What’s That? Australian Sharks, Rays & Skates

What's That? Australian Sharks, Rays & Skates

What’s That? Australian Sharks, Rays & Skates

 

 

 

 

 

 

 

 

 

 

What’s That? Australian Sharks, Rays & Skates

Myke Mollard

Woodslane Press, 2026

40pp., hbk., RRP $A24.99

9781923350151

Most little people can tell you what a shark is, but do they know that rays are something other than beams of sunlight, or that skates are more than something you put on your feet?

In this new release from the magical Myke Mollard who has dedicated his life to providing answers to the questions that our littlies have about Australia’s wildlife, he shows and shares his knowledge about these marine creatures in a way that young readers can understand.

Starting by explaining that there are two groups of fish in our oceans – cartilaginous ones including sharks, rays and skates which have muscular, flexible skeletons ,and bony fish whose skeletons are hard and more rigid – he then briefly explains the differences between the three focus groups before moving on to examine various members of each in greater detail.

So while we might know about bull sharks and great whites, we learn there are also ghost sharks, frilled sharks, zebra sharks and even goblin sharks! Indeed there are 500 different shark species, 182 in Australian waters and over 70 that are exclusively so.  Similarly, while we may be familiar with the magnificent manta ray and the smaller deadly stingray (distinguishable from skates by the venomous barbs that trail behind them) there are many other species that swim near our shores, and then there are the skates…

With his lifelike illustrations, accessible format and text that gives enough information to satisfy the reader’s interest and perhaps whet the appetite to find out more, Mollard has again raised awareness of yet more of Australia’s special and unique fauna and their importance in maintaining a balanced marine ecology because you can’t protect what you don’t know.

A peek inside...

A peek inside…

And to continue the theme, in June we will be treated to  What’s That? Australian Whales, Dolphins & Porpoises which may well become my favourite.

Once I was a Giant

Once I was a Giant

Once I was a Giant

 

 

 

 

 

 

 

 

 

 

Once I was a Giant

Zeno Sworder

Thames & Hudson, 2025

48pp., hbk., RRP $A29.99

9781760764913

It’s just an everyday tool we take for granted, use and discard when it is of no use.

But even the storyteller’s pencil has a story to tell – and the night the storyteller runs out of his own words and it seems to be a long-term affliction – the little stub of a pencil says a small ‘hello’ and then the storyteller again has a story to tell.  Of beginning as a small sapling in a forest, shimmering green, filling the world with life, watching the stars and dreaming.  Of a mysterious wanderer who visits regularly and tells it it will be a giant and watches as his words come true. As they do – until the days the machines come… And the giant is no longer, but rather stretched across a myriad of items, including being the little painted pencil who wishes it could grow again…

 Creator Zeno Sworder says that this unique story was inspired by his childhood love for a tree, and that through it he wants to “bring trees alive for young people by telling an imaginative story rooted in recent scientific discoveries about the social lives of trees and their abilities to communicate, learn and feel” because ‘trees make all of our lives possible but they are often absent from stories because we tend to only care and feel for characters that are like us ” and at a time when “we all tumble towards an increasingly digital, atomised and urbanised world I wanted to make a story about the natural world that touches on ideas of interdependence, metamorphosis and impermanence.”  It is also shaped by his Daoist belief that every living things “holds an essence, a mystery that cannot be measured or counted or sorted” and that we are enfolded and sustained by the natural world.

And from such big-picture, philosophical beliefs he has created a story of wonder and imagination that helps even our youngest readers start to grasp the concept of the interdependence of Mother Nature as they begin to understand the connections between a habitat and its inhabitants; while older readers begin to appreciate why humans have a need “to stop and smell the roses”.  

Visually stunning opening with a picture on a high-rise building with only one light burning – perhaps symbolising that of all the stories that could be told by the things that carry the tree’s DNA, there is but one who can share their shared history, it begins with a prologue that sets the reader up for what is to come- a rarity in a picture book and perhaps a point of discussion for those learning about literary devices – and spans some big ideas like interdependence, symbiosis,  death, regeneration, renewal and hope but all within a context that brings them into the child’s world of understanding. From being the child who climbed the tree, sat in its branches, hugged its bark and sought solace in its silence, Sworder has become the tree and is telling its story from the other side of the memories. And in a fitting tribute to both tree and pencil who have given him so much over time, he knows just what he has to do next.

Reviewed by many, and a CBCA Notable Picture Book of the Year for 2026 – perhaps shortlisted, and, IMO a winner – this is a remarkable book that has so many layers that it spans many age groups, and has the potential to change our thinking as we examine our own connections, both human and not, and perhaps start to think about the stories that have brought us all to this one place at this time.  For those wanting to take the journey further, there are some outstanding, wide-ranging teachers’ notes written by the author.

 

Up, Down, Over, Through

Up, Down, Over, Through

Up, Down, Over, Through

 

 

 

 

 

 

 

 

 

 

Up, Down, Over, Through

Jane Godwin

Kim Drane

Lothian Children’s, 2026

24pp., hbk., RRP $A24.99

9780734423733

Take a young child to a playground where there are things to climb up, slide down, crawl under, swing across and wriggle through and then sit back and watch them play.  Within minutes they will have joined with other children also there, regardless of age or any other factor, and they will be having fun in the moment with their new friends as they just savour the joy of the physical activity.  There are no formalities, no  names, no handshakes, no judgements – just kids being kids with older ones helping and protecting those younger and smaller, all just playing together, enjoying what they are doing and who they are with.  No adults needed. 

And in this joyous new book, those moments have been captured by both author and illustrator, as though they were sitting on the park bench together with a camera and their own little ones.  

The pictures capture all the fun two little ones are having together as they explore, discover and navigate climbing frames, slides. merry-go-rounds and all the other devices that are there just for their enjoyment, while minimal rhyming text captures their conversation and emphasises spatial concepts, encouraging young readers to be more aware of their surroundings and learn and use the words that describe their position to the objects within them as they take the first steps that will eventually lead to all sorts of more sophisticated mathematical and mapping outcomes as they mature. Just as the storybook children explore their playground, so too are there opportunities for the reader to explore their own, as they, themselves, go up, down, over, through, behind, beside, beneath and beyond combining movement and learning in the best way possible – having fun, perhaps even meeting challenges like, “Find something you can hide behind”. Teachers’ notes offer more ideas. 

But more importantly, it is the celebration of childhood, the complete acceptance of a stranger and the friendship sparked through enjoying a shared activity that puts the sparkle in this story, that so many others with a similar pedagogical focus lack. 

 

 

 

Genie Snail

Genie Snail

Genie Snail

 

 

 

 

 

 

 

 

 

 

Genie Snail

Bethany Loveridge

Chris Kennett

Little Book Press, 2026

32pp., hbk., RRP $A24.99

9781923141445

Banished to the back yard to play outside, the little boy is unimpressed as he looks at the empty, bare expanse of grass.  But when he spots a little snail, picks it up and rubs the dirt off it he gets the surprise of his life. Suddenly the snail comes to life declaring itself to be a “wonderful, magical super-cool” snail, and, providing he follows the rules – that the wish must rhyme with ‘snail’ – it can grant the little lad’s wish!  

Immediately the boy launches into a list of things that many children would love – but he ignores the part about them rhyming with snail, asking for things like “a robot butler with a built-in TV screen and cola that shoots out its eyes!”  And as each wish gets more extravagant, the Genie Snail counters with things that do follow the rules like “a mouldy toenail” or “a lifetime of leafy green kale.”  Whether they actually get on the same page and the boy get his wish is a discovery for the reader to make…

Even though the snail cannot interpret the boy’s wishes, illustrator Chris Kennett has does so in a most engaging way that bring both wishes and counter-offers to life in a way that add action, humour and delight as young readers explore the details. 

A peek inside....

A peek inside….

As well as being a fun read that encourages the young reader to join in by imagining what they might wish for, this is also a great opportunity to explore words that do rhyme with “snail” regardless of their spelling – (older children could learn about homophones as they build both vocabulary and spelling awareness) ) – and perhaps use Genie Snail’s final comment to imagine what might happen if they found a genie of a different sort in their garden, providing more opportunities and context to explore rhyming words and perhaps artwork…

In Flanders Fields

In Flanders Fields

In Flanders Fields

 

 

 

 

 

 

 

 

 

 

 

 

 

In Flanders Fields

Norman Jorgensen

Brian Harrison-Lever

Fremantle Press, 2026

40pp., hbk., RRP $A24.99

9781760996246

In Flanders fields the poppies blow
Between the crosses, row on row,
    That mark our place; and in the sky
    The larks, still bravely singing, fly
Scarce heard amid the guns below.
We are the Dead. Short days ago
We lived, felt dawn, saw sunset glow,
    Loved and were loved, and now we lie,
        In Flanders fields.
Take up our quarrel with the foe:
To you from failing hands we throw
    The torch; be yours to hold it high.
    If ye break faith with us who die
We shall not sleep, though poppies grow
        In Flanders fields.
John McCrae, 1915
It is 70 years since I first learned this poem at Surrey Park Primary School in Invercargill, New Zealand, as one of the new Kindy cohort preparing to honour ANZAC Day formally for the first time.  And having recited it annually for the same reason for another 12 years it is no wonder that I could type it from memory. It touches me now in the same way as it did then, when World War II was still a reality for those, like me, whose dads were returned soldiers, and World War I forged the stories of our grandparents. And as it does now, when I read this new anniversary edition of this classic, the CBCA Picture Book of the Year 2002 and recall not only my childhood but the children I have shared the original (still on my bookshelf) with and who have been as moved as me.
Jorgensen has crafted a masterpiece about a young soldier who, despite knowing that the enemy is within shouting distance across rolls of barbed wire, rescues a robin who is trapped in the deadly barbs, and which, regardless of the danger, he decides to free. And then something magical happens-  all of it playing out against Harrison-Lever’s backdrop of the greys and duns of the battlefield, the bright red-breast of the robin the only splash of colour…
A peek inside...

A peek inside…

Unlike the current crisis in the Middle East being fought almost remotely with missiles and drones and sophisticated technology, wars in the past were fought up close and personal, often with just metres separating the soldiers from their enemies and this particular story, inspired by the true events  of the 1914 Christmas Day truce in the trenches of Flanders in the early days of World War I,  introduces the 2026 child to the realities of battlefields of the time that may well have shaped their own family history, and help them understand why ANZAC Day is such a sacred day for Australians and New Zealanders, particularly. It brings into sharp focus the human face of the combatants – young men far from home, many of  whom saw fighting for “King and Country” as an adventure that would take them out of their poverty-stricken lives at home, but who now long for a letter from loved ones, and who share memories and traditions through an age-old carol about peace, regardless of the language it is sung in.  
As ANZAC Day and its commemorations approach again, this is a must-have and a must-share in your collection as a new generation continues the traditions – who will forget the driveway remembrances of the COVID era, often led by the neighbourhood children – and for those who want to know more and read further, in 2015 I compiled a Pinterest board of other stories suitable for primary students, Remembering Gallipoli while teaching notes suitable for those in Years 2-7 are available.
Cannot praise this highly enough.

Rita the Muster Pup

Rita the Muster Pup

Rita the Muster Pup

 

 

 

 

 

 

 

 

 

Rita the Muster Pup

Jane Kinnon 

Emily Humble

Little Steps, 2026

32pp., pbk., RRP $A16.99

9781923306240

Grandad’s collie had a litter of pups – they’re all as cute as can be.

Grandad’s collie had a litter of pups, and one is just for me.

But when Grandad begins to train the pups to work on the farm, Rita is more interested in mischief and fun, chasing cats and cows, swimming downstream out of sight, and even preferring Grandad’s bed to the one the others have in the shed!

Told with repetition and rhyme, with commands to Rita that young readers will love to yell, this is a story that is going to resonate with children who live on farms and who know about raising working dogs  as they learn to o stay, jump on the back of a quad bike, round up sheep, sit, and stay still to be washed and generally do as they are directed.  And they will probably recognise Rita too!

Whether it’s enjoying the series Muster Dogs on ABC TV, or attending the annual National Sheepdog Trials, many may be surprised at just how many children who are not farm kids, are fascinated by all that goes into training dogs to assist farmers in their daily work – one of the few aids that has not been mechanised or computerised over centuries. They will LOL at Rita’s non-compliance as she finds so much to explore and distract her, perhaps even seeing themselves in her or comparing the working dog’s life to that of their own pet. Will Rita ever become a muster dog?

Something to give little ones a glimpse into a life that is common where I live but very different to what they know.  

 

 

 

Jayden Noticed

Jayden Noticed

Jayden Noticed

 

 

 

 

 

 

 

 

 

 

 

Jayden Noticed

Carolyn Crimi

Shamar Knight-Justice

Candlewick Press. 2026

32pp., hbk., RRP $A34.99

9781536227307

Jayden notices everything. He notices the way the moon looks different every night as it peeks through the oak tree. He notices spiderweb wheels and egg freckles, mouse paws and rose petals. But most of all, Jayden notices rocks. Jayden collects a rock to go with everything: a homework rock, a Saturday rock, even enough wishing rocks to fill up a jar. 

But now, Jayden has moved to a new home in a new neighbourhood and the first thing he notices is its weird colour, the trees are too short and the mailbox is in the wrong place.  Immediately he says he is not going to like it, but his wise mother suggests that he give it some time.  Will he find a rock that will help him have the courage to embrace this change that he has no control over?  Maybe even find a friend?

Little people often find it tricky to embrace the changes that adults impose on them for whatever reason, because for many is is the certainty of routine and regularity that enable them to feel safe. But through the author’s sensitive text and the illustrator’s expressive and emotive pictures, they can be guided through the upheaval by learning to look for the positives in the new situation, like the fact that the short trees enable Jayden to see the moon unimpeded in its full-moon glory, rather than just peeking through the trees. And who knows what new worlds might open up to him now that he has notice and made friends with Alex, a boy as curious as himself but his focus is bugs.

Parents and  teachers alike will find this a helpful way to start conversations and navigate big life changes that are looming for children, whether home or school-based, by encouraging them to concentrate on the small details rather than the big picture.  They might not notice rocks in the way Jayden does, but by honing in on the child’s particular interest and showing how it will stay the same or may even be better than now, focusing on the positives that are within the child’s realm, perhaps the disruption may not be as traumatic as anticipated and gradually they build their emotional resilience and their anxiety diminishes.

Ideal for adding to the collection that help little people navigate the big feelings that they don’t yet have the words to articulate, especially when they are out of their comfort zone.  

One to Ten and Back Again series

One to Ten and Back Again

One to Ten and Back Again

One to Ten and Back Again series

10 Naughty Numbats

9781922896575

10 Bush Babies

9781922896582

10 Lively Lorikeets

9781922896599

Grace Nolan

Nancy Bevington

Little Big Sky. 2026

32pp., hbk., RRP $A24.99

Nothing excites a little one more than being able to show off how smart they are, particularly if it makes them feel they are as clever as their older brothers and siblings.  

And not much excites me more than discovering new releases that I can hear myself reading and the responses as the little ones I read to regularly shout out what they know.  This is one of those collections.

Whether it’s going to be the name of the uniquely Australian creature that they recognise, the next number in the sequence as they count to, add to or subtract from ten, or the sheer joy of predicting the rhyming text by looking at the eye-catching, child-friendly illustrations, I can picture the response these books are going to have. It’s not often that hearing myself read aloud before I do  happens – two notable occasions were with Morris Lurie’s The 27th Annual African Hippopotamus Race and Roald Dahl’s The BFG – but each time my instincts have not been wrong, the children have thoroughly enjoyed the stories and they have become part of my go=to teach toolkit. And I predict it will be the same with this series because it contains all those things that little ones love. 

Rhyme, rhythm, repetition, alliteration, interactivity and whimsical pictures will have them not just learning those early maths concepts but also developing those essential early reading behaviours that underpin their belief that they can be real readers as they curl up and read the stories to themselves and their friends. The creatures themselves are very appealing, each with a little quirk to give them a personality such as the platypus wearing swimmers, the koalas dreaming of gumleaf burgers and icecreams, the wombats with their miner’s headbands and the kangaroos on pogo sticks – as if they need those!  It all goes together seamlessly to make learning fun, engaging and almost incidental.

A peek inside...

A peek inside…

There are some bush dwellers that they will recognise immediately, but others will extend their knowledge as they are introduced to them. learn their names and begin to recognise their characteristics, perhaps even trying to spot them in their neighbourhood. (I don’t have numbats out my window but I do have a couple of kangaroos bickering,  a possum family that comes down for tucker each evening, a wombat that insists on breaking through the fence each night regardless of the barricades in its way, and the day isn’t complete without the little echidna coming for its daily bath. 

Even if they live in the city, there are still magpies and cockatoos to spot, and perhaps even creatures that don’t feature in the stories.

Whichever way you look at this series, there is so much more than just numbers and how to manipulate them to learn and share. 

 

 

 

My Super Uncle

My Super Uncle

My Super Uncle

 

 

 

 

 

 

 

My Super Uncle

Dannika Patterson

Seantelle Walsh

Ford Street, 2026

32pp., hbk., RRP $a27.95

9781922696540

My friends all love my uncle
when he jokes and fools around.
To me, he’s super special
’cause he never lets me down.
I don’t need x-ray vision,
to see the way he cares.
I don’t need super senses,
to know he’ll be right there.

Families come in all shapes and sizes – always have, always will – but now, more than ever before, those shapes and sizes can not only be accepted, but be celebrated. And in this joyful story, it is the shape of a family of two mums, a child and the sperm donor – depicted in a delightful “child’s” drawing on the endpapers, an a subtle hint on the front cover – that is celebrated.

But because endpapers are often overlooked, for much of this story, it seems that the little girl is just celebrating the joy and fun she has with a special adult in her life, and their unique relationship is not revealed till the final pages. But how excited will many little readers be when they see their family structure depicted in such a happy way, not just through the rhyming text but also the warm-hearted, realistic illustrations that convey a sense that these are real people, not just book characters -as, indeed, they are. 

While first term is often a time when young students investigate and share their family structures, learning about the internal relationships between the various adults and children, comprehensive teachers’ notes offer ways to delve deeper into the story behind the story, to use the clues in the illustrations to understand that each character has their own story rather than just being a 2D representation of an anonymous, imagined person and to appreciate the diversity of family structures in the 21st century. While this might be this little girl’s story, every child has one.

In Australia, at least, we have come a long way in the last decade being able to provide and promote stories like this that strayed beyond the ‘norm’ – as recently as 2015 some principals wanted to be kept in the loop so they could field any parental complaints in an informed manner, while many teacher librarians themselves, felt that to read such inclusions without prior parental approval would be “outrageous and cause uproar” – and although there will still be concerns about sharing a story about family diversity, sexual orientation or assisted reproduction,  even though most are more than willing to share those relating to physical disabilities, mental health issues, particular illnesses and different cultural, social and religious backgrounds as we try to promote the message that these things should not define the person or their worth, IMO it is essential that we think of the child first.  Books like this are a critical element of their mental health so they see themselves and their circumstances in everyday books, are not marginalised, made to feel that they have done something wrong or are somehow different because of the choices made about and for them by the adults in their lives, and the more we share stories that celebrate diversity the more we normalise the child’s situation and experiences.  

Just like the story behind Charles M. Schultz introducing a black character into the Peanuts comic strip has been well-documented and there are stories galore of how this impacted young black readers in the US, particularly, so too must we think of those whose origins are not what is considered ‘traditional’ and as well as books like this and Guess How I was Born  and Rainbowsaurus,  among others,  the teachers’ notes also provide links to several appropriate websites including 10 Ways to Rethink the Family Tree Project – and be more inclusive to all students.

Perhaps we, as educators, can also be the superhero who doesn’t wear a cape, by starting the conversations and actively fostering inclusion and acceptance. 

Are You the Easter Bunny?

Are You the Easter Bunny?

Are You the Easter Bunny?

 

 

 

 

 

 

 

 

 

 

Are You the Easter Bunny?

Janeen Brian

Lucinda Gifford

HarperCollins, 2026

24pp., hbk., RRP $a24.99

9781460765494

When a little bird confronts a cute little creature with long soft ears and a whiskery nose. deep in the Australian desert, could it be the Easter Bunny?

Turns out it’s not, but it is a creature that is so much more important to the environment all year round, rather than just one particular night.

Thirty-five years ago, in December 1991, the  Foundation for Rabbit Free Australia (RFA)  launched the Easter Bilby campaign to raise awareness of the damage that rabbits did and still do to the habitats of native wildlife, and to raise funds to undertake research.  In 1993, in conjunction with Haigh’s Chocolates in Adelaide, the first Easter Bilby appeared on shelves with part of the proceeds donated to RFA.  Before long, the concept of an Easter Bilby had spread far and wide and chocolate bilbies were as common as chocolate bunnies.

In March 1999 the Save the Bilby fund was launched to protect these endangered “eco-engineers” to support bilby conservation initiatives including a breeding program and a “bilby fence” creating a predator-free zone in Western Queensland,  because of the six bandicoot species that once lived in the arid and semi-arid areas of Australia, only the bilby remains.

Despite the campaign having such an impact in those early years, and Haigh’s (and some other manufacturers) still making chocolate bilbies, it seems that awareness of the reasons behind their sale seems to have been forgotten, so this is the perfect book to once again start to build the knowledge and understanding, particularly as the effectiveness of the much-touted calicivirus is declining and rabbits are re-emerging as the destructive pests they have always been. Through Brian’s clever text that explains how the bilby is such an asset to the environment and Gifford’s engaging illustrations that put the creature right into the child’s realm, just as teaming them with this particular time of the year did so all those years ago, young readers will start to appreciate the critical role it plays in making the arid desert somewhere for both creatures and plants to survive. Whether it’s using its tall pink straight-ups to hear what’s near or its four scritcher-scratchers to dig holes that offer shelter from the heat, the bilby is clearly an integral part of the desert interdependent ecosystem.

When the original campaign was launched, receiving a chocolate bilby for Easter was a badge of honour -this book has the potential to do the same,  and more, as the importance and plight of the bilby becomes a year-round concern. Australia has lost roughly 10% of its endemic terrestrial mammals since European settlement 1788, primarily by predation from invasive foxes and feral cats, compounded by habitat loss and fire. Let’s help to keep the bilby from that list.

I have a whiskery sniffer-snout.It pokes out from my face.
I search in scrub for seeds and grubs,
or insects about the place.

I have a whiskery sniffer-snout. It pokes out from my face. I search in scrub for seeds and grubs, or insects about the place.