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The Hole

The Hole

The Hole

 

 

 

 

 

 

 

 

 

The Hole

Kerry Brown

Lucia Masciullo

ABC Books, 2018 

32pp., hbk., RRP $A24.99

9780733335235

Squirrel is making her way through the woods with a basket of goodies to share with her cousin Vera.  But when she stops to have a rest, she spies a hole in the ground and being inquisitive she peers down it. Wondering who lives there she climbs into it, only to find she can’t touch the bottom and she is stuck because she can’t get a purchase on the sheer walls to hoist herself up.  Her shouts for help are heard by an ostrich passing by, also with a basket of goodies to share with his cousin but when he sticks his long neck down the hole to investigate, it is longer than squirrel’s legs and he declares he can’t see anything,  Trouble strikes when his head his wedged in the hole, both Squirrel and Ostrich convinced that there is a monster at the bottom of the hole who will have them both for his lunch. Three monkeys also find themselves trapped and when a tiny mouse appears to waken the monster by yelling at it, everyone seems doomed…

This is a charming  adventure that engages from the get-go with its 3D cover featuring a hole filled with black and two bright eyes!  Young readers will suggest that it’s about a monster at the bottom of a hole but the monster shape revealed on the front page could be anything so there are no clues there,  The story begins with Squirrel’s curiosity, moves through the willingness of others to help those in distress or need and ends with a friendship amongst some unlikely characters. Young readers might like to speculate on what might be at the bottom of the hole, although they are unlikely to guess because it’s not a creature young Australians would be familiar with.  Nevertheless, the scope for describing the monster that might be there is endless. They could also put themselves in the position of the squirrel, the ostrich and the monkeys to consider how they would respond – would they be curious, would they help or would they continue of their journey because someone is expecting them?

Its rhyming format and the cumulative text make it perfect for reading aloud and Masciullo’s illustrations capture the emotions and the drama of the moment perfectly.

Teachers’ notes are available.

You Can’t Let an Elephant Drive a Digger

You Can't Let an Elephant Drive a Digger

You Can’t Let an Elephant Drive a Digger

 

 

 

 

 

 

 

 

 

 

You Can’t Let an Elephant Drive a Digger

Patricia Cleveland-Peck

David Tazzyman

Bloomsbury, 2018

32pp., pbk., RRP $A14.99

9781408879146

Don’t let an elephant drive a digger . . .
Diggers are big – but elephants bigger.
No, if you want to move earth or dig holes,
best not let an elephant near the controls.

So begins this follow-up to You Can’t Take an Elephant on the Bus which is just as hilarious as its predecessor.  All the animals want to do is help you through your day but with a crocodile wanting to help you with teeth cleaning, a kangaroo assisting you on the loo and a seal preparing your meal, things could get a little chaotic.  Luckily they come up with their own solution.

Winter has been dragging on – record rains in some parts, drought in others and so many minus-many nights where I live that it really is time for a good laugh, and this book provides it.  Sharing a bunk with a skunk brings its own mental images and little ones could have fun making their own suggestions.  What about a giraffe in your bath or a pheasant who’s unpleasant??

Lots of fun to bring a smile to the gloomiest face as the imagination runs wild. 

Where Does a Giraffe Go to Bed?

Where Does a Giraffe Go to Bed?

Where Does a Giraffe Go to Bed?

 

 

 

 

 

 

 

 

 

 

Where Does a Giraffe Go to Bed?

Craig MacLean

HarperCollins, 2018

32pp., hbk., RRP $A19.99

9781460752272

“When it’s too dark to see, a koala sleeps in a tree.”

Sleeping until tomorrow, a wombat snores in its burrow.”

But where does a giraffe go to bed?

We all need to sleep but not everything curls up in a soft, warm bed like we do, so this story-in-rhyme with its  repetitive question explores the sleeping habits of some of the creatures familiar to its preschool audience,

Set against a night sky palette, the illustrations are as perfect as the text to make a lullaby for bedtime, one that the young child will be able to recite within a couple of reads as they snuggle down and close the curtains on their day.  And for those who are reluctant to settle they will begin to understand that everything needs to sleep, even the giraffe.

Loved it.

 

Jacaranda Magic

Jacaranda Magic

Jacaranda Magic

 

 

 

 

 

 

 

 

 

Jacaranda Magic

Dannika Patterson

Megan Forward

Ford Street, 2018

32pp., pbk., RRP $A16.95

9781925804010 

A hot, sticky summer afternoon and Will, Charlotte, Priya, Finn and Lizzie don’t know what to do with themselves. Lying under the large jacaranda tree, with little energy and less motivation they are bored with their regular pursuits and with each other.

“Too mopey for mischief, too wriggly to rest.

All stuck for ideas, no one knew what was best.”

Suddenly a little breeze blows through the tree and showers them with beautiful purple petals – and that gives Will an idea! And in a flash that tree becomes the ultimate playground – just add imagination.

In this age of wrapping our kids in bubblewrap and cottonwool and where allowing them to be bored is seen as the ultimate failure as a parent, this story whisks the reader back to a time when climbing trees was a vital part of growing up and there was no such thing as risk assessment and management.  In fact, schools spent a lot of money installing climbing frames and other equipment so that there were “fake trees” available and children could build their upper body strength and indulge in all the gross motor activities so critical for development. Climbing encourages children to develop their own risk assessment and management and while there may be falls and the occasional broken arm, it’s all part of growing up and building a willingness to take a chance and being resilient.

And at last, there is recognition that boredom is also critical for development, that on-tap entertainment in whatever form stifles the imagination and creativity which is THE essential element of human endeavour.  There is no more critical question starter that “what if…”

As the children scramble through the tree’s branches, feeling its different textures and letting its shapes inspire their imaginations, they discover a world of fun and endless possibilities that will not only encourage the reader want to find a tree and shinny up it, but will want them to return again and again as its potential for fun and discovery is endless.   

Even if there is no tree nearby for the children to climb, or policy forbids that, maybe start with asking the children “What would you do if you had an afternoon to yourself and no access to toys or technology?’ It’s amazing how many times the things that stick in the child’s memory are those that cost nothing and were done with family or friends.  Their imagination is not dead – they just need to time and space to explore it.  Just as Will, Charlotte, Priya, Finn and Lizzie discovered.

Teachers notes are available to kickstart your imagination. 

 

 

Are You My Bottom?

Are You My Bottom?

Are You My Bottom?

 

 

 

 

 

 

 

 

Are You My Bottom?

Kate & Jol Temple

Ronojoy Ghosh

Allen & Unwin, 2018

32pp., hbk., RRP $A19.99

9781760631642

Little Panda wakes up to find his bottom is missing!  Where could it be?  He searches here and there, high and low and even pastes Wanted posters on the wall, but there is no sign of it anywhere.

Oh, wait?  There it is – it’s black and white like his, but no – this one is long and stripy and belongs to Lemur.  Well, perhaps that’s it, up in the tree.  No Panda, you’re being absurd.  That is the bum of a fine feathered bird.

As each bottom turns out to belong to something else, nevertheless each creature joins in the crazy romp to help Panda out.  Will they be successful? Or will Panda be bottomless forever?

With its distinctive illustrations and its rhyming text, this is a funny book that will have young readers laughing and trying to predict whose bottom Panda has spied and just just where his might be.  But it is also a good way to introduce the concept of bottoms and their essential role in the anatomy and health and well-being of every living creature.  Simply asking, “Why does Panda need his bottom?” can start an interesting discussion that can lift the common taboo of this subject among little people. It might even start speculation about why all the creatures in the story (and others) have tails, whereas humans don’t.  Fun, entertaining and offering teachable moments all at the same time. 

Play This Book

Play This Book

Play This Book

 

 

 

 

 

 

 

 

 

Play This Book

Jessica Young

Daniel Wiseman

Bloomsbury, 2018

32pp., hbk., RRP $A22.99

9781681195063

Seven instruments sit alone on a stage –  guitar, keyboard, saxophone, trombone, drum, maracas and cymbals – waiting to be played so there can be a show.  But without the reader lending a hand, there can be no band.  And so how to play each instrument and the sound it makes becomes the focus of this interactive book featuring lots of different children introducing each instrument. By the end of the story, all the instruments have been tested and are brought together in a grand cacophony of sound appreciated by the audience.

This is a wonderful opportunity to acquaint young readers with some common musical instruments and the invitation for them to “play” them will be irresistible.  Interactive in a similar fashion to the Hervé Tullet books like Press Here, this one will engage very young readers as they return to it again and again. 

The importance of music in a child’s life cannot be underestimated and is encapsulated in this infographic from The Orlando Philharmonic Orchestra  and this research from the University of Canberra so Play this Book would be an important addition to your early music teaching resources. A natural follow-on would be Prokofiev’s Peter and the Wolf supported by Energy in the Air: Sounds of the Orchestra  To round out the experience, Birdsong by Ellie Sandall gives the children the opportunity to make their own music by using their voices and their bodies!

 

 

As is proclaimed in another classic, “Let the wild rumpus start!”

 

 

Where in the Wild

Where in the Wild

Where in the Wild

 

 

 

 

 

 

 

 

Where in the Wild

Poppy Bishop

Jonny Lambert

Little Tiger, 2018

24pp., hbk., RRP $A24.99

9781848699557

Inspired by Theodore Roosevelt saying, “The wildlife and its habitat cannot speak, so we must and we will”, this book takes the young reader on a journey through the world’s key habitats and introduces them to some of the creatures that live within them. 

From rivers to jungles, the savannah, the desert, woodlands and the frozen extremes, familiar and not-so creatures make an appearance in colourful artwork and rhyming text. Using a double-page spread for each, the two-verse rhyme begins with an introduction to the habitat and then an inhabitant “speaks” to the reader about itself.  The rest of the pages are filled with a collage of flora and fauna, each with  a clever cutout featuring a creature that  lives in the featured habitat but which can adapt to the succeeding one to entice the reader to keep turning, reading and learning. Some of these cutouts have text which encourages closer observation of the illustrations, making the reader engage more through this interactivity.  The final message about habitat destruction and the need to protect what is left is very clear and ties in well with the initial quote. 

Often, books from the northern hemisphere tend to feature the creatures with which children from that part of the world are familiar but this one spans the globe, although, thankfully, the polar region is confined to the Arctic so there is not the confusion of polar bears and penguins on the same page.  

As well as being a comprehensive introduction to the world’s habitats so young readers can learn that there is more to this planet than their immediate surroundings, its strong conservation message can also lead to inquiries about the inhabitants of their local area and their protection and promotion; the impact of humans through the destruction of habitat, particularly deforestation;  the life cycles, needs and adaptation of creatures as their habitats change (such as described in Moth); and even individual responsibility and actions that could be taken to preserve what we have left. 

With the drought in eastern Australia drawing our attention to the land beyond the city environs, this is a great opportunity to have a look at the broader world and how it copes or doesn’t, and this would be an excellent introductory text. 

Puffin the Architect

Puffin the Architect

Puffin the Architect

 

 

 

 

 

 

 

 

 

 

Puffin the Architect

Kimberly Andrews

Puffin, 2018

32pp., hbk., RRP $A24.99

9780143793755

Puffin the architect has designed some stunning homes for some fastidious clients, having to take into account their particular needs.  For instance, Platypus the baker’s riverbank home needed “lots of clever cupboards full of flour, salt and yeast” while Giraffe the gardener needed “a rolling outdoor tub on wheels for soaking aching necks”.

But her new clients are the most discerning and needy of all, for they are her own children and all they want is a puffin cottage. Can she deliver?

This is an intriguing, engaging and very clever book on as many levels as there are in Puffin’s designs. 

Firstly, all the illustrations of the different homes are presented as cross-sections, a technique which not only allows a peek inside to show all the details but which also appeals enormously to young readers who feel as though they are inside the house and can search for all the things in the text.  The text itself is also very clever as it builds through the story.  Each successive client wants what the previous clients have had – clever cupboards; furniture that folds away; a tunnel system; a pulley-operated rack; a skylight;, a rolling, outdoor paddling pool…  but also something extra specific to their needs. And so the text builds over each spread with each device then being customised to fit the client’s particular demands. And if that is not enough, it is all in rhyme making for an absorbing read that holds the reader’s attention.  What more could the pufflings actually want that their mother hasn’t already included in other designs?

A peek inside....

A peek inside….

With so much interest in designing and making and appraising the results as we encourage our students to be creative and think laterally, this is a book that could be used in so many ways within the curriculum.  Children could be encouraged to choose another creature and consider their needs so they could then design a home for them; they could investigate the purpose and construction of cross-sections and how to draw and label them; or they could explore other books where the text is cumulative.

Different, distinctive and  a valuable addition to your collection.

When I’m Older

When I'm Older

When I’m Older

 

 

 

 

 

 

 

 

When I’m Older

Isa & Neil Flory

Somak Chaudhary

Allen & Unwin, 2018

32pp., hbk., RRP $A19.99

9781760296322

Speculating about what a little one might become when they are older is a perennial topic, but if you are a lump of blue clay then the possibilities are endless.

I can be a head, I can be a bed, I can be a crocodile playing dead!.

From the creator of The Short Giraffeand using rhyme and rhythm which will capture the ear of the very young listener, this is a clever story that can spark conversations as, in so many ways, very young children are just like the lump of clay waiting to be moulded by nurture and nature.  The use of clay as the starting point is very clever as not only is it flexible, pliable and malleable into shapes depending on whose hands are on it, it can also be returned to its original form, to its core of who/what it is and in this case, being happy with that.

Clay also makes the illustrations so credible as this strange lump changes so readily and have a Gumby-like character (for those of us old enough to remember him.)


 

It also offers little ones the opportunity to get some hands-on experience and mould their own clay/plasticene/playdough into their dreams for the future, perhaps even making a rhyming sequence like one from the book as an introduction to playing with the sounds of our language. (ACELA1438, ACELA1439, ACELT1785, ACELT1579 & ACELT1580) 

Who would have thought such a seemingly simple book would have me quoting Australian Curriculum outcomes?????  But it shows that this is more than just for preschoolers – imagine its power for those learning English as a new language or even producing a stop-go animation of a group or class book!  

Picture books are for everyone!

A First Book of the Sea

A First Book of the Sea

A First Book of the Sea

 

 

 

 

 

 

 

 

A First Book of the Sea

Nicola Davies

Emily Sutton

Walker Books, 2018 

104pp., hbk., RRP $A29.99

9781406368956

With evocative blank verse poems and stunning watercolour illustrations, Nicola Davies and Emily Sutton take the young reader on an amazing journey to the sea, under it and beyond it in this new anthology that is the third and final in the series.  Beginning with First to See the Sea the reader is immediately engaged because who has not wanted to be the first to see that elusive glimpse of blue as the coast draws nearer and the air sharpens?  

Encapsulating the most common experiences of the ordinary beach-goer in short poems – paddling, building sandcastles,  catching waves, fishing, gathering pebbles, being mesmerised by the lighthouse flashing its warnings- the net is cast wider and wider and explores the creatures beneath the endless waves and in the ocean’s depths from the Arctic to the Antarctic. Those for whom the sea is home, for whom it is their livelihood or an adventure to be conquered, all are featured in words that are as informative as they are picturesque.  And the stunning fold-out of the humpback whale with instructions for singing a whale song is just superb.

If you buy just one poetry anthology this year, this should be it – there is a poem for every day to spark the imagination and the wonderment of the magic that covers more than two-thirds of this planet. As one born and raised by the ocean and a dream to return, this is one book that is staying in my personal collection.

A peek inside...

A peek inside…