Archives

Super Sloth: Revenge of the Chick-Oats

Super Sloth: Revenge of the Chick-Oats

Super Sloth: Revenge of the Chick-Oats

 

 

 

 

 

 

 

 

 

 

 

Super Sloth: Revenge of the Chick-Oats

Aleesah Darlison

Cheri Hughes

Big Sky, 2024

140pp., pbk., RRP $A14.99

9781923004948

On a remote itty-bitty island off the coast of Panama there is an itty-bitty community of itty-bitty creatures. And while the rest of these pygmy sloths are content to dwell in the trees and move around “as slow as a rainy winter weekend”, Romeo Fortez, is different.  At his naming ceremony, the heavens do spectacular and amazing things and  Romeo is imbibed with powers of speed, intelligence, and irresistibly hypnotic good looks. As he grows up, Romeo craves speed and adventure and even his parents know that Escudo Island would never be big enough for him. But then he overhears a reference to New York – the city that never sleeps – and he knows that that is where he must be…

In the second episode of this action-packed series for newly independent young readers, ,Romeo’s nemesis, the unhinged Professor Ian Weird-Warp, is at it again. Bent on revenge, he concocts a quirky catastrophe. Mixing chicken and goat genes, he spawns a gang of eccentric chick-oats and they’re on the loose in the Big Apple, destroying everything in their path all the while chanting, ‘Berk-berk-baa!’

As the team faces off against Professor Weird-Warp’s sinister demands for Romeo’s surrender, they must hatch a brilliant plan to thwart the mad professor’s wicked schemes once and for all. Can this unlikely crew save the city from the clutches of the chick-oats?

Apart from being a fun read, it ends with the professor obviously intending more shenanigans so readers might like to have fun imagining what his next mutations might be – firstly it was a shark and a wolf, now chickens and goats so what could be next?  Perhaps they could even draw what they visualise and develop their own story based on what they already know of the resident characters, Weird-Warp’s motivations and their own imaginations.  

One Little Dung Beetle

One Little Dung Beetle

One Little Dung Beetle

 

 

 

 

 

 

 

 

 

 

One Little Dung Beetle

Rhiân Williams

Heather Potter & Mark Jackson

Wild Dog, 2024

32pp., hbk., RRP $A24.99

9781742036656

Australia is rich with fascinating beetles that all have a job to do. Using counting rhymes, young readers are introduced to some of these unique species and identifying the roles that each type of beetle plays in the environment including the dung beetle, the once-iconic Christmas beetle and some with the most remarkable colouring.  

With stunning endpapers, and accurate anatomical illustrations throughout, this offers an insight into the prevalence of beetles in the landscape and the critical role they perform in keeping it healthy and vibrant.  Teachers notes  offer further resources and links to investigate further, including the world of entomology, while also guiding young readers through the process of distinguishing a non fiction title from a fictional one, and how to use the cues and clues to prepare themselves for getting the most from it.

But while its format might suggest an early childhood audience, there is also scope for older readers to springboard their own investigations – why was the dung beetle introduced to Australia and were all introduced species as successful? Why do some have such remarkable colouring?  Why have all the Christmas beetles disappeared to the extent there is now a national count?  

Even if the reader is a little young to appreciate all the information, much of it embedded in the illustrations, they will enjoy practising their counting skills as they try to find all the beetles as well as the number of holes nibbled in the title number.  The pictures also include other creatures so there is also the opportunity to investigate the concepts of “more” and “less” and other early maths basics. 

With its focus topic which will encourage little ones to look at their environment with fresh eyes as well as its format, this is one that offers so much more than first meets the eye.  Give it with the gift of a magnifying glass and see the joy and wonder explode. 

 

The Big Book of Australian Nursery Rhymes

The Big Book of Australian Nursery Rhymes

The Big Book of Australian Nursery Rhymes

 

 

 

 

 

 

 

 

 

 

The Big Book of Australian Nursery Rhymes

Frané Lessac

Walker Books, 2024

96pp., hbk., RRP $A26.99

9781760655099

Take a bunch of familiar nursery rhymes from time immemorial, give them a new, uniquely Australian twist, add the iconic illustrations of Frané Lessac and you have the perfect present for any book-based baby shower, or newborn’s welcoming present you could ever wish for.

We know it is not so much the words of rhymes like Twinkle, Twinkle Little Star or Old MacDonald had a Farm that little ones respond to, so much as the melodic rise and fall of the voice as it moves over the rhyme, rhythm and repetition of these hand-me-down jingles, but to embed our native wildlife into them is pure genius.  So it is not little stars that we wonder about, but southern stars; it is not the cow jumping over the moon but a big kangaroo; and it’s not Peter picking a peck of pickled peppers but Pygmy Possum picking a peck of pickled pollen…

So while Jack and Jill will always climb the hill to fetch their pail of water, perhaps a new generation will see them as something other than two little children, or it will be four and twenty kookaburras emerging from that famous pie…

Brilliant.

An Amazing Australian Camping Trip

An Amazing Australian Camping Trip

An Amazing Australian Camping Trip

 

 

 

 

 

 

 

 

 

 

An Amazing Australian Camping Trip

Jackie Hosking

Lesley Vamos

Walker Books, 2023

32pp., hbk., RRP $A24.99

9781760654948

Having completed their Amazing Australian Road Trip, now the family is off on a camping adventure because Aunty wants to paint “a fantastical beast”.

“It eats like a fish and swims in the lakes, has fur like a dog and venom like snakes, with a bill like a duck, it also lays eggs, has a tail like a paddle and walks on four legs.”

With the 4WD loaded to the hilt and beyond, they head to country to find this amazing creature, finally setting up camp and starting to relax. And although there is lots of wildlife to discover, each with one of the attributes that Aunty has described, none has them all.  What could she be looking for?

As with its predecessor, this is a story that rollicks along in rhyme accompanied by eye-catching illustrations full of detail and humour including the mysterious animal hiding on each page waiting for the eagle-eye to spot…  While many readers will be familiar with camping, and understand the terminology as well as recognising the creatures that the family spot, for those for whom the Australian bush is a mystery there are lots of explanations of unfamiliar words as well as information about the various animals. And, also like its predecessor, it offers a lot of potential for investigation, not the least of which is the meaning and purpose of a glossary.

As summer holidays fade into the distance, this is one that will bring back so many memories for children who spent their time camping “out bush” as they giggle their way through familiar scenes and adventures – although I was a bit concerned that the copperhead snake that inhabits the cool climate region I live in is active at night – and begin to look forward to the next one. 

Loving this series which brings our country to life in such a fun way. 

 

Secret Sparrow

Secret Sparrow

Secret Sparrow

 

 

 

 

 

 

 

 

 

 

Secret Sparrow

Jackie French

HarperCollins, 2023

256pp., pbk., RRP $A17.99

9781460760468

September 1978 and Arjun is walking to the local mall when he hears the roar of a flash flood approaching and sees the river become a turbulent mass of brown, white-flecked water with cars bobbing along like plastic bath toys.  Miraculously a motor bike appears and he is urged to climb on, as the rider heads to the only high part of this flat landscape that should never have been built on – a grassy knoll that boasts only a small carpark and a rubbish bin on a pedestal. 

As surprised as he is by the ferocity and the swiftness of the flood, he is even moreso when he discovers his rescuer is an elderly woman! And that she is  a woman with an amazing story to tell as the waters rise and she makes him climb in the rubbish bin and use old newspapers for warmth and has the wisdom to know his thoughts need diverting from both the  current situation and the fate of his mates trapped in the mall.  It is a story of going from growing up in an English village during World War I to being commandeered into serving her country despite being only 16;  to being torpedoed by a German U-boat while crossing the English Channel to living and working in the hell of the trenches of France… all because she learned Morse Code while competing with her older brothers and became so fast and accurate her skills had been noticed.

But this is not just Jean McLain’s story told to keep a young lad calm and distracted – this is the story of at least 3600 women who were used as signallers as she was during World War I who not only signed an oath that they would never divulge their role even decades after the war was over but whose service was never formerly recognised and so they received only their Post Office employee pay while they served and had to pay for their own medical treatment if they were injured, and whose army records were deliberately destroyed by the authorities because of their embarrassment at having to admit that they not only had to rely on women to serve, but the women had excelled. To have to admit that so many had been able to step up and cope in situations that required “physical strength, mechanical knowledge and the courage to work under fire” when such physical and emotional circumstances as war and its inevitable death were seen as “unwomanly”, was an anathema to many men and so not only were individual stories never told, they were lost altogether.

But, using her usual meticulous research, author Jackie French has brought it to light, as once again she winkles out those contributions of women to our history that seldom appear in the versions of history told by men.  So as well as Arjun being so intrigued by Jean McLain’s story as the night passes, dawn appears and she teaches him to use her long-ago skills to summon help, our more mature, independent readers (and their teachers) can also learn something of that which we were never told.  Because, apart from those in the roles like Jean McLain who could be prosecuted for sharing their wartime adventures even with their family, there was an unwritten code of the survivors of all wars that the horrors would not be shared because, apart from being horrific, unless you were there you would never understand.  But now at the age my grandfather was when he died, I have learned a smidgeon of what it must have been like for him on the notorious Somme and can only wonder at how he went on to become who he did.  

It is estimated that World War I claimed the lives of some 16 million people worldwide, 9.5 million of which were military deaths. It is also estimated that around 20 million were wounded, including 8 million left permanently disabled in some way. Of those lives lost, 54 000 were young Australian lads who were so eager to sign up for this grand new ‘adventure’ that they lied about their age and 18 000 young Kiwis who, like my grandfather, believed it was their duty to fight for “King and Country”. But only now, through stories like this and The Great Gallipoli Escape, are we learning the real story and through the questions she has her characters ask and answer are we being encouraged to question things for ourselves, not just about the war but also what we stand for. Often in the story Jean McLain is spurred on by her belief in her need to  “do her duty” and that her actions are saving lives, but then she poses the same situation to Arjun. “What are we worth if we don’t do our duty to each other? What kind of life is it if you don’t love someone or something enough to die for them? What matters to you, eh?’ 

As well as teaching us about the past, French inspires us to think about the future – and that is a gift that only writers if her calibre can give our students. 

  

Secrets of the Saltmarsh

Secrets of the Saltmarsh

Secrets of the Saltmarsh

 

 

 

 

 

 

 

 

 

 

Secrets of the Saltmarsh

Claire Saxby

Alicia Rogerson

CSIRO Publishing, 2023

32pp., hbk., RRP $A24.99

9781486317141

Where the land meets the sea is a fringe that is sometimes sea and sometimes land – depending on the tides – one of the most unique environments of the planet. For thousands of years First Nations people have harvested the rich seasonal food resources they offer and they support countless  life cycles from that of  tiny bacteria to large migratory birds, each dependent on each other and the land, ocean, water, wind, sunlight and seasons, at the same time as they store up to four time more carbon than ordinary forests.

While they have often been drained to provide more room for human housing, slowly we are learning more about how critical they are to the planet’s health and this new book for younger readers by a master pf narrative non fiction starts to raise awareness from an early age.  From the front endpaper featuring just some of the birds that can be found to the final one featuring fingerling fish, the book is a masterpiece of introducing this special, little-known environment.  Written in the first person, each double page spread focus on either one of the elements that is so crucial to the saltmarsh or the creatures that live within it and how they contribute to wellbeing, and, like the inhabitants of the marsh, there is a symbiotic relationship between Saxby’s lyrical text and Rogerson’s illustrations.

Perhaps I was drawn to this book because I have just finished Where the Crawdads Sing by Delia Owens, a novel in which the environment plays such a significant part in the story, and, to my knowledge, there have been few books on this biome for young readers despite its diversity and importance.  Nevertheless, like The Great Southern Reef, this is an environmental phenomenon that is accessible to so many of our students and thus one that greater awareness will build an appreciation for.

A must-have in any collection focusing on environmental biodiversity.  Teachers’ Notes are available.

 

Our Country: Where History Happened

Our Country: Where History Happened

Our Country: Where History Happened

 

 

 

 

 

 

 

 

 

 

Our Country: Where History Happened

Mark Greenwood

Frané Lessac

Walker , 2023

40pp., hbk., RRP $A26.99

9781760653576

In the first book in this series, the creators took readers on a journey to the ancient wonders of this land – landscapes and landshapes that have existed for billions of years. Now, they have put its people in the picture, tracing some of the significant events that have shaped the life lived today.

Beginning with the statement, “The story of our country is told in stone”, the reader begins their new journey with a visit to Ubirr in the Northern Territory, one of over 100 000 important rock art sites around Australia that pass on the historical, cultural and spiritual knowledge of Australia’s First Nations peoples.  They then move on to the significance of a pewter plate with a chiselled inscription nailed to a post in 1616 in Western Australia, showing that the story of this country can be told through pictures and words, artefacts and mementos just as much as it is through observed and lived events.   The journey continues through a timeline of other important events – mapped out on the front endpaper – each including that basic statement,  a broad explanation with language reminiscent of a tourist brochure as well as a brief, fact-filled paragraph about the event itself.   And all set against a backdrop of Frané Lessac’s stunning artwork! Then, acknowledging that there is much more to this story than can be covered in a picture book, the final endpaper has a different timeline of other critical events inviting the reader to find out more and perhaps even produce their own entry for the book. 

Younger students are often challenged by the relevance of having to study that which has happened before their time, particularly as their maturity level has them living in the here-and-now exacerbated by the instant connectivity the internet offers, and so this book is the most attractive and engaging way to introduce them to the concept of times past and how those times have shaped their here-and-now.  Would we have had the recent Voice referendum, even the daily Acknowledgement of Country, if not for the work of Eddie Mabo?  Would they have even been born in Australia if not for the impact of World War II on Europe and the waves of migrants who sought a new life here? 

As well as being a must-have entry level book to learning about the history of the country they live in, the content, format and potential of this book ensures its inclusion in collections spanning all ages and abilities especially if students are old enough to step beyond what happened and consider what if… If Dirk Hartog had done more than nail a plate to a post and claimed this country for the Dutch; if French captain de Surville had turned west to investigate the land his crew claimed they could smell five months before Captain Cook claimed the continent for England… 

History in the form of facts and figures, dates long gone and people long dead, can be greeted with a groan by many, but this series with its engaging format and just the right amount of information to bring it into the realm of the reader has the power and potential to grab the imagination and spark a desire to learn more.  It epitomises the theme Australia: Story Country.

Giinagay Gaagal, Hello Ocean

Giinagay Gaagal, Hello Ocean

Giinagay Gaagal, Hello Ocean

 

 

 

 

 

 

 

 

 

 

Giinagay Gaagal, Hello Ocean

Melissa Greenwood

ABC Books, 2023

24pp., hbk., RRP $A24.99

9780733343001

Gaagal (ocean) is our special place,

we love to swim in the waves.

We’ll catch some yamaarr (fish),

eat, dance and play games.

Is there anything more iconic than the sights and sounds of little ones running down the beach to dip their toes in the cool waters of the ocean on a hot summer’s day, carefree and careless?

It’s a scene that has been and will be repeated for decades and decades as the sun beats down and the waves invite. But, after reading this lyrical ode to the ocean, perhaps this summer our children might stop and consider the privilege they are enjoying, maybe even offer a word of appreciation…

But first, before walking on Country, we talk to the land

and het her know that we re here to play.

We are grateful for what she has to offer,

we promise to take care of her during our stay. 

Woven among the stunning artwork that is so evocative of the experience if you take the time to look at it, is a description of something that has been done over and over and over – dancing over the hot yellow sand, gathering bush fruits and collecting pipis in the tide zone, keeping an eye out for sharks and knowing when it is safe to swim, watching the whales and dolphins twist and turn in their own special water dance, collecting shells, dodging crabs, building a fire to make lunch and sheltering from sunburn all taking on a bit of extra magic as the children play but all the while having that connection that keeps them aware of how lucky they are. “We say, ‘Yaarri yarraang gaagal, darrundang, Goodbye ocean and than you,,, until next time.'”. Each thing has its own particular and unique place in the landscape and landshape that is so much more than just for the delight and amusement of the human intruders. 

As with Miimi Marraal, Mother Earth, there are indigenous words scattered throughout,  and the full text is included in both English and Gumbaynggir in the final pages, adding to the resources for preserving and revitalising First Nations languages.  

This is another of a number of brilliant new books that help our children understand the significance of that now-familiar Acknowledgement of Country, perhaps even inspiring them to develop their own connections as another summer looms and they too, “must go down to the seas again”. 

Shearer

Shearer

 

 

 

 

 

 

 

 

 

Shearer

Neridah McMullin

Michael Tomkins

Walker 2023

32pp., hbk., RRP $A26.99

9781760653163

Click go the shears, boys — click, click, click,
Wide is his blow and his hands move quick,
The ringer looks around and is beaten by a blow,
And curses the old snagger with the bare-bellied yoe.

Click Go the Shears is one of those traditional Australian songs that our children learn about the same time they learn the iconic Waltzing Matilda. But while the origins and meaning of that song are learned alongside the lyrics, what is the story behind some of the strange words and phrases in the shearing song?  Surely sheep are shorn using machinery.

But before Frederick Wolseley perfected his invention of mechanical shears in 1888 – a design 25 years in the making – sheep were shorn with hand or blade shears requiring great skill and considerable strength in the hand, arm and back and then, as now, it was one of the most physically demanding jobs as far as stress to the human body according to a 2000 report by the National Occupational Health and Safety Commission. 

Iconic images of the 19th century shearing shed. Shearing the Rams (top) and The Golden Fleece (bottom) both by Tom Roberts.

Iconic images of the 19th century shearing shed. Shearing the Rams (top) and The Golden Fleece (bottom) both by Tom Roberts.

Shearers travelled from woolshed to woolshed as wool became one of the most valuable resources of the Australian economy, particularly as gold discoveries dwindled, and among those men, was Jack Howe who had “hands the size of tennis racquets, legs like tree trunks and wrists made of steel”. 

Shearer is the story of the day Howe sheared a record 321 sheep in 7 hours and 40 mins at Alice Downs Station in Blackall, using blade shears, bringing to life the story of a man still regarded as Australia’s greatest shearer and after whom, the iconic navy blue singlet of the tradie is named.  

With her books Eat My Dust, and Drover  and the upcoming Tearaway Coach, Neridah McMullin is becoming known for telling the stories of those who have had a significant impact on Australian life, particularly that of rural communities, and thus opening up all sorts of opportunities to explore further.  Shearer continues this tradition, particularly as attendances at shows that bring the country to the city continue to break records and shearing demonstrations attract huge crowds.

For a century Australia “rode on the sheep’s back” and this book gives readers, young and older, an entry point to investigate the hows and whys of this common saying. 

Who’s the Gang on Our Street?

Who's the Gang on Our Street?

Who’s the Gang on Our Street?

 

 

 

 

 

 

 

 

 

 

Who’s the Gang on Our Street?

Susanne Gervay

Nancy Bevington

Big Sky, 2023

32pp., pbk., RRP $A14.99

9781922896810

There are lots of gangs on our street – a rock and roll gang with spiky hair; a soccer gang with bright uniforms; a billycart gang who race down the hill; a music gang, a dancing gang, an acrobat gang… so many gangs that I don’t belong to but I could if I wanted to!  Because I have funky-punky hair, I love to move and play; I can fly faster than any human can run; I can hang upside down and twist and turn better than anyone… 

This is a jaunty, unusual introduction to one of Australia’s most iconic birds, the sulphur-crested cockatoo, and, as if to prove Gervay’s point about their versatility, there is a gang of them investigating a newly-fallen tree outside my window as I write.  They’re hanging upside down on the food feeder chains, looking for bugs in the newly peeling bark, while there is always one standing guard… and their distinctive squaark always lets us know when they are in the neighbourhood.

But for all that I see these birds almost every day once the mountain weather starts to warm up, there is still a lot in this new book that I hadn’t noticed, such as the fact that they always use their left leg like a human hand, so I will be observing them with fresh eyes this summer. 

Narrative non fiction has overtaken the traditional facts-and-figures books that used to be the core of the library’s non fiction collection and between them, Gervay and Bevington have produced something that is unique, fun and very appealing bringing this Australian icon right into the realm of the reader.  A short quiz encourages the reader to explore the fun facts that are included and ensures that these birds that bring so much joy through their antics (even though these are provoked by the eternal search for food) will become favourites for a new generation.