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Tearaway Coach

Apr19
Tearaway Coach

Tearaway Coach

 

 

 

 

 

 

 

 

 

 

 

Tearaway Coach

Neridah McMullin

Andrew McLean

Walker Books, 2024

32oo., hbk., RRP $A26.99

9781760653170

1855 and travel around the goldfields of Victoria was a very different proposition to the same trip being made today.  In those days,  coaches drawn by teams of horses in the hands of experienced drivers were the way to go but they faced all sorts of dangers including rough tracks, flooded rivers, unpredictable weather and even being held up by bushrangers.

So while young Fen Wood is excited to see his mum who is in Geelong awaiting the birth of her new baby, he has some trepidations about the journey itself.  His father has paid extra for him to ride alongside the coach driver, none other than Cabbage Tree Ned, but in a time of no seatbelts and deep potholes, Fen is not so sure that this is a trip he is going to enjoy, despite the possibility of a baby brother at the end of it.  Sensing his discomfort, Ned hands Fen the reins to distract him and Fen appears worthy of the responsibility until two bushrangers appear with guns drawn in front of them…

As the author of Shearer, Drover, and Eat My Dust, among others, Neridah McMullin is fast becoming a respected name in writing narrative non fiction based on some of Australia’s most interesting and even infamous characters.  This is no exception.  With Andrew McLean’s expressive illustrations, this story takes the reader straight back into that amazing time in our history that formed such an important part of the Australian story, and as much as Fen’s journey is engaging and exciting, it also opens up another aspect of life in the times to explore.  Who isn’t fascinated by tales of bushrangers, coaches being held up, runaway horses and that goes with them?

For many of our students, the study of history produces a glazed look of who-cares, but in the hands of storytellers like McMullin who bring it alive through story, doors are opened up and suddenly times past becomes as exciting and interesting as times present.  How would they respond if they were either Fen or Cabbage Tree Ned? 

 

When the World Was Soft

Apr5
When the World Was Soft

When the World Was Soft

 

 

 

 

 

 

 

 

 

 

When the World Was Soft: Yindjibarndi Creation Stories

Juluwarlu Group Aboriginal Corporation
96pp., graphic novel, RRP $A34.99
9781761180651
Yindjibarndi people traditionally lived in the area near the town of Roebourne in the Pilbara region of Western Australia and believe “all creation is written in our landscape and was sung long ago, filling our Ngurra (Country) with sacred meanings and deep religious significance. At the dawn of time, Ngurra Nyujunggamu, the world was soft as clay and the sky was very low. Our Creator, Minkala, sang the songs from which all life and Ngurra evolved.”
Encapsulated in this new publication with dramatic artwork by Alex Mankiewicz  in graphic novel format, including paintings by members of the Juluwarlu Art Group are some of these stories including Ngurra Nyujunggamu – Creation;  Jargurrungu Wangangga Garranyga – Wedgetailed Eagle, Crow and Black Kite; Nyinkara the Stoneman; Jiruna Yuya -Pelican and Quail; Bunggaliyarra – Fallen and Barrimirndi – Water Serpent. Each story not only has deep significance about the origins of the place and its people, but embeds the timelessness of respect and responsibility for the land making it as relevant today as it was for the ancient elders.  And while the characters and their circumstances may vary from other indigenous nations, nevertheless that deep-held connection to Country and the continuity of life is common to all. So although these songlines are of the Yindjibarndi people, there is the opportunity to understand that unique relationship with the land and its inhabitants that all indigenous communities share and perhaps seek out those stories that are unique to the particular part of Country that the reader lives in. 
There are also a number of pages at the back explaining who the Juluwarlu Group is, as well as a glossary of specific cultural words, explanations of the paintings and other relevant information that offers even greater depth and understanding.   

11 Ruby Road: 1900

Mar23
11 Ruby Road: 1900

11 Ruby Road: 1900

 

 

 

 

 

 

 

 

 

 

 

11 Ruby Road: 1900

Charlotte Barkla

Walker Books, 2024

192pp., pbk., RRP $A16.99

9781760657949

Ever since her Great Aunt Mildred picked the vacant block on the new housing development as a child in 1863 because she loved its giant Moreton Bay fig tree, it has belonged to Dorothy’s family and now they have moved from the country to the city to live in the house and run the store that Mildred’s mother established.

But city life  is very different to the rural one Dorothy has known. Ruby Road is bustling – full of families and children, horse-drawn carts and even a mysterious dog – and there are many other changes such as having to go to school and crossing swords with Miss Armstrong who insists on perfect printing of letters and needlework , despite Dorothy’s love of writing stories which she does in her secret writing room. Meeting a young Asian boy who also likes to write stories, Dorothy not only finds an outlet and audience for her imagination, but is also exposed to prejudice and racism, particularly towards the Chinese who were blamed for “taking all the gold” from the gold rush and inspired the White Australia Policy, as the colonies united to become one country. Inspired by a declaration by her Aunt Esme that she wouldn’t marry and be the possession of a man, Dorothy dreams of being a famous actress and independent and writes a play that she persuades the neighbourhood children to perform. But then a conversation between her mother and Esme about women having the right to vote and have a say in their lives, inspires a change of focus… and hopefully, a change in thinking for many.

Somewhat akin to the concept of Nadia Wheatley’s classic, My Place, this is the first in a series tracing the stories of the occupants of 11 Ruby Road in Brisbane, introducing young independent readers to the lives of those who lived in the times, as well as the genre of historical fiction.  It opens up many avenues of Australia’s history to explore – federation, racism, the status of women- all of which give today’s children an insight into how things were and an opportunity to investigate how and why they have changed.

A series worth following and offering to those investigating or interested in this country’s history in a way that makes it meaningful and accessible.

Giovanni

Jan1
Giovanni

Giovanni

 

 

 

 

 

 

 

 

 

 

Giovanni

Crystal Corocher

Margeaux Davis

Wombat Books, 2023

32pp., hbk., RRP $A24.99

9781761111235

In 1881, four-year-old Giovanni and his family and local villagers leave the Veneto region of Italy bound for Australia having been promised “paradise” only to find that they are in the hands of a people smuggler with a rickety boat, little food and no real concern for their safety, let alone comfort.  Eventually stranded on a beach in Noumea, they were in despair of ever reaching Australia dying in huge numbers from bad food, mosquitoes, undrinkable water and back-breaking work in the monsoon season. 

But hearing of their plight, Sir Henry Parkes, the “father of Federation” but then colonial secretary of NSW sent a boat to rescue them and 22 families eventually settled on the NSW north coast in what was to become known as New Italy and the start of the Italian migration to Australia that continues today.

Told by the great-granddaughter of Giovanni, with a concurrent Italian translation by Jada Valpato,  this is a story meticulously researched that tells of an almost-forgotten part of Australia’s migration history, making it one for both younger and older readers, particularly those of Italian heritage.  Coupled with links to resources such as the New Italy Museum, this is definitely one for the collection for both your Italian families as well as any study of Australia’s immigration history. 

 

Silver Linings

Dec1
Silver Linings

Silver Linings

 

 

 

 

 

 

 

 

 

 

Silver Linings

Katrina Nannestad

ABC Books, 2023

304pp., hbk., RRP $A19.99

9780733342257

Rural New South Wales in 1952 – a new monarch is about to be crowned and for five-year-old Nettie Sweeney life is almost perfect.  She has a dad, three big sisters, a farm full of cows and a cat called Mittens, can read and write and even does spelling with Second Class because she is so clever.  But Nettie longs for a mother.  Her own passed away when she was born (leaving her with all sorts of misconceptions about babies and storks) and she would love to have one who has a gentle touch, sparkles in her eyes and lots of love and hugs to give.  But instead she has cranky Aunty Edith who is quick with her hands and even quicker with her tongue as she clings to the old ways.  

When Dad marries Alice, all Nettie’s dreams come true and the Sweeney home overflows with laughter, love and a new philosophy of looking for the silver linings in everything rather than the dark clouds.  When her baby brother. Billy, is born he becomes  the light of Nettie’s life and her world is perfect.  Until it isn’t…

Those who are familiar with five-year-olds, and even those who aren’t , will laugh out loud all through the beginning of this book as we see life through the unfiltered lens of Nettie and her doll Fancy Nancy.  And they will empathise with the unsophisticated five-year-old who has to handle the family tragedy in her own way because she just isn’t mature enough to know of any other. Her naivety endears her from the beginning and her resilience and courage as events play out inspire. While the big issues of PTSD, loss and depression that are confronted could be anywhere, anytime,  by placing them in the early 50s Nannestad distances them enough from the reader’s here and now for them to be acknowledged but not necessarily absorbed. And for those of us old enough to know better, how will we ever think of Queen Elizabeth II as anything but “the mongoose of the British Umpire” again? 

It’s a rare author who can write a story for young children in a way that has adult readers turning page after page because there has to be a solution, and Nannestad is one of those.  As with The Girl who brought Mischief, this one had me reading past my bedtime because I was so enamoured of Nettie and needed to know there was a happy ending.     

This is one for independent readers who like real-life stories (it is based on family happenings) and if you are preparing a list of books for Christmas stockings, this should be on it.         

Our Country: Where History Happened

Nov13
Our Country: Where History Happened

Our Country: Where History Happened

 

 

 

 

 

 

 

 

 

 

Our Country: Where History Happened

Mark Greenwood

Frané Lessac

Walker , 2023

40pp., hbk., RRP $A26.99

9781760653576

In the first book in this series, the creators took readers on a journey to the ancient wonders of this land – landscapes and landshapes that have existed for billions of years. Now, they have put its people in the picture, tracing some of the significant events that have shaped the life lived today.

Beginning with the statement, “The story of our country is told in stone”, the reader begins their new journey with a visit to Ubirr in the Northern Territory, one of over 100 000 important rock art sites around Australia that pass on the historical, cultural and spiritual knowledge of Australia’s First Nations peoples.  They then move on to the significance of a pewter plate with a chiselled inscription nailed to a post in 1616 in Western Australia, showing that the story of this country can be told through pictures and words, artefacts and mementos just as much as it is through observed and lived events.   The journey continues through a timeline of other important events – mapped out on the front endpaper – each including that basic statement,  a broad explanation with language reminiscent of a tourist brochure as well as a brief, fact-filled paragraph about the event itself.   And all set against a backdrop of Frané Lessac’s stunning artwork! Then, acknowledging that there is much more to this story than can be covered in a picture book, the final endpaper has a different timeline of other critical events inviting the reader to find out more and perhaps even produce their own entry for the book. 

Younger students are often challenged by the relevance of having to study that which has happened before their time, particularly as their maturity level has them living in the here-and-now exacerbated by the instant connectivity the internet offers, and so this book is the most attractive and engaging way to introduce them to the concept of times past and how those times have shaped their here-and-now.  Would we have had the recent Voice referendum, even the daily Acknowledgement of Country, if not for the work of Eddie Mabo?  Would they have even been born in Australia if not for the impact of World War II on Europe and the waves of migrants who sought a new life here? 

As well as being a must-have entry level book to learning about the history of the country they live in, the content, format and potential of this book ensures its inclusion in collections spanning all ages and abilities especially if students are old enough to step beyond what happened and consider what if… If Dirk Hartog had done more than nail a plate to a post and claimed this country for the Dutch; if French captain de Surville had turned west to investigate the land his crew claimed they could smell five months before Captain Cook claimed the continent for England… 

History in the form of facts and figures, dates long gone and people long dead, can be greeted with a groan by many, but this series with its engaging format and just the right amount of information to bring it into the realm of the reader has the power and potential to grab the imagination and spark a desire to learn more.  It epitomises the theme Australia: Story Country.

Shearer

Nov6

Shearer

 

 

 

 

 

 

 

 

 

Shearer

Neridah McMullin

Michael Tomkins

Walker 2023

32pp., hbk., RRP $A26.99

9781760653163

Click go the shears, boys — click, click, click,
Wide is his blow and his hands move quick,
The ringer looks around and is beaten by a blow,
And curses the old snagger with the bare-bellied yoe.

Click Go the Shears is one of those traditional Australian songs that our children learn about the same time they learn the iconic Waltzing Matilda. But while the origins and meaning of that song are learned alongside the lyrics, what is the story behind some of the strange words and phrases in the shearing song?  Surely sheep are shorn using machinery.

But before Frederick Wolseley perfected his invention of mechanical shears in 1888 – a design 25 years in the making – sheep were shorn with hand or blade shears requiring great skill and considerable strength in the hand, arm and back and then, as now, it was one of the most physically demanding jobs as far as stress to the human body according to a 2000 report by the National Occupational Health and Safety Commission. 

Iconic images of the 19th century shearing shed. Shearing the Rams (top) and The Golden Fleece (bottom) both by Tom Roberts.

Iconic images of the 19th century shearing shed. Shearing the Rams (top) and The Golden Fleece (bottom) both by Tom Roberts.

Shearers travelled from woolshed to woolshed as wool became one of the most valuable resources of the Australian economy, particularly as gold discoveries dwindled, and among those men, was Jack Howe who had “hands the size of tennis racquets, legs like tree trunks and wrists made of steel”. 

Shearer is the story of the day Howe sheared a record 321 sheep in 7 hours and 40 mins at Alice Downs Station in Blackall, using blade shears, bringing to life the story of a man still regarded as Australia’s greatest shearer and after whom, the iconic navy blue singlet of the tradie is named.  

With her books Eat My Dust, and Drover  and the upcoming Tearaway Coach, Neridah McMullin is becoming known for telling the stories of those who have had a significant impact on Australian life, particularly that of rural communities, and thus opening up all sorts of opportunities to explore further.  Shearer continues this tradition, particularly as attendances at shows that bring the country to the city continue to break records and shearing demonstrations attract huge crowds.

For a century Australia “rode on the sheep’s back” and this book gives readers, young and older, an entry point to investigate the hows and whys of this common saying. 

Diprotodon: A Megafauna Journey

Oct25
Diprotodon: A Megafauna Journey

Diprotodon: A Megafauna Journey

 

 

 

 

 

 

 

 

 

 

Diprotodon: A Megafauna Journey

Bronwyn Saunders

Andrew Plant

CSIRO Publishing, 2023

32pp., hbk., RRP $A24.99

9781486316762 

Despite being about the size of a modern rhinoceros, prehistoric Diprotodon faced many challenges from both the harsh environment and other megafauna that roamed central Australia during the Ice Age of the Pleistocene Epoch. Separated from his mother and his herd, he needs to stay safe, and find shelter, food and water in the barren landscape blasted by icy winds and dried up by drought as so much water is now stored in the ice caps.

This narrative non fiction story introduces students to these ancestors of the wombat while opening up so many other worlds to explore such as the creatures it shared the continent with and their evolution to those we know today as well as the causes and impact of the climate change that plunged the world into lower temperatures, as opposed to the warmer ones we are experiencing now.  Beautifully and accurately illustrated by Andrew Plant, it includes some brief, easily readable facts which expand the story, as well as teachers’ notes that suggest ways to explore further.

It could also be used in conjunction with both  Dippy’s Big Day Out and Dippy and the Dinosaurs  as a way to compare fiction and non fiction, contrasting the two different purposes (imagination vs information) but discovering how much they share.  What did both authors and illustrators need to know about the diprotodon and how and where it lived  to create the stories they did? Even though they are written for a similar audience, how do the language, structure and illustrations change for each format? 

Young readers have a fascination with dinosaurs and megafauna, often opening that first door into the world of non fiction for them, and this one is an ideal addition to that collection.  

Walk With Us: Welcome to Our Country

Oct23
Walk With Us: Welcome to Our Country

Walk With Us: Welcome to Our Country

 

 

 

 

 

 

 

 

 

 

Walk With Us: Welcome to Our Country

Adam Goodes

Ellie Laing

David Hardy

A & U Children’s, 2023

32pp., hbk., RRP $A24.99

9781761065071

When Harvey and his mum go for a walk in their favourite park, they are invited to walk with indigenous Elder Uncle Boris and learn about the wonders of the Cammeraygal (North Sydney) land on which they are treading.  From the healing powers of the leaf of the tologurã (lemon myrtle ), to the wildlife near the waterfall and even seeing a large canoe tree,  mother and son see and learn things that they have passed by many times but have taken for granted.  Harvey has already astonished his mum by reciting the Acknowledgement of Country that he has learned at school, and now both of them develop not only a new insight into the significance of their surroundings but also experience a sense of calm and tranquility as they view the landscape with new eyes and absorb its significance..

Based on a phrase in the final line of the Uluru Statement from the Heart – We invite you to walk with us in a movement of the Australian people for a better future – this is the fourth in this brilliant series designed to teach both children and adults a little more of the meaning behind those now-familiar words of the Acknowledgement of Country.  Using people and symbols that are important to them (these are explained on the verso page). the authors have crafted a simple but significant story that will encourage young (and not-so) readers to start to look at their surroundings through a different lens.  Who walked this Country before I did?  What did they know about it that I could learn?

As with the previous titles, this starts with a visual glossary of indigenous words for the familiar items featured in the story, and given that October 22-29 marks the inaugural Aboriginal Languages Week in NSW,  it would seem appropriate to compare the words of the Cammeraygal people for things such as fire, snake, wallaby, frog and so forth to the words used by local peoples, perhaps even starting to construct your own visual glossary.

In my opinion, this series is one of the most significant publications available to help our young children understand and appreciate the long-overdue recognition of our First Nations people in schools, so that when they hear a Welcome to Country or participate in an Acknowledgement of Country or even just take a walk through their neighbourhood, they do so with a new knowledge of and respect for all that has gone before.

Listen

Oct12
Listen

Listen

 

 

 

 

 

 

 

 

 

 

Listen

Duncan Smith & Nicole Godwin

Jandamarra Cadd

Wild Dog, 2023

32pp., hbk., RRP $A24.99

9781742036731

Listen, and you will hear the voices of Ancestors.

At a time when there is such an important focus on Australia’s First Nations peoples,  this is a timely release to help students better understand the need for the referendum, where it has come from and what it is based on. 

Accompanied by the stunning artworks of Yorta Yorta man Jandamarra Cadd, each of which has its own story and significance, this is a book that has the minim um of text but the maximum of meaning.  While our students may have some knowledge and awareness of the importance of Country to indigenous people, this book explains the weight behind the acknowledgement of the phrase “elders, past, present and emerging” that is expressed in any Welcome to Country address.

This is a book that should not be shared without also using the teachers’ notes because they provide critical background information…

The Uluru Statement from the Heart
Key elements from the Uluru Statement from the Heart underpins the text … The Uluru Statement from the Heart is an invitation to all Australians to walk together towards a better future. It provides a roadmap with three key pillars – Voice, Treaty and Truth.

It explains why and what The Voice is, why it requires a referendum to be put in place, and what it will achieve if the referendum is successful.

But beyond that, it also has a strong element of text-to-self as readers are encouraged to consider the hopes and dreams of the children on the front cover and relate that to their own, while also having them investigate the Country they live on, its indigenous languages and stories. 

 If the referendum is unsuccessful, it is unlikely to be the end of the narrative of the requests and rights of our First Nations people to be recognised, so this book, in conjunction with We are Australians should form the core of a modern indigenous library collection as well as the Aboriginal and Torres Strait Islander Histories and Cultures strand of the curriculum.

Together, they are a powerful and essential resource on which to base positive change for the future.