Grace the Amazing

Grace the Amazing

Grace the Amazing

 

 

 

 

 

 

 

 

 

 

Grace the Amazing

Aleesah Darlison

Wombat Books, 2024

192pp., pbk., RRP $A14.99

 9781761111174

Like many 11-year-olds, Grace Marshall is struggling to straddle that divide between childhood and independent young woman. While she would like to be seen as Grace the Awesome, Grace the Incredible and Grace the Miraculous, she believes others have a different view of her, particularly her mum, a zookeeper who is juggling work and home almost as a solo parent. A chance remark to the “most popular girl in school” some time ago means she appears to have no friends at school, her little brother is a pain, and while her dad loves her to bits she misses him terribly, he is a FIFO worker only home one week in four.  

Grace recognises that she is different, perhaps eccentric, certainly straight-talking, a girl of “many moods [and] many colours” but never boring.  But sadly, she also believes that being just Grace is never enough. Currently, her passion is doing magic as she strives to be known as Grace the Amazing, and when she discovers her one true friend at school is Pamela, her art teacher, has been away for the past few weeks because she has terminal cancer, Grace is determined to find the magic to fix her.

But even though the reader secretly hopes for a different, miraculous ending, there can be only one and this is an engaging, endearing story of how a child deals with the news and its consequences, while at the same time learning much about herself and life, love and friendship along the way. From a little boy in a foster family with a weird name, to Dr Granger the Stranger, to Emma who she thought despised her, to Pamela herself, this is a coming-of-age story that will resonate with many who also feel isolated, a misfit and misunderstood, as once again, Darlison has created credible characters who could be the kids we know and so the reader fits right into the story.

In a Q&A with fellow reviewer TL Sue Warren, Darlison says, “A great story often starts with a simple idea.  Ideas for stories bombard me each and every day. Ideas are everywhere I go. In everything I see and do. And in everything I hear.  If you’re interested in writing stories, you can find ideas in the world around you too. You see, stories abound in all the many subtle nuances of our life – you just have to keep your eyes and ears and mind open to them…” Given the dedications in this book, there is a suggestion that this story is more than one of imagination -it’s one of those ideas that Darlison has seen or lived, and that, in itself, gives it a reality and poignancy that is going to have wide appeal. 

 

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