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Giinagay Gaagal, Hello Ocean

Nov12
Giinagay Gaagal, Hello Ocean

Giinagay Gaagal, Hello Ocean

 

 

 

 

 

 

 

 

 

 

Giinagay Gaagal, Hello Ocean

Melissa Greenwood

ABC Books, 2023

24pp., hbk., RRP $A24.99

9780733343001

Gaagal (ocean) is our special place,

we love to swim in the waves.

We’ll catch some yamaarr (fish),

eat, dance and play games.

Is there anything more iconic than the sights and sounds of little ones running down the beach to dip their toes in the cool waters of the ocean on a hot summer’s day, carefree and careless?

It’s a scene that has been and will be repeated for decades and decades as the sun beats down and the waves invite. But, after reading this lyrical ode to the ocean, perhaps this summer our children might stop and consider the privilege they are enjoying, maybe even offer a word of appreciation…

But first, before walking on Country, we talk to the land

and het her know that we re here to play.

We are grateful for what she has to offer,

we promise to take care of her during our stay. 

Woven among the stunning artwork that is so evocative of the experience if you take the time to look at it, is a description of something that has been done over and over and over – dancing over the hot yellow sand, gathering bush fruits and collecting pipis in the tide zone, keeping an eye out for sharks and knowing when it is safe to swim, watching the whales and dolphins twist and turn in their own special water dance, collecting shells, dodging crabs, building a fire to make lunch and sheltering from sunburn – all taking on a bit of extra magic as the children play but all the while having that connection that keeps them aware of how lucky they are. “We say, ‘Yaarri yarraang gaagal, darrundang, Goodbye ocean and than you,,, until next time.'”. Each thing has its own particular and unique place in the landscape and landshape that is so much more than just for the delight and amusement of the human intruders. 

As with Miimi Marraal, Mother Earth, there are indigenous words scattered throughout,  and the full text is included in both English and Gumbaynggir in the final pages, adding to the resources for preserving and revitalising First Nations languages.  

This is another of a number of brilliant new books that help our children understand the significance of that now-familiar Acknowledgement of Country, perhaps even inspiring them to develop their own connections as another summer looms and they too, “must go down to the seas again”. 

Walk With Us: Welcome to Our Country

Oct23
Walk With Us: Welcome to Our Country

Walk With Us: Welcome to Our Country

 

 

 

 

 

 

 

 

 

 

Walk With Us: Welcome to Our Country

Adam Goodes

Ellie Laing

David Hardy

A & U Children’s, 2023

32pp., hbk., RRP $A24.99

9781761065071

When Harvey and his mum go for a walk in their favourite park, they are invited to walk with indigenous Elder Uncle Boris and learn about the wonders of the Cammeraygal (North Sydney) land on which they are treading.  From the healing powers of the leaf of the tologurã (lemon myrtle ), to the wildlife near the waterfall and even seeing a large canoe tree,  mother and son see and learn things that they have passed by many times but have taken for granted.  Harvey has already astonished his mum by reciting the Acknowledgement of Country that he has learned at school, and now both of them develop not only a new insight into the significance of their surroundings but also experience a sense of calm and tranquility as they view the landscape with new eyes and absorb its significance..

Based on a phrase in the final line of the Uluru Statement from the Heart – We invite you to walk with us in a movement of the Australian people for a better future – this is the fourth in this brilliant series designed to teach both children and adults a little more of the meaning behind those now-familiar words of the Acknowledgement of Country.  Using people and symbols that are important to them (these are explained on the verso page). the authors have crafted a simple but significant story that will encourage young (and not-so) readers to start to look at their surroundings through a different lens.  Who walked this Country before I did?  What did they know about it that I could learn?

As with the previous titles, this starts with a visual glossary of indigenous words for the familiar items featured in the story, and given that October 22-29 marks the inaugural Aboriginal Languages Week in NSW,  it would seem appropriate to compare the words of the Cammeraygal people for things such as fire, snake, wallaby, frog and so forth to the words used by local peoples, perhaps even starting to construct your own visual glossary.

In my opinion, this series is one of the most significant publications available to help our young children understand and appreciate the long-overdue recognition of our First Nations people in schools, so that when they hear a Welcome to Country or participate in an Acknowledgement of Country or even just take a walk through their neighbourhood, they do so with a new knowledge of and respect for all that has gone before.

Listen

Oct12
Listen

Listen

 

 

 

 

 

 

 

 

 

 

Listen

Duncan Smith & Nicole Godwin

Jandamarra Cadd

Wild Dog, 2023

32pp., hbk., RRP $A24.99

9781742036731

Listen, and you will hear the voices of Ancestors.

At a time when there is such an important focus on Australia’s First Nations peoples,  this is a timely release to help students better understand the need for the referendum, where it has come from and what it is based on. 

Accompanied by the stunning artworks of Yorta Yorta man Jandamarra Cadd, each of which has its own story and significance, this is a book that has the minim um of text but the maximum of meaning.  While our students may have some knowledge and awareness of the importance of Country to indigenous people, this book explains the weight behind the acknowledgement of the phrase “elders, past, present and emerging” that is expressed in any Welcome to Country address.

This is a book that should not be shared without also using the teachers’ notes because they provide critical background information…

The Uluru Statement from the Heart
Key elements from the Uluru Statement from the Heart underpins the text … The Uluru Statement from the Heart is an invitation to all Australians to walk together towards a better future. It provides a roadmap with three key pillars – Voice, Treaty and Truth.

It explains why and what The Voice is, why it requires a referendum to be put in place, and what it will achieve if the referendum is successful.

But beyond that, it also has a strong element of text-to-self as readers are encouraged to consider the hopes and dreams of the children on the front cover and relate that to their own, while also having them investigate the Country they live on, its indigenous languages and stories. 

 If the referendum is unsuccessful, it is unlikely to be the end of the narrative of the requests and rights of our First Nations people to be recognised, so this book, in conjunction with We are Australians should form the core of a modern indigenous library collection as well as the Aboriginal and Torres Strait Islander Histories and Cultures strand of the curriculum.

Together, they are a powerful and essential resource on which to base positive change for the future. 

Dreaming Soldiers

Mar20
Dreaming Soldiers

Dreaming Soldiers

 

 

 

 

 

 

 

 

 

 

Dreaming Soldiers

Catherine Bauer

Shane McGrath

Big Sky, 2018

32pp., pbk., RRP $A14.99

9781925675528

Jimmy Watson and Johnno Hogan were the best of friends – swimming-in-waterholes, camping-under-the-stars, sharing-water-bottles kind of friends. Throughout their lives they did everything together and even when their paths diverged because there were different rules and expectations for “white” and indigenous children then, they still came back together as close as they had ever been.  And then one day they went into town for supplies, heeded the call for men to fight in a war far away and enlisted…

This could be the story of any number of friendships of the early 20th century when ‘white’ and indigenous kids on farms formed friendships that were blind to colour, cultural differences or any other racial prejudices and its strong focus on that friendship is its positive. While the treatment of indigenous soldiers during the conflicts that Australia has been involved in since the Boer War in 1899 could have been its focus, its power lies in that spotlight on the friendship, the shared adventures and stories, the fears and hopes that are common regardless of skin colour. Teaching notes are available. 

Within the Australian Curriculum, the Aboriginal and Torres Strait Islander Histories and Cultures cross-curriculum priority is designed for all students to engage in reconciliation, respect and recognition of the world’s oldest continuous living cultures, and so this book offers the opportunity to help our younger students understand that despite rules against their enrolment (those not of “substantially European origin” were excluded from enlisting by the Defence Act 1903) and not being recognised as citizens until 1967,their neglect and exclusion on their return, indigenous people have fought for Australia in many overseas conflicts and their contribution has been vital.  Now, each year following the Dawn Service at the Australian War Memorial in Canberra, there is a special ceremony acknowledging their service. 

Further information, and some of the stories of the estimated 1000 who managed to enlist can be found on the Australian War Memorial site and an internet search will provide links to further valuable resources.


 

Originally published April 23, 2020

Updated March 2023

Tjitji Lullaby

Dec10
Tjitji Lullaby

Tjitji Lullaby

 

 

 

 

 

 

 

 

 

 

Tjitji Lullaby

Michael Ross

Zaachariaha Fielding

Lisa Kennedy

ABC Books, 2022

20pp., board book., RRP $A9.99

9781460715703

Tjitji – sleep is a present from a day that was gorgeous.

In the Anangu Pitjantjatjara Yankunytjatjara languages, tjitji  means child and the beautiful, lyrical words in this book make it the perfect finale for the bedtime read as the curtains are drawn on the day.  The stunning artwork features Mother Kangaroo and other animal mothers  settling their little ones as dusk creeps over the landscape, singing them to sleep as they prepare for the night with images of calm, peace, tranquility and safety painted in both the words and pictures.

As the anticipation towards a certain day in December grows, this is one that will  be ideal to soothe and quieten the excitement so that the child can have a restful night – just as all the animals in the bush are doing.

Little people can watch the Tjitji lullaby just after 7.25pm on Tuesdays and Thursdays on ABC Kids, or anytime on the  ABC Kids app or ABC iview, but to have it in book format so they can have it every night when it is the perfect time for them is such a bonus. Parents can learn more, including how to pronounce the words, here. 

 

Back On Country: Welcome to Our Country

Nov2
Back On Country: Welcome to Our Country

Back On Country: Welcome to Our Country

 

 

 

 

 

 

 

 

 

 

Back On Country: Welcome to Our Country

Adam Goodes

Ellie Laing

David Hardy

A&U Children’s, 2022

24pp., hbk., RRP $A24.99

9781761065088

Mum is taking David and Lucy on a road trip to visit her family and they are as excited as they are curious for this is their first time back on Country and there are so many special places to see, things to do, stories to hear and words to learn. This is their time to reconnect with their Aboriginality, and learn about their land and culture and how they fit within it from their Elders. As the children find out, it can be very emotional and spiritual as they learn of the generations who have gone before and how those ancestors continue to influence and impact their modern lives.

The third in this series, which includes Somebody’s Land and  Ceremony, young readers continue to learn about what is behind the Acknowledgement of Country that has become an integral part of the day in so many schools now.  As with the others, this is a story from the Adnyamathanha people of the Flinders ranges in South Australia, the country of author Adam Goodes. with  stunning illustrations and text featuring both English and Adnyamathanha words (which are explained in a visual glossary on the endpages).  As well as the introductory background notes on the verso, there is a QR code that leads to a reading of the story as well as teachers’ notes  available to download. 

In my opinion, this series is one of the most significant publications available to help our young children understand and appreciate the long-overdue recognition of our First Nations people in schools, so that when they hear a Welcome to Country or participate in an Acknowledgement of Country they do so with knowledge of and respect for all that is contained in the words.  

 

My Deadly Boots

Sep9
My Deadly Boots

My Deadly Boots

 

 

 

 

 

 

 

 

 

 

My Deadly Boots

Carl Merrison & Hakea Hustler

Samantha Campbell

Lothian, 2022

32pp., hbk., RRP $A24.99

9780734421456

He has worked and saved for the money to buy a special pair of football boots, and, at last, they have arrived. His 

Spikes on the bottom boots,
my favourite colour boots,
making me too deadly.

Suddenly, he has all sorts of dreams and powers that give him joy, confidence, competence, inspiration and energy that he didn’t have before – or do they?  Despite his family members and friends telling him that he is who he is with or without the boots, he is convinced they are the secret to his success, to his being too deadly. They are his  ‘walking in two worlds boots’, “blackfella don’t need to be labelled boots’ ‘his ‘run faster than my cousin-brother boots’, his “find a partner and walk in twos’ boots, ‘his ‘dream big boots’, his ‘give me confidence’ boots, his ” I’m somebody’ boots, his very own boots- until he loses them and there is an important lesson to be learned.  

Written in rhythmical  language that carries the reader along at the same pace as the boots, this is an empowering story of affirmation that no matter who we are, we can all be deadly with or without flash footy boots. Author Carl Merrison is a respected Jaru/Kija man from the Halls Creek area who came WA runner up Australian of the Year – Local Hero in 2016. He has worked for over ten years alongside Aboriginal youth as a mentor and AFL coach and he has drawn on this experience of seeing the confidence boost that having new shoes gives his young charges to create this book while trying to show them that the power was within all the time.  While it is specifically aimed at young First Nations readers to inspire them to read, its message is one for all children everywhere.  

 

An Important Message From Mr Beaky

Aug14
An Important Message From Mr Beaky

An Important Message From Mr Beaky

 

 

 

 

 

 

 

 

 

 

An Important Message From Mr Beaky

Cassie Leatham & Sue Lawson

Wild Dog Books, 2022

32pp., hbk., RRP $A24.99

 9781742036533

Meet Mr Beaky, the budgerigar from the Taungurung Country, part of the Kulin Nation in Victoria. He has an important message about what it means to be an Aboriginal person in Australia. Mr Beaky is blue and white, not green and yellow, but he is still a native bird, just as Aboriginal people are still Aboriginal regardless of their colouring because it is in their murrup, or soul and spirit. 

In this new picture book co-written in both the author’s indigenous language and English, Cassie Leatham, herself an Indigenous artist, master weaver, traditional dancer, bushtukka woman and educator, uses Mr Beaky to tell young readers of the importance of being Aboriginal, honouring that culture, belonging to and respecting Country. Accompanied by striking illustrations, this is another in the ever-growing collection of books for young people that is now available to help them understand and appreciate the special connection that our First Nations people have to their heritage and Country so that when they hear a Welcome to Country and an Acknowledgement of Country, they know that they are so much more than just ritualistic words. 

Tangki Tjuta – Donkeys

Jul8
Tangki Tjuta - Donkeys

Tangki Tjuta – Donkeys

 

 

 

 

 

 

 

 

 

 

Tangki Tjuta – Donkeys

Tjanpi Desert Weavers

A & U Children’s, 2022

32pp.,  hbk.,  RRP $A24.99

9781761180149

Long, long ago, we didn’t have donkeys. We didn’t have a lot of the things we have today. We didn’t know donkeys existed.
Our people used to walk with their camels and donkeys from Areyonga to Ernabella. They brought their donkeys here, and left them.

Donkeys were first introduced to Australia from Africa in 1866 to work as pack animals, and  this unique story, told in both Pitjantjatjara and English, describes how donkeys came to be a rich part of life for one Aboriginal community in north-western South Australia.

However, it is the artwork that sets this story apart because the photographed sculptures have been created by seventeen artists of the Tjanpi Desert Weavers, a social enterprise of Ngaanyatjarra Pitjantjatjara Yankunytjatjara Women’s Council  which supports 400+ women to create fibre art across the central and western desert regions of Australia. They have been made from minarri, wangunu and intiyanu,  desert grasses collected from their Lands, which have been together around wire frames with string, wool or raffia. One of the donkeys was made from buffel grass, which was introduced by Piranpa (white people) and has become a weed. Tjanpi means desert grass in the Western Desert language.

For those who wish to explore the technique themselves, there is a tutorial on the Weavers’ website.

But the final few sentences could also open up a much wider investigation – that of the problem of feral donkeys, and indeed, other feral animals….

These days we all have houses, and we have cars and we wear clothes,  We have let the donkeys go now.  They are free to roam around. 

Released to coincide with NAIDOC Week, it has also been produced as an animated movie which won the Yoram Gross Award and inaugural AFTRS Craft Award at the Sydney Film Festival

Tangki Trailer from Tjanpi Desert Weavers on Vimeo.

 

Miimi Marraal, Mother Earth

Jun26
Miimi Marraal, Mother Earth

Miimi Marraal, Mother Earth

 

 

 

 

 

 

 

 

 

Miimi Marraal, Mother Earth

Melissa Greenwood

ABC Books, 2022

24pp., hbk., RRP $A24.99

9780733341632

Miimi Marraal, she created us,
you and me …

Using a palette as soft and gentle as the accompanying text,  Gumbaynggir storyteller, artist and designer Melissa Greenwood, has created an ode between mother and newborn that tells the baby of the deep connections of First Nations Peoples have to Miimi Marraal (Mother Earth) from the moment of conception. While it is a story that echoes the feeling between any mother and newborn. it is expressed in a way that shows the long, strong threads of family that reach far into the past of First Nations families and, indeed, Greenwood says it was “channelled through my beautiful Nanny” and “inspired by my late great grandmother… and my own beautiful mother”, thus spanning five generations into “this life we will weave”. And, as well as that strong female thread, there is another equally strong one that ties them to the land on which they live and the need for its protection, thus from birth the baby is learning about their cultural heritage and tradition that is so important to our First Nations peoples..

Children learn their mother language, whatever it is, through listening to it.  They learn its meaning, its rhythm, its expression, its nuances from the first words that they hear. So while the baby may not yet understand the words that its mother is sharing, there is much that they are absorbing during these personal, precious moments. Therefore, these sort of lullabies have a unique place in language learning and should not only be among the gifts given to any new mother but also be the first in the baby’s library.