Imagine having curly hair that has spirals and squiggles and swirls and curls that are too bouncy and loopy and knotty and fuzzy and frizzy… so hard to handle it makes you dizzy!!!
Now imagine all the crazy-daisy ways you might try to straighten it. You could brush it for hours; get your friends to stretch it; you could put big books on it or even tie balloons to it! Maybe stick it down with sticky tape or even give yourself a bucket bath…
Or you might learn to live with it and love it, especially if you met someone with dead straight hair who would love to have your curls…
This is a superbly illustrated, funny, story-in-rhyme that will resonate with every girl who wants what she hasn’t got. Whether it’s straight hair, long legs, no freckles, there is always something we wish we could change.
Even though its target audience is very young readers, this would be the perfect kickstart for a discussion about body image, body-shaming, self-acceptance, loving who we are on the inside and all those sorts of issues that start to plague young girls. An important addition to your collection relating to mental health and mindfulness.
Pip Sullivan first entered our reading lives in Run, Pip, Run when she had to live on her wits to stay out of the clutches of the authorities when her “grandfather” Sully had a stroke and subsequently died. Fearful of being put in foster care, Pip found temporary refuge with her best friend Matilda’s family. But to Pip, Matilda is perfect and never seems to get into trouble whereas Pip doesn’t seem to be able to stay out of it. Convinced she is going to be put in formal foster care with all that entails because she believes the Brownings no longer want her, Pip hits the road with her inseparable dog Houdini determined to find her real mother. With only a nine-year-old postcard to go by, she is determined to get to Byron Bay…
Full of determination, resilience and quick-thinking Pip has much to overcome as she makes her way north, all the while never giving up hope and never forgetting Houdini who is very well named. Despite her somewhat unorthodox upbringing, she has learned some important life lessons from Sully and these make her a particularly likable little girl of just ten and a bit. Asking to pay extra for her train fare because she had skipped without paying the day before is just one example. And when all you want is a family of your own, nothing will deter you.
Written so that the reader can understand her perspective and her thinking, it is an engaging sequel that is every bit as good as the CBCA shortlisted original. An engaging, solid read that is a little bit different for independent readers.
My grandmother forgets who I am. Every time we meet, it likes meeting someone new….
Even though Grandma can’t remember us, we have so many memories of her.”
There are the sausages as big as elephant’s legs that she served for Sunday lunch; going to the beach; snuggled in together with a hot-water bottle and a blanket watching the nighttime storms split the sky… The little girl and her dad have memories galore that they share with her in her new home with the painted garden and people who remember for her.
Young children encountering older relatives who are succumbing to the challenges of the ageing process are becoming more common as generations live longer than ever, and so stories that help them deal with what can be a confronting situation are always welcome. This is a gentle comforting story about the enduring love between the generations, although if Grandma is 80 as her birthday cake shows there seems to be a skipped generation in the chain. My own grandchildren would appear to be about the age of the children in the story and they faced this situation with their great-grandmothers, not their grandmas. We are only in our 60s!
Nevertheless, this is an uplifting story that shows how children embrace the changing circumstances, accepting the changes and the challenges and working with them, rather than taking them as a personal rejection. There are adults who could learn from this unconditional love that children display and how they adapt so they almost become the adult themselves. And while there are old memories to recall, there are always new ones to make.
The soft palette and lines chosen by the illustrator portray the beautiful memories perfectly and the love between them all just oozes from the page setting up the perfect opportunity to let the children tell and draw their own stories of their own special moments with their grandparents, perhaps cementing them even more firmly.
When the author discovered she was pregnant, typically she was very excited and so she began to write about her feelings as she waited for the time to pass. The result is this gentle story-in-rhyme that mirrors the thoughts and feelings of most expectant parents and their families. Who will this new little life be? And what will their life be like? It traces the things that are done during that nine months from ultrasounds to decorating the nursery, tracking a common journey that very young readers first asking about where they came from will love to know about. It might even reassure parents-in-waiting that anxiety is as normal as anticipation.
Even though this is Ms Ritchie’s story, it is a universal one and Hannah Somerville’s illustrations using such a soft palette take it beyond the personal so it becomes almost a lullaby of love that would serve very well as Baby’s first favourite shared each night. There is so much evidence that even our very youngest children are aware of the harsh realities of life, the differences between their lives and that of their peers, so to have such an affirmation of being loved and wanted and cherished should bring enormous comfort and reassurance.
There is a place and a need for this sort of book and Ms Ritchie has fulfilled it well.
“It’s not much fun being a princess: you have to be prim, proper and obedient. Princess Peony lives in a world full of magical creatures – hags, trolls, giants and fairy godmothers – but her father’s strict rules leave her feeling bored and lonely. She wants to learn how to DO things, and cooking’s at the top of her list. But when Peony borrows a recipe book from the public library, the king has the old librarian who tried to help her arrested for “speaking out of turn”. Can Peony stand up to her father and make things right?”
The publisher’s blurb sums up this engaging story very well. Despite being somewhat of a misfit in her family shunning shoes and pretty dresses to better herself, she counts down the days till her 13th birthday when she is allowed an unescorted “educational” visit but is dismayed to find that her plans to again visit the library which she first discovered when she was nine, are thwarted by Mrs Beef who believes a visit to the family’s mausoleum to study her ancestors would be much better for her. But she manages to escape, makes her way to the library and there her adventures really begin…
For independent readers who like their princesses to have some attitude but also compassion, this is a new take on the more traditional tale. Lovers of familiar fairy tales will see it still has many of the features of the originals with a tyrant king with old-fashion views; older, self-absorbed sisters who treat the youngest one with disdain; the mean, miserable governess with the iron fist; fairy godmothers who can grant wishes; a neglected old hag who is cranky that her invitation to the new prince’s christening has not arrived; dark gloomy dungeons where innocents sit forgotten for years; a talking cat… and only one person who can save the day when trouble threatens. But they will also like the determination, compassion, resilience and self-reliance of Peony who is more like them and isn’t relying on a handsome prince to get her out of bother.
Vivian French’s storytelling is accompanied by a sprinkling of illustrations that add charm and character, making this ideal for a bedtime read-along or read-alone for the 7+ age group.
When Little Koala climbs up the branch for dinner he gets a nasty surprise when instead of feeding him, his mother’s pouch is closed and she gives him a cuff around the ear. He is no longer welcome as she is pregnant again and it is time for him to become independent. Koalas not only live solitary lives but they are also territorial so the search for his own home among the gum trees is not easy. When he thinks he has found a safe place to sleep he is woken by a thunderous roar and pushed out of the tree by another older male but he must find another resting place quickly because he is unsafe on land.
Bushfire-ravaged country, storms, snakes and food options limited make finding a new home challenging – is there a safe place for him?
Koala is a perfect book for not only teaching young readers about one of our iconic faunal symbols but also introducing them to the concept of non fiction. Like Python ,it crosses the boundaries between imagination and information by bringing real life to life through story. Even though the story of Koala only took place in Saxby’s imagination, it is so well-researched and accurately portrayed by Vivas’s lifelike illustrations that it could have happened, and, as we read, we get both information and insight into these extraordinary creatures. Vivas has portrayed the key physical attributes of the koala accurately so its need for two thumbs and strong sharp claws are evident but she has also given him emotions as he is kicked out and faces going it alone. As well as the details embedded in the story there are also additional facts included in a different font so the distinction between story and information is clear and this is referred to in the simplified index, itself a great teaching tool.
Young children always have questions about their world and this concept of “faction” is the perfect way to help them learn more before they are able to read independently. Finding non fiction that is accessible to young readers and answers questions as well as generating more is difficult in early childhood, but this certainly meets all the criteria to spark a range of investigations, not the least of which could be comparing the koala’s age of independence with that of the child as well as a variety of family structures.
An important addition to any primary library collection.
Ava does not like wearing her spectacles at school so she finds it difficult to see the board and read her books. Her teacher understands this and knows she has to help Ava feel okay with wearing them so she begins to talk to Ava. “If only Little Red Riding Hood had put on her glasses the day she went to visit her grandmother…she would have seen the big teeth and big eyes.”
Ava stops crying and Mrs Cook continues, gradually getting Ava to understand that wearing glasses is helpful and a good thing, not a badge of shame.
Every now and then you pick up a story that really resonates with you and Ava was me 60 years ago, right down to the red hair tied up in bunches. It’s as though illustrator Angela Perrini had been looking at my family photo albums (although we didn’t have coloured photos way back then!) And then six years ago, it was my granddaughter who was Ava and in the intervening time, hundreds of other kids too. No one likes to be different when they are little and wearing glasses seems like a huge placard that tells others you are not 100% perfect and that somehow you are less than the other children in your class. As a teacher of 45 years, I’ve seen it over and over although luckily there is much greater acceptance these days. Oh, to have had a teacher as understanding and as smart as Mrs Cook.
This is a book that not only belongs in any collection for young readers but which should be actively promoted to both teachers and parents as a strategy for getting little ones to be comfortable with wearing their glasses rather than ashamed. While Mrs Cook sticks to well-known stories and rhymes where 20/20 vision would have been helpful there would be plenty of incidents, real and imaginary, that teachers and parents could draw on to play the what-if game.
So many children will see this book as a mirror and learn to love reading even more as they read about themselves, while others will see it as a window and begin to understand how self-conscious Ava and others feel and how they can be more empathetic. They might even explore other “disabilities” and the sorts of ways that science and technology can now assist in overcoming them comparing the advances to the days when no such help was available and life became a misery.
How long will I love you? A second is too short. A second is no time for a love of this sort. A minute is no better, for minutes fly by! They’re gone in a moment like a sweet butterfly. Moving through the day, the seasons and then the years, Mother Mouse’s ode to her child and everlasting love will reassure children that they are lovable and loved and will be always. “Love you to the moon and back” is something our little ones hear often but this story, told in rhyme and accompanied by charming pictures that just ooze warmth and love, expresses that concept in a way that little ones can understand. The affirmation that a mother’s love is never-ending, even when our offspring challenge us, is so important and this is a wonderful way of helping them understand that, especially as there are lots of other mums depicted in the pictures. This is a universal feeling, not one confined to Mother Mouse and her baby.
Time is such a nebulous and abstract idea that children find it difficult to get their heads around it, but this delightful story helps to explain it by quantifying the measurements in order. A second is so short we can but blink, but there are many things we can do in an hour or a morning, while nighttime brings its own unique activities and each season its features.
A perfect lullaby-type story to draw the curtains on the day for our little people.
Four eggs – one pink, one yellow, one blue, one green. Crack. Crack Crack. Three hatch and release their little ones – but the green one does not. Waiting, waiting, waiting…Listening, listening, listening… Peck. Peck. Peck. Until finally… But what emerges is not what is expected. And as the birds fly away in surprise it is left alone, sad and miserable. Until…
Described as “a graphic novel for pre-schoolers”, Caldecott Medallist Kevin Henkes has woven a magnificent story with the minimum of words and some seemingly simple illustrations. Using the softest pastel palette, simple lines and shading he conveys so much emotion and action that even the very youngest reader will be able to sit and tell the story to themselves and their teddies without having to know one word of the sparse text. They will enjoy predicting what might be in that final egg and be surprised when the secret is discovered. Could that really be inside an egg? Are birds the only things that hatch from eggs? They will also empathise with the surprise when it is left alone and lonely, perhaps able to express their own feelings when they have been in a similar situation. A perfect opportunity to build a word wall of synonyms for ‘sad”. Inviting them to retell the story will encourage them to organise and order their thoughts, begin to understand sequence is important, and use their own words and language skills to express what happened – critical elements in developing early reading skills. And of course, this story is the perfect lead-in to the classic tale of The Ugly Duckling.
Brilliant for littlies but older children could gain a lot from looking at the techniques used to produce so much from so little.
Bear is lost. Where could he be? Perhaps he has been left in town. At the market? At the museum? Perhaps at the park? Oh no. Bear is nowhere to be found. But wait…
Reminiscent of a stage show where the villain keeps popping up but the hero doesn’t see him, and the audience is screaming loudly “There! Look!” but split-second timing is everything, this companion to Where is Bear will delight very young readers. Luckily in this story, though, bear isn’t a villain – in fact he is the hero.
A perfect book for teaching little ones about the joys of story and the fun to be had between the pages of books while they empathise with the trauma of having lost a favourite companion.