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Pebble and Wren

Pebble and Wren

Pebble and Wren

 

 

 

 

 

 

 

 

 

 

Pebble and Wren

Chris Hallbeck

Clarion, 2023

240pp., pbk., RRP $A19.99

9780358541288

Based on his webcomic of the same name, Pebble and Wren follows human girl Wren and her live-in monster, Pebble, as she teaches them all about how the human world works—from why the moon changes shape to why we don’t eat candy wrappers—while trying to unlock special abilities without which Pebble will have to return to the monster forest.

Pebble, a young monster,  must venture out of the hidden forest and into the world of humans as a monster’s rite of passage to unlock their skills but everything seems daunting., until one house seems to be welcoming. Living there is  a young girl called Wren ,and her two fathers. The little monster is fond of food or, in fact, anything that can be eaten, including books, rocks, and furniture. Pebble’s special skill seems elusive as the pair become close friends.

While Pebble is a shape-shifter, Wren has talents of her own. She enjoys explaining things and instructing Pebble on a variety of topics: moon phases, humans’ inner ear structure and skeletal anatomy, and the thermodynamics of refrigeration and gradually the pair begin to understand each other and share adventures that help Pebble gradually realise that their special skill has been discovered.

Although each page of this graphic novel has only uncomplicated frames, and the nine chapters seem to be connected as a developing story, this is very much driven by the development of the characters rather than a series of adventures or quests so it’s appropriate for independent readers who enjoy this format and like to delve into the lives of the personalities. 

 

Lily Halfmoon: The Magic Gems

Lily Halfmoon: The Magic Gems

Lily Halfmoon: The Magic Gems

 

 

 

 

 

 

 

 

 

 

Lily Halfmoon: The Magic Gems

Xavier Bonet

A & U Children’s, 2023

80pp., graphic novel, RRP $A16.99

9781761180354

It’s Lily’s birthday and she has moved to a new village, a new house and now it’s time for her to start a new school. She has all the same trepidations about it as other children do but when she gets there she finds things are a bit different from her previous school because this one is especially for witches to learn their craft!  Lily had no idea she had magical powers but now a lot of things in her life start to make sense. 

And now, in The Royal Academy and Library of Magic Studies, Creatures,  Potions and Spells (aka The Library) she must learn magic, and find her animal guardian and gemstone, while keeping her new identity a secret -even her family can’t be told. With her friends Gigi and Mai  she is part of a group of witches who have to protect the people of Piedraville from evil, tricky when there is a dangerous creature on the loose. And she’s found a rare and unique gem that no witch has ever had before – what does it all mean?

There are so many stories in this vein for emerging independent readers to choose from, and this one appeals because it can be both a stepping stone to more complex reads like Harry Potter as well as to the graphic novel format because it combines the new-to-some format with elements of a traditional layout. There are the familiar panels and speech bubbles of the former, although the text is written in the usual way with capital letters, lower case and punctuation, as well as the conventions of the latter for introductions, instructions, maps and other diagrams.  

Those readers who are verging on independence often view “real readers” as those who can read thick books or graphic novels and that is the yardstick by which they measure their success, so this is the ideal bridge for them capturing their imaginations through a popular theme but putting it in a setting that they can relate to.  Genius. 

Ratbags 3: Best of Pests

Ratbags 3: Best of Pests

Ratbags 3: Best of Pests

 

 

 

 

 

 

 

 

 

 

Ratbags 3: Best of Pests

Tim Harris

Shiloh Gordon

Puffin, 2023

192pp., graphic novel, RRP $A14.99

9780143777472

Rats, in general, do not have a good reputation for being friendly and kind, and The Ratbags are no exception.  Their goal in life is to make trouble and to look for naughty things to do.  They ream of mayhem and believe rules are for losers.  Except for one – Jigsaw.  He got his name because he does not fit in, like a puzzle piece that won’t squeeze into place no matter how much you twist and turn it. Jigsaw likes both rules and humans so he doesn’t fit in with the other rats and they shun him. 

Now, after their antics in the second in this series by the author of the Mr Bambuckle’s Remarkables series, the humans have had enough of rats and their ratbag ways. Even Mr Pecky has stopped giving them pizza. But things get taken to a whole new level when robot minks with laser eyes roam the streets, ready to destroy all ratbags, stray cats and jazz musicians! How are the ratbags to survive the humans’ latest pest control? By joining forces with their enemy, naturally! With Cracker and the ratbags on the same team, things are about to get really hairy!

Way back when, about 25 years ago, authors like Paul Jennings, Andy Griffiths and Christopher Milne brought a new style of writing to the children’s literature available at the time – a style that featured what became known as “toilet humour” in which bodily functions and similar subjects became normal and regular rather than the taboo territory they had dwelt in, and these stories, which immediately appealed to boys of a certain age, became a challenge for some adults to share – which, in turn, gave them even more appeal but, in the process, also turned a generation of lads into readers as they were determined to read the stories themselves.

Now, in a similar fashion, the availability and accessibility of the graphic novel format combined with characters and situations that make a lot of adults squeamish, is having the same impact.  Both author and illustrator have a sound understanding of what their target audience is looking for and its method of delivery, so that they are drawn away from the screen and into the world of print where books can be shared and passed around and available on demand. They also know that kids are impatient and so this series has delivered a new episode every two months (the fourth due in September) so there is no interminable wait in between to see what happens next or have other distractions overtake the anticipation.

So regardless of what teachers and parents might think of this as that subjective, elusive concept of “quality literature”- and I would argue that the strong threads of friendship, standing your ground against peer pressure and being yourself take it into that realm anyway –  if you have reluctant readers or those who just haven’t found a reason to read yet, then this is a must-have series. 

Ember and the Island of Lost Creatures

Ember and the Island of Lost Creatures

Ember and the Island of Lost Creatures

 

 

 

 

 

 

 

 

 

 

 

Ember and the Island of Lost Creatures

Jason Pamment

A & U Children’s, 2023

288pp., graphic novel, RRP $A19.99

9781761067488

Fitting in can be hard, especially when you’re as small as Ember. He can’t remember anything from before he lived in an attic in a city where everything was giant-sized. He longed for friendship, but when he ventured out to try to make a connection, he was accidentally swept into a storm drain and out to a beach. He hopes his his luck will change when Lua, a kindly sea turtle, escorts him across the ocean to a school for little creatures on a wondrous island, and he meets creatures like Ana, a salamander, and Viggo, a stroppy blue-tongued lizard.   Ember learns that first days can also be hard – especially when your friends read your journal and mock you.  Lessons at school involve intriguing discussions of camouflage and mimicry and introductions to the unique denizens of the island and surrounding sea but it his adventures involving  fantastical cave-dwellers, ferocious storms and classmates that aren’t interested in making friends that teach him the most.
As he struggles to adapt to his school, Ember finds himself at the heart of an otherworldly mystery, facing a strange monster from the deep. And though Ember’s classmates may seem of little help, any good student knows appearances can be deceiving – and friendship can come from the most unexpected of places.
For those independent readers who like the graphic novel format, this is an intriguing story with clear, detailed pictures that in a lot of cases carry the story without speech, that reinforces the message of being and accepting yourself, building friendships with unlikely folk, persevering to get to know them better, and being open to new ideas and perspectives. 

Speak Up!

Speak Up!

Speak Up!

 

 

 

 

 

 

 

 

 

 

Speak Up!

Rebecca Burgess

HarperCollins, 2022

272pp., graphic novel, RRP $A39.99

9780063081208

Twelve-year-old Mia is just trying to navigate a world that doesn’t understand her true autistic self.  Mia would be happy to just be herself, stims and all, but the other students have trouble understanding her and even bully her, while her mother is full of strategies to help her attempt to mask her autism.  Although she wishes she could stand up to her bullies, she’s always been able to express her feelings through singing and songwriting, even more so with her best friend, Charlie, who is nonbinary, putting together the best beats for her.

Together, they’ve taken the internet by storm; little do Mia’s classmates know that she’s the viral singer Elle-Q! Ironically, one of her biggest fans is also one of her biggest real-life bullies, Laura. But while the chance to perform live for a local talent show has Charlie excited, Mia isn’t so sure.

She’ll have to decide whether she’ll let her worries about what other people think get in the way of not only her friendship with Charlie, but also showing everyone, including the bullies, who she is and what she has to say. Though she may struggle with some of her emotions, Mia does not suffer because of her autism. Rather than  a cure as though there is something about her that needs to be fixed,  she just wants acceptance, understanding and tolerance, just like the other characters who have other issues that drive their behaviour. 

For older, independent readers this is a graphic novel by an autistic author/illustrator offering a sympathetic depiction of one young person’s experience of autism, and because it is by one on the spectrum it is an authentic voice giving an insight into what it is like to be different at a time when peer acceptance is so important to who we are. 

The Cool Code

The Cool Code

The Cool Code

 

 

 

 

 

 

 

 

 

 

The Cool Code

Deidre Langeland

Sarah Mai

HarperCollins, 2023

224pp., graphic novel, $A22.99

9780358549314

When 12-year-old coding whiz Zoey goes from homeschooled by her software-programmer parents to real school where there are teachers and other students, in an attempt to fit in, she develops an app called the Cool Code with a cute pink llama avatar called C.C. that she hopes will tell her everything from what to say to what to wear based on pop culture algorithms she’s uploaded. But although C.C. may be cute, it’s also bossy and starts to give her ridiculous advice,  such as running against her new friend Daniel in the school election, things get awkward.  With a few upgrades and a bit of debugging from the coding club, the app actually works—Zoey gets really popular . . . and gets her pulled in all kinds of directions, including away from her real friends.

Even though the new school year is some months away, nevertheless enrolments are open and for many students about to make the transition from primary to high school. the anxiety is starting to grow as they grapple with the changes involved, particularly the aspect of meeting and making new friends at a time in their lives when social acceptance and peer pressure is starting to dominate relationships.  So while this is a path well-trod in many stories by numerous authors,  nevertheless each one has a place to help reassure those about to embark on a similar journey.  It’s graphic novel format means it is one to be read individually, but that same format could be the hook that gets the reluctant reader in. 

One to add to a display on the theme, including the CBCA shortlisted August and Jones, that might allay the fears of some and also spark conversations about what is concerning them most and how to prepare to overcome that.  At the very least,  it will demonstrate that their worries are common and shared, and that, in itself, can help. 

Ratbags 2: Midnight Mischief

Midnight Mischief

Midnight Mischief

 

 

 

 

 

 

 

 

 

 

Midnight Mischief

Tim Harris

Shiloh Gordon

Puffin, 2023

192pp.,graphic novel, RRP $A14.99

9780143777458

Rats, in general, do not have a good reputation for being friendly and kind, and The Ratbags are no exception.  Their goal in life is to make trouble and to look for naughty things to do.  They ream of mayhem and believe rules are for losers.  Except for one – Jigsaw.  He got his name because he does not fit in, like a puzzle piece that won’t squeeze into place no matter how much you twist and turn it. Jigsaw likes both rules and humans so he doesn’t fit in with the other rats and they shun him. 

But things might change when a new pizza shop opens in town…

This is the second in this  new series from the author of titles like Mr Bambuckle’s Remarkables and this time he has joined with illustrator Shiloh Gordon to create a series that is likely to appeal to young boys, particularly those who don’t choose reading as their first choice for free time.  With minimal text, cartoon-like illustrations, and lots of laughs,  the story moves along at a fast clip more like an animated television program than a print resource, driven by the characters rather than events.  

This time, having gained a reputation for being good because of rule-loving, leaf-collecting, piano-playing Jigsaw’s actions in the first book, the other Ratbags need to change this immediately and Ripple and Onion are the best ratbags for the job. But while performing some ratty mayhem, they fall into Cracker the cat’s claws… Will their midnight mischief turn them into a midnight snack? Or will Jigsaw find a way to save them? Again!

Despite the fun and naughtiness, just below the surface there are subtle messages about friendship,  peer pressure and having the courage to stand your ground.  ‘It’s not preached at all, but there’s a nice subtle message that we can be friends with other people, no matter what our belief system or no matter how different we are to them,’ says Tim Harris.

If the first one in the series captured your reluctant readers, they will be glad that this one is hot on its heels and there are at least two more to come… Best of Pets in July and Take Flight in September.

 

Garlic and the Witch

Garlic and the Witch

Garlic and the Witch

 

 

 

 

 

 

 

 

 

 

Garlic and the Witch

Bree Paulsen

HarperCollins, 2023

160pp., graphic novel, RRP $A24.99

 9780062995124

Brave little Garlic is back in this standalone companion to Garlic and the Vampire, with another tale of friendship, magic, and self-discovery. 

Garlic loves spending time with Witch Agnes, Carrot, and her new friend, the Count, who has proven to be a delightful neighbour to the village of vegetable people rather than the scary vampire the village feared in the first story,. But despite Agnes’s best attempts to home-brew a vegetarian blood substitute for Count, the ingredient she needs most can only be found at the Magic Market, far from the valley.

Before she knows it, with a broomstick in hand, Garlic is nervously preparing for a journey.

But Garlic is experiencing another change too—finger by finger, she appears to be turning human. Witch Agnes assures her that this is normal for her garden magic, but Garlic isn’t so sure that she’s ready for such a big change. After all, changes are scary…and what if she doesn’t want to be human after all…

As with the first one, this is not a complex read,- cheerful rather than chilling – with a subtle message about believing in stereotypes and rumours, readers will still need to have the reading skills necessary to interpret a graphic novel, seamlessly integrating the illustrations with the plot because there are many passages where there is no speech.  That said, with its warm colours, and faces which are friendly rather than frightening, this is a gentle introduction into both the format and fantasy. 

A fresh, new series to entertain readers who are looking for something a bit different. 

Ratbags 1: Naughty for Good

Ratbags 1: Naughty for Good

Ratbags 1: Naughty for Good

 

 

 

 

 

 

 

 

 

 

Ratbags 1: Naughty for Good

Tom Harris

Shiloh Gordon

Puffin, 2023

192pp., pbk., RRP $A14.99

: 9780143777441

Rats, in general, do not have a good reputation for being friendly and kind, and The Ratbags are no exception.  Their goal in life is to make trouble and to look for naughty things to do.  They ream of mayhem and believe rules are for losers.  Except for one – Jigsaw.  He got his name because he does not fit in, like a puzzle piece that won’t squeeze into place no matter how much you twist and turn it. Jigsaw likes both rules and humans so he doesn’t fit in with the other rats and they shun him. 

But things might change when a new pizza shop opens in town…

This is a new series from the author of titles like Mr Bambuckle’s Remarkables and this time he has joined with illustrator Shiloh Gordon to create a series that is likely to appeal to young boys, particularly those who don’t choose reading as their first choice for free time.  With minimal text, cartoon-like illustrations, and lots of laughs,  the story moves along at a fast clip more like an animated television program than a print resource, driven by the characters rather than events.  

It’s the first in the series and there’s a quiz that readers can take to see which character they themselves are most like, because every little one dreams of being brave enough to not toe the line, unless they are Jigsaw.  But just below the surface, there are subtle messages about friendship,  peer pressure and having the courage to stand your ground.  Despite the rats’ bad behaviour, however, there are several heartwarming messages buried beneath the surface. ‘It’s not preached at all, but there’s a nice subtle message that we can be friends with other people, no matter what our belief system or no matter how different we are to them,’ says Tim Harris.

Buy the first one and give it to your reluctant readers to determine if you should get the rest in the series.  You may well hook them into reading not only this, but reading in general. 

 

The Super Adventures of Ollie and Bea

The Super Adventures of Ollie and Bea

The Super Adventures of Ollie and Bea

 

 

 

 

 

 

 

 

 

 

The Super Adventures of Ollie and Bea

Bunny Ideas

9781761068119

Otter-ly Ridiculous

9781761068126

Renee Treml

A&U Children’s 2023

64pp., pbk., RRP $A12.99

Ollie is an owl who wears glasses. And Bea is a bunny with very big feet, but, despite their differences they are best friends who work together to solve mysteries. 

These are the two latest adventures in this graphic novel series  for young readers transitioning from the basal readers of commercial reading schemes to less-controlled books offering a stepping stone to more complex “early chapter books”. Following the format of the previous four where the emphasis is on the conversation between the characters, Treml again places her characters into situations that are familiar to her audience.  In Bunny Ideas Bea is planning some fun games to play with her friends but they must follow her rules while in a game becomes a quarrel that threatens friendships, offering opportunities for the reader to consider what options there are for harmony and what choices they might make in a similar situation.

In a recent media interview I was asked why I thought it was important for little ones to read and apart from fueling their imagination and inspiring their dreams, I emphasised the need for them to read about children and characters who were just like themselves so that they could not only see themselves in stories and thus affirming who they are as they are is enough, but that they could encounter and solve problems such as those in these stories from a distance.  Contemporary realistic fiction has been defined as  “real stories that could happen here and now [in which] the author attempts to weave a story based on believable characters, a plausible plot and a recognisable setting so that young readers … can vicariously live through the story’s characters while they read” (Travers, B. E. & Travers, J. F. (2008) Children’s literature: A developmental perspective. Hoboken, NJ, USA: John Wiley) and while it is a term usually applied to literature for young adults, IMO Treml has nailed it in this series for much younger readers.