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William Bee’s Wonderful World Of Trains, Boats And Planes

William Bee's Wonderful World Of Trains, Boats And Planes

William Bee’s Wonderful World Of Trains, Boats And Planes

 

 

 

 

 

 

 

 

 

 

William Bee’s Wonderful World Of Trains, Boats And Planes

William Bee

Pavilion, 2019

48pp., pbk., RRP $A14.99

 9781843654155

“Once upon a time , the only way for people to get around was by walking, or on the back of a horse, or in some sort of contraption that was pulled by a horse. And then along came…”

Young readers who are fascinated by transport can join the lovable William Bee as he and his dog and a collection of traffic cones wander through the world and history of trains, boats and planes. Part true and part imaginary , his adventures are based on actual facts and these are woven into the narrative to make an engaging story that educates and entertains. With its humour and bright detailed illustrations, young readers have much to pore over and discover and perhaps even be inspired to design their own craft. 

This is one of a series of three – William Bee’s Wonderful World of Trucks and William Bee’s Wonderful World Of Tractors And Farm Machines that would sit very well within a unit on transport and travel.

 

Holly the Honeybee Dancing Star

Holly the Honeybee Dancing Star

Holly the Honeybee Dancing Star

 

 

 

 

 

 

 

 

 

Holly the Honeybee Dancing Star

Gordon Winch

Stephen Pym

New Frontier, 2019

32pp., hbk., RRP $A24.99

9781925594492

Holly the honeybee is the dancing star of her hive: she waggles, she wiggles, and she waggles again. But is there a secret message in Holly’s waggle dance? And could it help the bees survive through a long, hot summer?

The understanding of the importance of bees in our environment and their current plight, particularly during this drought, is becoming more and more widespread, and this is the most stunning book to help little children learn what about these creatures. While it focuses on Holly’s dance that leads the bees to the source of the nectar for their honey, it also offers an opportunity to talk about their critical role in the pollination of plants, without which we would have much less food to choose from. 

Adding to the reality of the book are the remarkable illustrations from Stephen Pym and you can read how much work went into designing Holly so she was an accurate yet appealing interpretation here.  The Australian bush is brought to life and readers may have fun identifying familiar species. 

 

A peek inside...

A peek inside…

To add to the authenticity, there is a page with more information about Holly so adults can easily answer the questions young readers will have. 

A must-have addition to any collection that focuses on the environment and its sustainability.

Hello Lighthouse

Hello Lighthouse

Hello Lighthouse

 

 

 

 

 

 

 

 

 

 

Hello Lighthouse

Sophie Blackall

Orchard Books, 2019

48pp., hbk., RRP $A24.99

9780316362382

On the highest rock of a tiny island at the edge of the world stands a lighthouse. From dusk to dawn, the lighthouse beams, sending its light out to sea, guiding the ships on their way. As the seasons pass and the waves rise and fall, outside, the wind blows; inside, the lighthouse keeper writes, and the rhythms of his life unfold. But change is on the horizon…

Whatever the season, whatever the weather, the lighthouse keeper must keep the light going to warn ships of the dangers nearby. and this stunning book by Australian illustrator Sophie Blackall takes the reader back to a time in history when men lived on these far-flung beacons, isolated from civilisation and charged with keeping the ships and their sailors safe, regardless of whatever might befall them.  Set on a lighthouse on the tip of Newfoundland, the story unfolds of the loneliness and the joy of a typical lighthouse keeper who has a duty above all else. 

In 2016, Blackall was  awarded the Caldecott  Medal, the first Australian to receive if for her work on Finding Winnie  and now, in 2019, she has won it again for Hello Lighthouse. “Masterful ink and watercolor illustrations illuminate the story of a lighthouse and the family inside. Stunning images of the lighthouse in all kinds of weather alternate with views of intimate interior detail and circular motifs. Blackall’s skill with composition, line and close attention to detail have created an exquisite book. “

But apart from the quality of the illustrations, this is a book that will resonate with so many who are familiar with lighthouses as there are over 350 of them dotted around our coastline. While there are no longer any manned, nevertheless they still hold an appeal and this journey back into another time because regardless of its position, life was pretty much the same for all those who tended the beacons.  

Something very different that deserves a place in any collection. 

One Tree

One Tree

One Tree

 

 

 

 

 

 

 

 

 

One Tree

Christopher Cheng

Bruce Whatley

Puffin, 2019

32pp., hbk., RRP $A24.99

9780143786733

Long, long ago Grandfather lived high on a hill in a one-room house with nine other people, a dog and a goldfish. He loved his mountain home. “Better than an Emperor’s palace “, he would say, and when he went to the village market he could always see his home perched beside the tallest tree on the mountain.  At night, Grandfather would tell stories and everyone gathered around to hear them because his stories were the best.

But time passes and Grandfather is old and now he lives in his grandson’s apartment in the city, a busy, noisy, crowded city that has swallowed up the fields, killed the trees and silenced the birds. No longer does he tell stories – he just stares at the fading painting of his mountain and a visit to the markets is one of haste rather than leisure, of fie de lah rather than conversation, where all the buildings look the same and there is no way they can spot their apartment. 

But one day the little boy sees a little plant with two pale leaves growing through a crack in the path, and knowing that it will soon be crushed by the hundreds of rushing feet, he rescues it and despite his grandfather’s pessimism about its future, the little boy nourishes it and it flourishes – and slowly something amazing begins to happen…

If you pick up a book by Christopher Cheng , you know you are going to get an outstanding story, one that will have a profound effect on you. In my opinion, One Tree is as impressive as his iconic One Child  (now 21 years old) with its powerful message about the power of one and the change that can happen because just one child believes. 

And true to form, Bruce Whatley who says he would “get bored if I stuck to one or two [illustration styles}” has illustrated this book in a completely new style, one that complements the text perfectly. “For One Tree I wanted to do something new yet it had to have a traditional feel. I have fond memories of doing Linocuts in college, carving into soft ochre layers, taking away the space between the lines. Then rolling ink onto it and printing the result. Such a great medium. Not having the time or space and being mobile for most of the time I decided to create the technique using Photoshop on my portable Wacom Cintiq tablet and my Mac. I constructed 3 layers in Photoshop, an off white base layer, a dark ochre middle layer, (these colours echoed the lino and were purely for nostalgic reasons) and a top transparent layer where I copied my pencil roughs. I then used the eraser tool with a stylus pen on the ochre layer to ‘gouge’ out the space between the lines. What was left I converted to a black textured line and added the colours on the layer beneath.” Books Illustrated

Like all quality picture books, this is one that spreads itself across all age groups, inspires the reader to act on what they have read and is a pleasure to read, review and recommend. 

A peek inside...

A peek inside…

 

I’m not (Very) Afraid of the Dark

I'm not (Very) Afraid of the Dark

I’m not (Very) Afraid of the Dark

 

 

 

 

 

 

 

 

 

I’m not (Very) Afraid of the Dark

Anna Milbourne

Daniel Riebey

Usborne, 2019

24pp., hbk. RRP $A19.99

9781474940726

During the daytime I’m not afraid of the dark. In the daytime the Dark is small and tucks itself under things almost as if it’s hiding.  But it’s different as the day draws to a close and the Dark starts to stretch out and starts to cover EVERYTHING. It’s not too scary when the lights are on even though there are corners where the Dark lurks, but once the lights are off…

And when Dad suggests a camping trip that means being outside in the Dark where the noises are unknown, well that’s a whole new level of scared…

Fear of the dark is a common phenomenon, particularly for little ones who don’t yet understand the concept of Earth’s rotation and night and day and thus it is also a common theme in stories for them. What sets this one apart though is the way that the Dark is personified and explored using engaging language that expresses the child’s thoughts so well.  Instead of referring to “shadows”, the little boy says it “tucks itself under things almost as if it’s hiding.” and illustrations that show those same shadows getting longer and longer.  But the standout feature is the use of cutouts throughout the book that cleverly highlight  the text -“the feeling inside me gets bigger too-like a hole I could fall into” as well as offering a peek into what’s coming.  Even the very last page has some that provide the perfect ending.

Like others on this theme, there is much that both parent and teacher can explore with the child as the book is shared – the concept of darkness and how it is created and needed, emotions and fears and how these can be addressed, the stars and other bodies in the night sky … 

All in all, a great story beautifully told and brilliantly illustrated that offers both comfort and learning.

The King Who Banned The Dark

The King Who Banned The Dark

The King Who Banned The Dark

 

 

 

 

 

 

 

 

 

The King Who Banned The Dark

Emily Haworth-Booth

Pavilion, 2018

32pp., pbk., RRP $A14.99

 9781843653974

As a small boy, the prince was afraid of the dark and so be vowed that when he became king he would banish the dark.  And, despite the people’s protests, that’s what he did. Employing a popular political tactic of spreading disinformation so that the people thought the dark was a bad thing and demanded it be banned, he “succumbed” to their wishes and the ban was put in place. He had a huge artificial sun hung above the palace so that the night was as light as the day,  and light inspectors were employed to report and punish anyone who turned lights off in their houses.

At first the people thought it was a great idea and celebrated the light, but then their opinions began to change…

As well as being an engaging read for young readers that could have them investigating night and day and how life needs the dark to continue its cycle,  it could offer them an opportunity to talk about their nighttime fears, perhaps discovering that they are not alone with them and finding some strategies to deal with them. Would the prince have been better to find another way to ward off his fear of the dark? What sorts of things could he do?

It could also provoke a lot of discussion with older students about current political practices, acting in haste on a tide of popular opinion and the collective power we, in democracies, have to make change.  There could also be philosophical discussions about how we need dark to appreciate the light, rain to appreciate rainbows and so forth, focusing on the need for ups and downs in our lives and that like the night, the downs will pass and the ups will come again and we will value them all the more.

The predominantly yellow, black and white colour palette is perfect for spotlighting the messages of the story, whether literal or figurative, and given the depth of the story, one that spans many age groups.

A peek inside...

A peek inside…

The Boy: His Stories and How They Came to Be

The Boy: His Stories and How They Came to Be

The Boy: His Stories and How They Came to Be

 

 

 

 

 

 

 

 

 

The Boy: His Stories and How They Came to Be

Oliver Jeffers

HarperCollins, 2018

168pp., hbk., RRP $A45.00

9780008294342

In 2004, Oliver Jeffers set out to do a painting of someone trying to do something impossible – a boy catching a star with a butterfly net – and that idea evolved not only into the  book How to Catch a Star but into a series of four stories including Lost and Found, The Way Back Home and Up and Down. 

Now collected into one collection, this book also offers a unique look behind the scenes at the development of each book. As well as a letter from Jeffers himself explaining how the series grew (and may still do so, although that is unlikely), it contains more than 100 distinctive sketches, notes and ideas that he has chosen from his archives that show  the thoughts, events and incidents that shaped the stories.

Apart from its inherent beauty, this book has much to offer about how stories grow in the minds of their creators, giving it an appeal and a use far beyond the target audience of the original stories themselves.  

We Are Together

We Are Together

We Are Together

 

 

 

 

 

 

 

 

 

We Are Together

Britta Teckentrup

Little Tiger, 2018

32pp., hbk., RRP $A24.99

9781848576582

On our own we’re special, And we can chase our dream.
But when we join up, hand in hand, Together we’re a team. 

This is the message of this story  – the power of one, but the even greater power of many.  Starting with being content with one’s own company flying a kite, it grows to embrace others in our lives, known or not-yet, so whether it’s being caught in a storm or being passionate about a cause, the support and strength found in the love and friendship of others alongside us is cause for joy and celebration.

If ever we’re lonely, we’ll just say out loud: Let’s all stand together, one big happy crowd! 

The cover is intriguing with cutouts peeking through to just two of the children on the stunning endpapers showing children of all nationalities and ethnicities, and as each page is turned the cutouts increase revealing an ever-widening circle of children capturing the innate way they have of making friends regardless of any external differences. 

 

A peek inside...

A peek inside…

A peek inside...

A peek inside…

It provides an opportunity to talk about not only receiving a helping hand but also extending one, valuing and sharing the things we do well personally while respecting and trying the things others can do. It emphasises that while we are individuals, humans are also dependent on others – no man is an island – and that co-operation, collaboration and company are essential elements of our well-being. 

 

 

 

Look

Look

Look

 

 

 

 

 

 

 

Look

Fiona Woodcock

GreenWillow Books, 2018

40pp., hbk., RRP $A24.99

9780062644558

From the rooster’s first cock-a-doodle-doo to the owl’s hooting at the moon, this clever story takes the young reader on a trip to the zoo with a brother and sister, using only words that contain the diphthong oo.  With just one word on each page, two children have a lovely time visiting the zoo, seeing the animals and having a scoop of icecream (which has an untimely end!).

 While it predominantly uses the long sound as in bamboo, kangaroo and cockatoo,  there are occasional entries for the shorter sound as in look and book. In several cases the artwork forms the diphthong allowing the young reader to read the words so they can create the story for themselves.

Original and fun, but it could pose some confusion if it is introduced as part of a phonics program because it emphasises the diversity of sounds rather than their consistency.  Enjoy it for the story it tells, not the lessons it might offer.

Chalk Boy

Chalk Boy

Chalk Boy

 

 

 

 

 

 

 

 

Chalk Boy

Margaret Wild

Mandy Ord

Allen & Unwin, 2018

32pp., hbk., RRP $A24.99

9781760630683

As the city rushes by on its way to who-knows-where intent on who-knows-what, pavement artist Barnaby begins to draw with his thick blue chalk.  His focus is a portrait of a boy, but unlike his other drawings this one has a head that thinks, eyes that see, ears that hear and a heart that feels.  Barnaby warns the boy that when the rain comes he will wash away, and the boy accepts that, but in the meantime he will enjoy the life he has been given, no matter how short it is.  

But when the cold, cold night comes with its ominous dark clouds, and the inevitable is near, the boy cries out because he does not want to die alone.  Is his fate sealed?

Margaret Wild has a knack for packing a punch into her stories using a minimum of words, and this observation about the fragility of life and the need to enjoy what we have rather than wish for what we haven’t, is no exception.  Although it starts as a third-person narration about Barnaby creating his picture, it switches to the boy being the teller of his own story making it even more powerful.  Mandy Ord’s edgy, street-art illustrations are not only perfect for the setting but reflect her background with the Melbourne underground comic community. The concept of people hurrying, always seeking the next thing rather than being in the moment and appreciating it for what it is is very strong. The almost monochromatic palette with the boy in symbolic light blue being the only relief puts the focus where it needs to be.   

Despite the seemingly simple text, this is a book for older readers who can delve beneath what is on the page and consider what is actually being said.