMO it is essential that we think of the child first.  Books like this are a critical element of their mental health so they see themselves and their circumstances in everyday books, are not marginalised, made to feel that they have done something wrong or are somehow different because of the choices made about and for them by the adults in their lives, and the more we share stories that celebrate diversity the more we normalise the child’s situation and experiences.  

Just like the story behind Charles M. Schultz introducing a black character into the Peanuts comic strip has been well-documented and there are stories galore of how this impacted young black readers in the US, particularly, so too must we think of those whose origins are not what is considered ‘traditional’ and as well as books like this and Guess How I was Born  and Rainbowsaurus,  among others,  the teachers’ notes also provide links to several appropriate websites including 10 Ways to Rethink the Family Tree Project – and be more inclusive to all students.

Perhaps we, as educators, can also be the superhero who doesn’t wear a cape, by starting the conversations and actively fostering inclusion and acceptance. 

Poppy & Pipsqueak: The Mighty Pipsqueak

Poppy & Pipsqueak: The Mighty Pipsqueak

Poppy & Pipsqueak: The Mighty Pipsqueak

 

 

 

 

 

 

 

 

 

 

 

Poppy & Pipsqueak: The Mighty Pipsqueak

Deborah Kelly

Anne Sabadin

Wombat Books, 2026

65pp., pbk., RRP $A11.99

9781761112768

Poppy is very excited when she sees the new pups that Jess has had overnight, and even moreso when she spots a teeny-tiny one, not much bigger than a mouse, wriggling among the other five and that her parents had not seen.  But her joy turns to devastation when her dad tells her it is a ‘runt”, and unlikely to survive.  And even if it does there is no room for such little ones on the farm, and they don’t sell, so there is no point in trying to save it.

But then Poppy plays an ace – she, too, was born tiny, spending weeks in an incubator being fed through a tube, because her parents refused to let her die.  An argument that couldn’t be argued with and so begins the relentless, 24/7 tasks of raising a pup that Poppy (and the young reader) learn must be undertaken if the puppy is to survive and thrive. It’s more than just cuddles and snuggles and walking them each day!  And just as Pipsqueak learns the physical tasks of being independent, so Poppy learns about taking responsibility and developing her own independence.  But thriving is in Poppy’s DNA and she is determined that Pipsqueak will flourish, just as she has, and be brave and resilient, just as she is.

But when Pipsqueak starts eating shoes and ripping washing from the line and Dad declares she must go back to the barn, Poppy is worried that the possums, blue-tongue lizards and spiders would scare her, particularly as the other pups had been sold and she would be alone in the damp and the dark.  And to add to her misery, she spots the sign advertising Pipsqueak for sale! Poppy knows that farm dogs are different from house dogs  -they are not working dogs, not pets, and many find new homes – but can she persuade Dad to let her keep Pipsqueak?

This is a charming story for young, emerging readers full of joy and hope that just as Poppy had been cared for so carefully and despite needing glasses and a hearing aid, so too will Pipsqueak thrive. It moves along at a fast clip, with just enough drama to keep turning the pages to find out what happens. Ideal for those whose skills are consolidating or even as a first read-aloud chapter book for a class. It’s the first in a series so there are more adventures to look forward to. 

 

The Umbrella

The Umbrella

The Umbrella

 

 

 

 

 

 

 

 

 

 

The Umbrella

Niki Foreman

Binny Talib

Penguin, 2026

32pp., hbk., RRP $A24.99

9781761348242

It’s pouring rain and all the kids are sheltering under the umbrella.  Except for one little girl who doesn’t fit, no matter how hard she tries.

But then she asks herself, “Do I need to fit? ” And while she acknowledges that she would like to, and even makes friends with others who don’t fit either and getting their own umbrella, she has the self-awareness to realise that even that is not a good fit and gradually realises that maybe she doesn’t need to fit at all – there is plenty of fun to be had being in the rain… 

Written entirely in conversation with the story being beautifully interpreted in the illustrations as a seamless whole – the epitome of a picture book IMO – this is a story that looks like it is for younger readers but which, in fact, has much broader appeal and potential. 

Promoted by the publisher as being written by “author and parent with intimate experience of neurodivergence“,  it can indeed, be a story about embracing your different way of thinking and viewing the world but it could be applied to any form of difference whether that be having red hair and glasses in a world that valued voluptuous blondes; having different beliefs and traditions, speaking a different language, wearing different clothes, eating different foods or any of the myriad of other differences that make us unique as individuals. Do we really need to be under the same umbrella?  And what happens when those who do fit and are sheltering under that umbrella lift it and see what life in the rain can be like?  From first turn of the cover where the reader sees all sorts of individual children out in the rain, some with the protection of an umbrella and many without to the final endpage of all being gathered together under the arc of the multi-coloured rainbow this is a celebration of diversity, discovery and inclusion that will resonate widely.

But beyond that, there is also a story of the emotions of being the person who is “different”.  How do they cope with the pressure of feeling the need to fit in?  How do they manage their emotions when they realise that even if they turn themselves upside down, they don’t? What is it like to feel invisible and unheard? How do those under the umbrella project their feelings, consciously or not, and how does that projection impact their ‘target”? Why do they feel the need for the umbrella’s protection? What might happen if they step out from under? How much courage does it take to be the first to step out from the umbrella, perhaps risking the wrath of those who stay, and acknowledge the ‘outsider’? What rainbows to see and puddles to stomp in might they find? Conversely, how much courage does it take to be the ‘outsider’ and question whether you need to fit under the umbrella and ultimately deciding you don’t?  Examining such questions helps build emotional intelligence and empathy as young students begin to learn to put themselves in another’s shoes, and view things through different lenses. Penguin NZ has compiled a short list of other books with a similar theme that together with this one, might help reduce the level of anxiety and bullying that seems to be so prevalent. 

And taking the whole even further for older students investigating literary devices, how does this book use the umbrella as a metaphor for a much less tangible concept about the expectations of groups, communities and societies in general? 

Ideal for those who move to the beat of their own drum, as well as those who feel everyone should be in time.

 

 

The Lonely Lunch Club

The Lonely Lunch Club

The Lonely Lunch Club

 

 

 

 

 

 

 

 

 

 

The Lonely Lunch Club

Maddy Mara

Laura Stitzel

Affirm Kids, 2026

92pp., pbk., RRP $A12.99

9781923419308

What have alien butt spiders, broken benches, and school lunch times got in common?  And how do they bring a bunch of kids together to form a new friendship group?

Why does Benji go to sit on  the worst bench in the whole school instead of playing footy, when everyone knows he always plays footy at lunchtime? And who is Mabel?

All of these questions are answered in this new story for newly independent readers that will resonate with so many who find school lunchtimes long and lonely. 

Part of a new series Your Next Read specifically written and designed to keep emerging readers reading by offering them stories that meet their interests, written by leading Australian authors and formatted to support their growing independence, this is the first of four in the Silver category for those aged 5-8 to be released this month, with two more to be released in July while there will be stories for those 7-9 in the Gold category coming in October. 

Evolving from the popularity of  a group founded by well-respected teacher librarian Megan Daley and authors Allison Tate and Allison Rushby in 2017, the series is “specifically designed to fill the need for chapter books that strike a balance between child satisfaction and parental approval” so that parents can “find the right ‘good book’ for your kid at the right time”.  For the school setting, there are teachers’ notes aligned to the Australian Curriculum available for each book, but, more importantly, there are also supports to empower the reader to identify their own next read with  some questions to help them determine the genre they like to read – Mystery Master, Family Favourite, Animal Ally or Spooky Seeker – as well as icons to colour to narrow the choices down, and these icons are also a feature of the cover of each book,  For example, The Lonely Lunch Club features the icons for friendship, school and funny books immediately summarising its thrust while the teachers’ notes  not only encourage exploration of the story itself, but how what has been learned could be applied more widely, such as establishing a Buddy Bench for their school, taking leadership and ownership of the entire project, with all the academic and social skills that would entail.

Create a Buddy Bench for your school

Create a Buddy Bench for your school

While there are any number of stories and series that support younger readers as they transition from reading instruction to reading independence, IMO you can never have too many that are built on sound educational pedagogy and written and produced with the readers’ needs explicitly in mind.  This series deserves a prominent place in the Select-a-Series section of the library collection. 

 

 

Dog Stayed

Dog Stayed

Dog Stayed

 

 

 

 

 

 

 

 

 

 

Dog Stayed

Tammy Forster

Margeaux Davis

A & U Children, 2026

32pp., hbk., RRP $A24.99

9781761181191

To the casual observer, Mr Hindbottom is a grumpy old man who waves his cane when he speaks, blows his nose when others speak, and who prefers the solitude of home.

But the casual observer doesn’t have access to the exquisite illustrations that accompany this story that show an old man deep in grief at the loss of his wife – the photos on the wall that remind him of happier times spent together, of eating alone at the table and spending nights in a bed that is now too big. 

But then…

One morning, a man knocked on the door to sell something Mr Hindbottom did not need. Mr Hindbottom waved his cane, blew his nose, and slammed the door.
‘And take your dirty, scruffy dog with you!’ he yelled.

But the dog did not belong to the salesman, and the dog stayed.

This is a poignant, heart-warming story that is going to touch hearts as we follow Mr Hindbottom’s journey from his grief at the loss of his wife and old life to the joys he finds with the scruffy dog in a new life, as both man and dog connect – slowly at first, but gradually getting stronger as the two not only become dependent on each other, but teach each other new things as they work towards a new kind of normal.

But while the cause of Mr Hindbottom’s sorrow is clear, what has happened in Dog’s life that he seeks Mr Hindbottom’s company, and when the inevitable happens to Mr Hindbottom as the cycle of life turns, what is the future for Dog?

Through the author’s sensitive text and the soft palette chosen by the illustrator, young readers are gently introduced to the big-feeling concepts of grief, sadness and loneliness as Mr Hindbottom’s new life without his wife is exposed but, at the same, time they learn about the human need for connection, and that there can be hope and happiness again even if it’s different from what they know now. That life and love indeed, do go on, even for Dog.

Sadly, there are many reasons our children experience life-changing loss even as young people, whether it is through death, divorce, or other circumstances and this story is one that might help them understand that grief for what has been lost, even if it is an unrealised dream, is natural, takes time, might involve waving a cane when you talk or something entirely different but is also finite, regardless of how impossible that might seem. As Mr Hindbottom and Dog discover, healing begins with the tiniest step forward and while old memories are not forgotten, new memories can be made.

One to share one on one.