Archive | April 2023

The Great Gallipoli Escape

Apr10
The Great Gallipoli Escape

The Great Gallipoli Escape

 

 

 

 

 

 

 

 

 

 

The Great Gallipoli Escape

Jackie French

HarperCollins, 2023

224pp., hbk., RRP $A19.99

9781460764176

Sixteen-year-old Nipper and his Gallipoli mates Lanky, Spud, Bluey and Wallaby Joe are starving, freezing and ill-equipped. By November 1915 they know that that there is more to winning a war than courage, that the Gallipoli campaign has been lost, and that the reality of war is very different from the pictures and perceptions painted in the posters at home touting war as an adventure, a way out of inevitable unemployment, a ticket to see the world that few in isolated Australia would ever get, and that to fight “for King and country” was as noble as it gets for those with strong ties to England in early 20th century Australia – calls to arms that compelled many like Nipper to lie about their age so they would be allowed to join the army to defend their country.  

As with Last Man Out, this story, based heavily on accounts in primary sources like letters, diaries, oral histories and memories, takes the reader into the disease, deprivation and desperation of life in the trenches that were the origins of “diggers” the nickname for Australian soldiers, and while Nipper and his mates are fictitious, what they experienced was real.  As author Jackie French, renowned for her research and attention to detail when she crafts historical fiction, says, this is “still only one story… there are possibly one hundred thousand stories, all of which might vary in many respects, but still be true.” 

Nipper has played cricket with the Turks in the opposing dugout, dodged rocket fire and rescued desperate and drowning men when the blizzard snow melted. He is one of the few trusted with the secret kept from even most of the officers: how an entire army of 150 000 men, their horses and equipment will vanish from the Peninsula, secretly moved to waiting ships over three impeccably planned nights without a single life lost – but a plan that leaves those still alive with the very mixed feelings of seeing an opportunity for their own salvation while being reluctant to leave behind those who endured so much and gave their lives for something seemingly futile. 

“Will we be remembered for holding the line here, in a campaign that has won nothing and lost so much?” 

And that question is just one of many philosophical discussion points that takes this book beyond an historic narrative. What was and is the legacy of Gallipoli? Why do we still commemorate a failed campaign more than a century later, and why is commemorating it in Gallipoli, itself, such a milestone for so many? 

Apart from the discussion points and activities that relate directly to the book raised in the teaching notes, there are some outstanding opportunities to explore some big-picture questions and really extend students’ thinking such as 

  • How does historical fiction (as opposed to fiction set in the past) enrich and enhance our understanding of life and living during significant events and times?
  • Given that the Turks were defending their families and livelihoods from invasion by the ‘Tommies’ and their allies, were they necessarily the enemy? Were the invaders in the wrong?
  • Are there parallels between the allies invading Turkey and the Russians invading Ukraine?  What are the differences in approach this time? 
  • The lads in the stories could be the older brothers of those reading it so, if Australia were to put “boots on the ground” in Ukraine, as they did in Iraq and Afghanistan, would they be as eager to join up today as Nipper and his mates were? Why?
  • Have attitudes to conflict changed in the past century, and if they have or haven’t, why?

To me, quality historical fiction inspires the reader to think beyond the story, to the what-ifs, and the why-dids, and this book has certainly done that on both the professional and personal level because between this and Last Man Out I am learning more and more about what my grandfather experienced and why he didn’t share his stories (even if I had known to ask) and how that shaped him, and ultimately me.  How being named after Lord Kitchener impacted my father’s life so that my brother, currently on his way to Villers-Bretonneux, will then make his way again to the  anniversary of the Battle of Crete where dad was captured on his 25th birthday – just two of those 100 000 stories that had their roots in those eight months on a remote Turkish beach. How many more will be inspired to investigate their own?

 

Little Wombat’s Easter Surprise

Apr9
Little Wombat's Easter Surprise

Little Wombat’s Easter Surprise

 

 

 

 

 

 

 

 

 

Little Wombat’s Easter Surprise

Charles Fuge

Walker, 2022 

28pp., hbk., RRP $A24.99

9781760654269

Little Wombat is busy collecting eggs on his Easter hunt when he sees Rabbit hop by wearing a special Easter Bunny costume. It’s such a good costume that the tail and nose won’t come even off – but wait, is that really Rabbit? Or is it his new friend, Bilby?

In 1991,  the Foundation for Rabbit Free Australia (RFA) developed and registered the Easter Bilby campaign  to raise awareness of the damage rabbits do to native wildlife, and to raise money with royalties from Easter Bilby sales to fund research programs. In 1993, Haigh’s Chocolates in Adelaide stopped making chocolate Easter bunnies and made the first Easter Bilby, donating part of the proceeds to RFA.  More recently the Easter Bilbies have been made by Fyna Foods sold under the brands of Australian Bush Friends and Pink Lady and have been stocked by national chains and other independent stores. 

Aligned to this, in 1999 the  Save the Bilby Fund was established in 1999 to raise money and awareness to help stop the steady decline of bilbies. The fund helps support bilby conservation initiatives including a breeding program and a “bilby fence” creating a predator-free zone in Western Queensland. 

Dedicated to Tim Faulkner and his work with Aussie Ark ,Little Wombat’s Easter Surprise shines a new light on the both the plight of the bilby and the reasons behind Australia having such a unique interpretation of the familiar Easter Bunny both for the young audience and their parents who share it because they will be too young to remember the circumstances.  As in Swim, Little Wombat, Swim,  Little Wombat tries to mimic the actions of his new friends Bilby and Easter Bunny only to discover he has his own unique talents that come in very handy for building friendships and having fun.

As well as being a fresh story about Easter in Australia, and helping children understand that we each have special abilities that we can use for the good of others, it is a great way to introduce another Australian species, sadly also endangered, and raising awareness (and perhaps money) that there are many who need our help.  

Billy and the Giant Adventure

Apr8
Billy and the Giant Adventure

Billy and the Giant Adventure

 

 

 

 

 

 

 

 

 

 

Billy and the Giant Adventure

Jamie Oliver

Puffin, 2023

352pp., pbk., RRP $A14.99

9780241637807

Billy and his friends know that Waterfall Woods is out of bounds; strange things are rumoured to have happened there and no one in their village has ventured past its walls for decades…

But when they discover a secret way in, Billy and his best friends, Anna, Jimmy and Andy, can’t resist the temptation to explore! Only to quickly discover that the woods are brimming with magic and inhabited by all sorts of unusual creatures, including a whole community of sprites who need the children’s help! But the woods themselves are in trouble.  Everything is connected by the Rhythm, the beat that keeps nature in harmony and now it’s going wrong.  But are Billy and his mates the ones to help?

Apart from having a celebrity’s name on the cover, even though this is first book for young readers, what makes this stand out from the myriad of others with a similar theme that have been released over the last few years, is that Oliver has drawn on his own experience of being dyslexic and thus accessibility has been a critical focus for both the print and audio editions have key design elements for ease of access.  The print edition is in a sans serif font while the audio version has state-of-the-art sound effects, multiple voices including narration by the author so that the characters and situations are brought to life in “a fully immersive experience”.

It’s tough developing a love for reading when your brain can’t process written words efficiently, and particularly when there is such an emphasis on phonological strategies in early reading instruction, so to consciously support those with this issue so they can enjoy the sorts of stories their peers are reading is not just a breakthrough but the acknowledgement of the condition itself will give those with it a boost.  Reading is something they can enjoy. 

Flora’s War

Apr7
Flora's War

Flora’s War

 

 

 

 

 

 

 

 

 

 

Flora’s War

Pamela Rushby

Ford Street Publishing, 2013

pbk., 243pp., RRP $A18.95

9781921665981

 

Flora’s war begins in late 1914 in Cairo where the somewhat indulged daughter of an Australian archaeologist whose only interest is discovering the antiquities of Ancient Egypt meets up with her American friend Gwen, quite determined to be ‘modern young ladies’ of the time now that they are 16 and having ‘come out’, are afforded much more freedom.  Flora’s war ends a year later in Cairo where two much more mature young ladies contemplate their future having seen and done much more than ‘modern young ladies’ should have – in fact having seen and done much more than modern young ladies (or gents) of any generation should have.

Cairo in 1914 is not the place Gwen and Flora have known from their annual visits for the excavation season since childhood.  Instead of the close-knit expatriate society they know, the riches and richness of the privileged life of hotels where steps are swept as soon as they are stepped upon, and the endless desert stretching to the beckoning pyramids, it is becoming more and more crowded with troops from Britain, Australia and New Zealand and tent cities are springing up.  There is an air of expectation that something is going to happen, strengthened by the military’s acquisition of their hotels for hospitals and the girls being commandeered to volunteer as helpers in Lady Bellamy’s rest and recreation centre – a pavilion in the Ezbekieh Gardens where soldiers on leave will be tempted with tea and table tennis to distract them from the salacious attractions of “The Wozzer”. The war is acknowledged but it is far away from Egypt, yet still the troop build-up and training continues and the arrival of contingents of Australian nurses is an ominous sign.

But, undeterred, Flora and Gwen push on to being modern young women, learning to dance in new ways, smoking cigarettes, hosting spectacular parties, and most importantly for their freedom, learning to drive a car.  And it is this skill which takes them to sights, sounds, smells and experiences that no one should ever endure, let alone 16 year-old girls.  For, as what we now know as the Gallipoli Campaign begins and intensifies, the war comes to Cairo as tens of thousands of wounded soldiers are evacuated and Flora and Gwen are enmeshed in their care.

There have been so many books written about the events of 1915 on the Gallipoli Peninsula, events that have shaped the Australian and New Zealand psyche and spawned the enduring ANZAC spirit of collaboration and rivalry.   But Flora’s War is different – it’s written from the perspective of ‘what happened next”.  We know the facts and figures and stories of the soldiers in the trenches and the bravery, courage and losses, but what happened to those who were injured, those who were evacuated to the hospital ships sitting just offshore?  So often the stories stop on the beach.  In the notes, the author, Pamela Rushby tells of her journey from reading a story about Australian nurses in 1915 to writing a story of a young civilian volunteer in Egypt, and it is this aspect that makes this novel stand out.  Even though Flora Wentworth is fictional, it is nevertheless the story of real people, inspirational people whose story has seldom been told.

Flora’s War is an engaging read, written by a hand that knows how to weave light and dark together so that the reader is entertained but also educated.  Flora loves her social life and we learn how the social conventions of the time remain paramount – as unmarried young women their duties are arranged so they cannot see men without their pyjama tops, yet emptying bedpans is acceptable – contrasted against the pathos of young men knowing they may never return from this ‘adventure’ they signed on for.  It paints a picture of a time in history that we all know, that has been rarely seen.  Like Boy Soldiers by Cliff Green, this is a story that stands above others on this topic for me. My copy remained on my shelves until my granddaughters were old enough to read it and perhaps understand what their great great grandfather endured.

There are teachers’ notes written by the author which offer a range of ideas to take this story beyond the realm of a girls’ own adventure to a work that has a real place in supporting our students understanding of this critical piece of Australian history.  If you are looking to boost your collection on this topic for older independent readers, this should be at the top of your list.

First published August 9 2013

Updated April 7 2023

 

Satin

Apr6
Satin

Satin

 

 

 

 

 

 

 

 

 

 

Satin

Sophie Masson

Lorena Carrington

MidnightSun, 2023

32pp., hbk., RRP $A29.99

9781922858016

Every morning early, when no-one’s about, Satin slips out of the forest and walks along the sleepy sunrise streets, looking for blue…

He’s collected all kinds of blues, from all kinds of places. He’s making something beautiful, with all those blues. But something’s missing, and he doesn’t know what it is. And then, one day, he comes to a street he’s never been in before. And what he finds there will change his lonely life forever.

This is a stunning story, superbly illustrated, that takes some thought to work through all the imagery…

Is Satin searching for blue because he, himself, is blue in mood, and that’s what attracts him right now?

Is he searching for the elusive piece to finish his creation, both physically and emotionally? Does he even know what it is that he is searching for?

What is the significance of the satin bowerbird in the illustrations? Is Satin searching for blue things in order to find a mate, just as the bowerbird does? 

Why does Satin prefer the cover of darkness to do his searching?

Described by the publisher as a “beautiful, haunting fable”, this is a sophisticated read for older, independent readers, each of whom will take something different from the story as they unpeel the layers of symbolism to find themes of aloneness and loneliness, longing and belonging, and the human need to connect with others yet remaining individual.  Just as Satin’s masterpiece is made up of many pieces of found things, continually growing and evolving, so are we as people, made up of the connections we have, the contacts we make, the things we value, chance discoveries and things sought, a willingness, perhaps even courage to embrace change and difference,  so that we become shape into a whole. A whole that is enough and one which fills a piece in another’s life.

Echoing Satin’s journey from the sombre tones of being a solitary soul to one who is more complete, are the illustrations, primarily blue, but which contrast dark and light in colour as in mood.  As Satin emerges from the dark forest of his daytime home to wander the town bathed in bright moonlight, so is the hint that this is where he knows he will find that missing piece of himself … this is the perfect marriage of text and graphics, just as it was in its original creation.

The Poppy

Apr5
The Poppy

The Poppy

 

 

 

 

 

 

 

 

 

 

The Poppy

Andrew Plant

Ford Street, 2014

Hbk., RRP $A26.95 9781925000313

Pbk., RRP $A16.95  9781925000320

In Flanders fields the poppies blow
Between the crosses, row on row,
That mark our place; and in the sky
The larks, still bravely singing, fly
Scarce heard amid the guns below.

We are the Dead. Short days ago
We lived, felt dawn, saw sunset glow,
Loved and were loved, and now we lie,
In Flanders fields.

This poem, by John McRae, has become one of the most enduring written about World War I and has provided the most recognisable symbol of remembrance for Australians and New Zealanders – the poppy. Although Flanders Fields, itself, is in Belgium, the poem and the poppy have become symbolic of the whole of that terrible conflict on the Western Front, and so this new book by illustrator Andrew Plant is aptly named, beautifully told and superbly illustrated.

Starting on the front cover with the brilliant red of the poppy set in front of ghostly images of other poppies entwined in barbed wire and against a background of stormy black skies, this is a beautiful “photo-essay” of the story of Villiers-Bretonnneux, which on ANZAC Day 1918 became the scene of one of Australia’s greatest victories and which forged a bond between two nations that grows stronger each year.  Except the photos are not photos – they are eerily haunting paintings that tell the story of the building of that bond. Bordered in black and accompanied by simple text in white, their bright colours are a stunning contrast which suggests feelings of hope and future and endurance.

The petal of the poppy is whipped off in the winter wind and blows across the village to show  the Villiers-Bretonneux school, known as Victoria School, because it was rebuilt through the contributions of the people of Victoria so that even now the flags of two nations fly above it and carvings of Australian flora and fauna adorn the school hall; it flies through the village past the Musée Franco Australien, and is carried further above the fields and up a broad, low hill to a tall cross and a great tower where thousands of names are carved – those who died but whose bodies were never recovered – and then out over the rows and rows of headstones, some nameless, not even their nationality known. 

But the stories of the soldiers are known and told and not forgotten.  As the winter winds grip the Somme, the Australian and French flags fly side by side and once again, the land turns red. But now it is the petals of the poppies, not the blood of the fallen.

So often our younger students’ knowledge of World War I is limited to the events at Anzac Cove in Gallipoli – here, in this stunning book is the pathway to their understanding of the much more drawn-out battle of the Somme and the Western Front, stories our children should know as well as those students in Victoria School who see “N’Oublions Jamais l’Australie” in every classroom. Stories and a motto which led them to raise nearly $21 000 to donate towards the rebuilding of Strathewan Primary School after it was destroyed in the Victorian bushfires, Black Saturday, 2009. World War 1 was so much more than the hell of the eight months on the Gallipoli Peninsula. 

 

 

A peek inside...

A peek inside…

First published February 25, 2014

Updated April 5, 2023

Simpson’s Donkey: A wartime journey to Gallipoli and beyond

Apr4

Simpson's Donkey

Simpson’s Donkey

Simpson’s Donkey: A wartime journey to Gallipoli and beyond

Peter Stanley

Michelle Dawson

Pier 9, 2011

pbk; 159pp ; RRP $A14.99

9781741968118

ebook, 2011, 9781742664033

 

The story of John Simpson Kirkpatrick and his donkey carrying the wounded to safety from the battlefields to the beach at Gallipoli is one that all Australian children grow up with, one which has been told in many versions for all ages. 

But how did the donkeys get to Gallipoli in the first place?  This story beautifully told  by Peter Stanley offers some answers.  It follows the life of Sevilen, a donkey born on the island of Lemnos, who, through the actions of a variety of masters, including Simpson, has a remarkable journey through the eastern Mediterranean region during the First World War. Told as though it is his autobiography, Sevilen’s story gives us a unique insight into the theatres of war at that time as he encounters Australians, New Zealanders, Greeks, Turks, Britons, Arabs and Indians. 

Author Peter Stanley has had a long association with the Australian War Memorial as the Principal Historian and was then the Director of the Centre for Historical Research at the National Museum of Australia, and currently at UNSW ADFA, so his credentials as an historian are impeccable and his ability as a storyteller, engaging.  It is a book of World War I that will capture the imagination and empathy of middle to upper primary students, offering an example of how a familiar story can be told through a different lens.  Now only available as an ebook, it would be one to share as schools focus on the upcoming commemoration of ANZAC Day, not only reminding them of Simpson the legend and his legacy, but also offering yet another example of the role that animals played, and continue to play, in war opening up a whole new field of investigation.  

Originally published January 3, 2015

Updated April 4 2023

Life in a Hollow

Apr3
Life in a Hollow

Life in a Hollow

 

 

 

 

 

 

 

 

 

 

Life in a Hollow

David Gullan

Suzanne Houghton

CSIRO Publishing, 2023

32pp., hbk., RRP $A24.99

9781486316342

When a branch falls from a gum tree, not many people give it much thought.  Just more bush litter on the ground, probably a fire hazard in summers to come. But it’s what that branch leaves behind that offers new hope for new life, because from that scar on the tree trunk, maybe little more than a scratch or a tear, a home that can offer shelter for centuries can grow.

Beginning with beetles and other little insects who crawl into the cracks and lay eggs that hatch and eat the soft new wood, gradually over time with the help of the wind and the weather and skinks, bats, and birds the hole becomes a hollow that offers a home for generations of different species.  In this beautifully illustrated new book from CSIRO publishing, teacher/author David Gullan not only shares the story of one such hollow but makes the reader aware of their importance in nature’s life cycles, and how fire, land clearing and storms can have a devastating effect on the availability of such important habitats.  Given that it takes at least a century for a hollow to be large enough for some creatures to live in it, it’s a miracle that we still see some of the species we do!  And given the weather events of the past few years, hollows (and nesting boxes) are going to be even more important.

Even though this is written in rhyme and at first glance, appears to be for a younger audience, it is one for all ages to build awareness so that the importance of nature’s nesting boxes is understood and protected. Perhaps older students could become Backyard Buddies and even build nesting boxes for the school’s playground trees. They may not last for centuries like a hollow, but there will be those, like the rosellas, cockatoos and kookaburras feeding outside my window right now,  who will be very glad they made an effort. 

 

Can You Get Rainbows in Space?

Apr2
Can You Get Rainbows in Space?

Can You Get Rainbows in Space?

 

 

 

 

 

 

 

 

 

 

Can You Get Rainbows in Space?

Dr Sheila Kumani

Liz Kay

Puffin, 2023

128pp., hbk., RRP $A32.99

9780241519721

Can you get rainbows in space? If you have seen the images coming from Tasmania of the Aurora Australis in the last week , then the answer would seem to be yes.

But what causes these spectacular light shows?  Indeed, what causes all the colours that we see in our world?

This book is a comprehensive introduction to and investigation of the phenomenon of colour and how each of the visible colours of the rainbow is created by light (the most important thing) and waves (not the kind you see at the beach – though you will learn why the sea looks blue!).  Readers find out how some animals are able to glow in the dark and how others change their colours to hide from predators, why leaves change colour in the autumn, why our veins look blue but our blood is red, and how the language we use shapes the colours we see . . .

Using lots of illustrations, the information is presented in easily accessible language so young readers can understand this thing that has such an impact on our lives, not just physically but also emotionally.  Taking each colour in turn, each chapter explores fascinating facts about that colour and then we go beyond the rainbow to explore black and white, infrared and ultraviolet, fluorescence, seeing in the dark and whether there really are rainbows in space.

A fascinating, easy-to-read investigation that will answer so many questions our young scientists have. 

One Minute’s Silence

Apr1
One Minute's Silence

One Minute’s Silence

 

 

 

 

 

 

 

 

 

 

One Minute’s Silence

David Metzenthen

Michael Camilleri

Allen & Unwin, 2019

48pp., pbk RRP $A16.99

9781760527051

 

One minute’s silence is the traditional way of honouring the memory of those who have died, particularly military personnel.  And during that one minute’s silence, we are urged to think about those who have fallen and the sacrifice they have made for their country.  But what do you really think about?  Are you like the bored, disinterested Year 12 students who open this story? Do you think about the feats and fears of our soldiers and what they did?  Do you ever think about what it was like for those on the other side of our bullets and bayonets? For, in this powerful picture book, we are encouraged to do just that, to consider what it was like both for those who made that fateful landing on the shores of Gallipoli in 1915 and those whom they were fighting against.

“In one minute’s silence you can imagine the grinding in your guts as the ironbark bows of the Australian boats bumped the stony shore of Gallipoli on the twenty-fifth of April 1915…when twelve thousand wild colonial boys dashed across the shivering Turkish sand in the pale light of a dairy farmer’s dawn lashed with flying lead.

But can you imagine, in one minute’s silence, lines of young Turkish soldiers from distant villages, hearts hammering, standing shoulder-to-shoulder in trenches cut like wounds…firing on strangers wading through the shallows intent on streaming into the homeland of the Turkish people.”  

This remarkable retelling of the events that  form the focus of the annual commemorations of those eight fateful months in 1915 starts with a picture of that group of senior students who have been asked to observe one minute’s silence on the 11th hour of the 11th day of the 11th month – Remembrance Day in Australia. Their expressions of here-we-go-again-we’ve-been-doing-this-for years have been captured perfectly in the pencil strokes of Michael Camilleri and one might wonder what this book has to offer that has not been done before. But then the narration begins and as the events unfold the students are drawn into them, gradually realising the youth and ordinariness of those who were embroiled in this conflict over 100 years ago. These were kids just like them. They can put themselves in the picture, as Camilleri has. However, not only do they see themselves in the Australian uniform, but their attention is also drawn to the youth and the ordinariness of those on the other side and their perspective. They are no longer just a faceless enemy responsible for the deaths and maiming of these students’ bygone family members. The futility of war is apparent…

“In one minute’s silence you can imagine the solitary day when these men without weapons, sharing cigarettes and shovels as they buried their dead in the cool Turkish earth…and the sound of the wind and waves, and quiet talking, replacing the crack, boom and blast of war.

But can you imagine the fierce Anzacs and the fighting Turks quietly returning to their trenches after this one day of truce then firing at each other that afternoon, although they truly knew that the other M.Ed.(TL) were not so much different after all.”

Metzenthen has done a remarkable thing in this story – he has provoked the reader into walking a mile in another man’s shoes; a mile that is thought-provoking and enlightening.  The juxtaposition of the Australian and Turkish experience which really serves to emphasise their similarities is masterful. Camilleri’s illustrations are equally as powerful. The scene is set on the front cover where two boys – one Australian, the other Turkish – eye each other off and every image within is just as potent.   Could there be anything more evocative about death than a double-page spread of a very large fly surrounded by hundreds of its cousins? Unless it’s the picture of men retreating over a hill that has hundreds of bodies beneath their feet? The imagery used to help students understand the difficult concepts surrounding war is outstanding.  Michael Camilleri has provided information about the extraordinary research and thought that underpin each image at 

Teachers notes are available and it is also one of the feature texts in the PETAA Lest We Forget collection for those with membership. Since its original publication in hardback form in 2014, as predicted this book has won a number of prestigious awards including

  • Winner, CBCA Book of the Year, Crichton Award for New Illustrators, 2015, AU
  • Winner, Prime Minister’s Literary Award – Children’s Fiction, 2015, AU
  • Runner-up, CBCA Picture Book of the Year, 2015, AU
  • Short-listed, The Nib Anzac Centenary Prize for Literature, 2015, AU
  • Short-listed, Adelaide Festival Awards for Literature – Children’s Literature Award, 2016, AU
  • Short-listed, Western Australian Premier’s Book Awards – Children’s Books, 2016, AU
  • Long-listed, CBCA Book of the Year, Eve Pownell Award for Information Books, 2015, AU

This it is an essential addition to any collection of resources about this period in our history.

Originally published November 11 2014

Updated April 1, 2023