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Any Questions?

Any Questions?

Any Questions?

 

 

 

 

 

 

 

 

 

 

Any Questions?

Marie-Louise Gay

Allen & Unwin, 2015

hbk., 60pp., RRP $A19.99

9781760113179

 

For the students, an author visit to their school is often better than a visit from Santa because instead of just once a year, they get to revisit the warm, fuzzy feelings every time they pick up a work by the author. 

For the author, it might not be so memorable but the authors I know say it is always fun and often inspirational.  Take the visits that Marie-Louise Gay has made.  She knows she is going to get a barrage of questions, questions she hears each time from each audience like “What inspired you to write this book?” and “Where do your ideas come from?’ and “Where does a story start?”

It is this last one that has inspired this unique book from this talented author/illustrator.  Where does a story start.  “A story always starts on a blank white page… and if you stare long enough at a blank piece of paper, anything can happen…”  A white page could become a snowstorm, old yellowish paper might take you back to the time of the dinosaurs and purple paper could put you in the middle of a thunderstorm.  Or sometimes a story will start with words and ideas floating around, captured, recorded, saved or discarded.  And so it begins to build… who lives in this setting and what might happen to them?

Capturing the beginnings of a story in text and graphics helped by those children who were asking the questions, Ms Gay takes the reader on a journey through the imaginative process that is as creative as her ideas.  Then having taken those ideas and shaken them and turned them upside-down she discovers that her central character is a shy, young giant with birds nesting in his hair.  And for a few pages she tells his story until something happens and the story is turned over to the children to continue as a collaborative effort.  Then she steps in again to finish it.  Except the children don’t want it to end and are inspired to write another one.

This is a most intriguing book that invites the reader’s imagination and interaction.  Text and illustrations are integral, particularly the words of the children and this might make it tricky to share as a whole-class read-aloud but it is perfect to share with a small group about to start on the writing process.  Young writers often sort out their ideas by drawing first and the concept of letting the colour of the paper suggest the setting is inspirational, particularly if you are focusing on the meanings of words like setting, characters and plot.  Have a brainstorm session of possibilities with various sheets of coloured paper, have them draw the setting then think about the characters that would fit into it and from there develop the story.  It works! It brought those ideas to life in a way that breathed life into my explanations and allowed them to explore them in a really practical way.

This book will excite teachers as much as it inspires their budding writers.  There is a queue of reservations for it!

 

Where is Galah?

Where is Galah?

Where is Galah?

 

 

 

 

 

 

 

 

Where is Galah?

Sally Morgan

Little Hare, 2015

hbk., 24pp., RRP $A24.95

9781921894466

Dingo is on the prowl.  He can see Emu, Swan and Turtle and he can hear Crocodile, Frog and Kookaburra.  But where is Galah?  From sunrise to sunset, we track Dingo’s quest for Galah across the Australian landscape in a burst of colour and pattern and delight that is so uniquely Sally Morgan.  Until Galah finally shows herself (although the children will have fun spotting what Dingo can’t) – but where is Dingo?

This is a superb book to share with our youngest readers as they use their eyes and their ears and join in with the sounds and the repetitive text. By tracking the movement of the sun and the colour of the sky as the day passes, the suspense builds up for surely Galah will be found before moonrise.  And the twist in the ending is very satisfying.

Every page of this book brings new things to explore and marvel at and there are so many opportunities for the listeners to interact from creating sounds to making movements.  If you go to this page and then click on the link to this title you will get teachers’ notes with lots more activities to do including getting students to write their own version substituting two new main characters and who they see and hear.

The visual impact of the book is stunning and there is much to investigate in the way that Morgan has, again, used colour and pattern to tell the story.

As well as our very young readers, this would also be a wonderful way to introduce new English language learners to our Australian wildlife.

Mr Chicken Lands on London

Mr Chicken Lands On London

Mr Chicken Lands On London

 

 

 

 

 

 

 

Mr Chicken Lands on London

Leigh Hobbs

Allen & Unwin, 2015

hbk., 32pp., RRP $A9.99

9781760290054

“Mr Chicken couldn’t wait another minute, so he finished his breakfast, collected his camera and flew to London.  London was his favourite city in all the world.”

And so begins another adventure of this quirky character who, five years ago, showed us the sights and delights of Paris and whose size and shape made him instantly recognisable.  Using his Union Jack parachute to land gently in the River Thames  (luckily his camera was waterproof) he checks into the Savoy Hotel and, after a good night’s sleep , a full English breakfast and a quick review of facts and figures about London, he visits his special friend, Her Majesty the Queen for morning tea and makes an impromptu balcony appearance.  But he can’t stay long – there is so much to do before lunch and tourists keep stopping him to take their photo.  After lunch, sumptuous as usual,  his sightseeing continues with all the iconic spots on his itinerary until he is so tired he needs a quick nap before dinner. Then the night’s entertainment begins!  And come midnight, after a hectic day, he finally feels he has London to himself as he walks, in the light of the fall moon, down the Mall to the House of Parliament. 

Once again, Leigh Hobbs has packed as much into this story as Mr Chicken packed into his day in London and it’s such a fast pace that you get breathless just thinking about it.  Even reading his schedule on the endpaper is enough to overwhelm you and its forecast by the map of the city on the front endpaper.  But of course, this isn’t just a travel guide to London – Mr Chicken is the star of the show and Leigh Hobbs’ humour is evident in every picture.

This book is so much richer than its text and pictures.  Like Mr Chicken Goes to Paris it’s an opportunity for young students to understand that there are places beyond those that are familiar to them and compare them to their home town. 

Using the book as the impetus, we used Google Earth to “fly” us to London and the functionality of that app to view the places that Mr Chicken visited, so we were really inside the story and able to develop an understanding that each place has its unique iconic features, environments and activities that attract locals and visitors alike.  Then we asked the question, “If Mr Chicken came to our town, what would be the unique places he could visit and things he could do?” sparking an investigation into the natural, built and heritage features of our local environment which offered so many cross-curricular avenues to explore that continued to engage the students for some time. Like Mr Chicken, they identified the must-sees and must-dos, photographed and drew them, mapped them and created an itinerary for visitors to our region.  Amazing learning for Year 1 students!

Even without its use in this way, Mr Chicken Lands on London will be a winner with students as its predecessor continues to be, and I do hope it’s not another five years before he goes on another journey.  But to see why we might because of the work involved, have a look at this video where Leigh Hobbs demonstrates his craft.

A peek inside...

A peek inside…

The 12 Days of Christmas

The 12 Days of Christmas

The 12 Days of Christmas

 

 

 

 

 

 

 

 

The 12 Days of Christmas

Robert Sabuda

Little Simon, 2006

9781416927921

 

“On the first day of Christmas, my true love gave to me…”

There’s really nothing new about the words of this familiar Christmas song, first published in England in 1780.  There are countless print versions of it and versions for various countries “straight” and parody alike.  But what sets this interpretation apart is its incredible illustrations for they are remarkably crafted pop-ups.  Meticulously cut and folded so they pop up perfectly as the page is opened, they reveal the magic of the song in a way like no other.  “Paper engineering” is a more accurate descriptor of Sabuda’s skills and from the partridge with the pears through to the magnificent Christmas tree at the end, complete with lights that work, you enter a world of magic and marvel.  Crafted mainly in white card with the occasional addition of silver they are just extraordinary and his imaginative way of getting all the characters into the illustration is amazing. Just look at “eleven ladies dancing”!

A peek inside..

A peek inside..

Even though this is an expensive purchase in relation to other Christmas books, it’s an investment as revealing each page could become part of an annual Christmas tradition and part of your Christmas Countdown of reading Christmas stories.

Sabuda continues to enchant with a range of other books and Christmas cards and he reflects the spirit of this time of giving by offering instructions for some designs as well as answering questions about the construction of the books.  In fact his website is a treasure trove that could well come in handy when the thrill of Christmas has passed and the long summer break seems endless.

Spectacular!

12_days_sabuda3

Wombat Divine

Wombat Divine

Wombat Divine

 

 

 

 

 

 

 

 

 

 

Wombat Divine

Mem Fox

Kerry Argent

Omnibus, 1996

pbk., 30pp

9781862918412

 

For as long as he could remember, Wombat wanted to be in the Nativity play at Christmas.  Now, at last he was old enough and so he hurried off to the auditions.  But getting a part was not easy.  He was too heavy to be the Archangel Gabriel.  He was too big to be Mary and too short to be a king.   Perhaps he could be Joseph.  But that didn’t work either and neither did being the innkeeper or one of the shepherds.  Soon there were no parts left and Wombat didn’t have any of them.  Then, suddenly, Bilby has an idea…

Wombat Divine is one of Australia’s most-loved Christmas stories written by one of Australia’s most-loved authors for little people.  Mem Fox’s words always have a magic about them and this story is no different.  As you read it to yourself, you can hear yourself reading it aloud – the true indicator of a master writer at work.  Superb illustrations by Kerry Argent capture the action perfectly with just a touch of humour so that we can empathise with Wombat but you just know something will work itself out.

This is such an iconic Australian story that every child should know it as an integral part of their growing up. It was the first in the pile that I sent to a family in Wales as part of a special Australian Christmas collection.

A peek inside...

A peek inside…

The Watchmaker who saved Christmas

 

The Watchmaker who saved Christmas

The Watchmaker who saved Christmas

 

 

 

 

 

 

 

 

 

The Watchmaker who saved Christmas

Bruce Whatley

Random House, 2009

hbk., 32pp., RRP $A9.99

9781864719567

The watchmaker is a master craftsman, mending those “old-fashioned” watches and clocks that still rely on tiny cogs and wheels to make them go and which have hands that move inexorably around a beautiful face,  not “digital displays and flashing numbers”.  Like many craftsmen of his time , he lived behind his shop and rented the top two floors to a young mother and her son Peter who is almost totally deaf.  

Three days before Christmas an unkempt old man with a bushy heard, rosy red cheeks, long silvery-white hair and twinkling eyes came into the shop.  He had a very special pocket watch that he needed mended urgently .  But it was a watch like no other the watchmaker had seen and he wasn’t sure if he could.  But he set to work on the tiny jewelled pivots, the elaborate cogs with their delicate teeth, hair springs connected to complicated ratchets  and miniature chains.   Even though he worked late into the night, all was going well until he came to a broken wheel that was made from something he’d never seen before.  He fashioned one in brass but that didn’t work and he was very concerned.

But then Peter comes up with an amazing solution that gets the unusual watch going again, and when the old man comes back, the watchmaker gets the surprise of his life when he discovers what the watch is used for. And it answers all those questions about how Santa does it – gets to all those places around the world in a single night.  No wonder this is called The Watchmaker who saved Christmas.  What a pickle the world would be in if he hadn’t!

I think this has become my new favourite Christmas story.  Told in such a loving, gentle way paying tribute to the author’s own father who was a watchmaker, it has none of the brashness and hoo-haa of so many Christmas tales.   It is rich in text and image with a real story about friendship, unselfishness and perseverance that lingers in the mind long after the last page is turned.  There’s a real sense of satisfaction at having read a good story.

So glad this was recommended to me.

Christmas Wombat

Christmas Wombat

Christmas Wombat

 

 

 

 

 

 

 

 

 

Christmas Wombat

Jackie French

Bruce Whatley

HarperCollins, 2014

pbk., 32pp., RRP $A14.99

9780732291723

 

It’s Christmas and it’s Mothball’s time to celebrate in Mothball’s unique way.  After getting rid of the dangly things on the tree which are in her way, she not only smells carrots but finds strange creatures eating them!  And so begins a carrot-eating journey that takes her far from home and back again. Just how does Santa get back up the chimney?

From the author of Diary of a Wombat comes this new Mothball adventure that will delight every young reader. Written in just a few words that express her thoughts and perfectly illustrated by Bruce Whatley this is the newest addition to my Christmas collection and it will be one that is shared with Miss 2 and Miss 3 just as soon as they get here.  Both are already familiar with Mothball from the other titles in the series, so Grandma will be top of Santa’s Nice list for having this one.  It’s just perfect.

A peek inside...

A peek inside…

The Beach They Called Gallipoli

The BeachThey Called Gallipoli

The Beach They Called Gallipoli

 

 

 

 

 

 

 

 

The Beach They Called Gallipoli

Jackie French

Bruce Whatley

hbk., 32pp., RRP $A24.99

9780732292263

 

On April 23, 1915 on a beach on the Gallipoli Peninsula, seagulls swooped as fish flapped silver in the nets… a peaceful, tranquil scene.

But it was to be the last day of peace for that Turkish beach for a long time for on April 24, 1915 the ships came.  And less than twenty four hours later, blood-stained foamed fringed the grey waves of a grey sea under a grey sky.  For eight, long tragic months the conflict lasted as more ships brought more men and took away the broken bodies of the wounded, while leaving many more who would never leave this beach and its sentinel cliffs.  “A land with few names had new names now: Anzac Cove, Quinn’s Post, Rhododendron Ridge, The Apex, Farm and Lone Pine.”  Names etched into our history along with the courage, the compassion and the comradeship that we associate with them.

On December 21, 1915 the beach was again silent and empty, a tranquil place. Perhaps the seagulls and the fish had not yet returned, but the waves still rolled in onto the shore, just as they had done for months, years, decades, centuries. But months, years, decades, a century on we remember… Lest We Forget

Among the plethora of publications being written and released to commemorate the centenary of the events of April 25, 1915, this is a standout.  By focusing on the place, Jackie brings range of perspectives about the people – the fishermen, the many nationalities who fought and those who defended.  The blood that was shed mixes and mingles into a story of a battle with no heroes or winners – just people and the futility of war.

Superbly illustrated by Bruce Whatley with collages of photos, paintings, drawings, diagrams, artefacts, symbols and flags, it is a masterful insight into the campaign – its before, during and after. The sounds and sights and smells are brought to life through the skilful selection and arrangement of the vignettes that emphasise that while the place shaped the events, it is the people who created and encountered them and their consequences.  There is no favouritism – it is written and illustrated as though the landscape is the observer witnessing men from everywhere trying to master it – as though that were ever going to be possible.

While such rich imagery leaves little to the imagination, it inspires the imagination.  This was not the remote-control driven warfare that invades television news bulletins today – this was face-to-face conflict of a type that breeds the legends that have endured for so long.  And all the while, the waves lap on the beach.

Jackie French and Bruce Whatley, as author and illustrator, are a match made in heaven.  This could be one of their most important collaborations yet and I predict it will be high on the awards lists this year.  It is an essential resource in your commemoration collection.

Inside History has an interview with Jackie and Bruce about the reasons behind the book and the research that went into it go to  To follow up on the events within it,  the Department of Veterans’ Affairs has produced Investigating Gallipoli 

Outstanding.

Go to sleep, Jessie

Go to Sleep, Jessie

Go to Sleep, Jessie

 

 

 

 

 

 

 

 

 

 

Go to Sleep, Jessie

Libby Gleeson

Freya Blackwood

Little Hare, 2014

Hbk., 32pp., RRP $A 24.95

9781742977805

Jessie now shares big sister Jo’s bedroom now and she won’t go to sleep.  Every night she screams and screams and Jo cannot get to sleep.  Even sharing T-Bear only works for a little while and mum and dad aren’t a lot of help when Jo pleads with them to do something.  A clean nappy and a lullaby only work for a little while until Jo demands her own room back – she NEEDS to sleep.  “You wouldn’t like that,” says Mum and when Dad finally puts Jessie in the car and drives her around the block again and again and again Jo realises mum is right.  So when Jessie wakes again after the long car ride, she has to think of another solution…

This is a lovely story from the brilliant pairing of Libby Gleeson and Freya Blackwood that will resonate with many young children who share a room with their baby brothers or sisters.  It’s a story of love and tenderness and is so real that it will strike a chord with most.  The classic muted tones of Blackwood’s illustrations are there but this time in tones of blue and orange which juxtapose the upstairs and downstairs worlds of the house as well as the peace and love in the story with the noise and frustration of Big Sister.   Blackwood writes about this in her blog http://www.freyablackwood.com.au/blog.htm

I love these sorts of pictures books because they provide an opportunity for the children to become so involved in the story – most of them have a similar story to share or something to contribute and they’re the perfect opportunity to start the prediction and problem-solving processes.  In this case, asking them “What would you do?” and “What do you think Jo will do?” will open lots of talk and help little ones realise that stories are fun, stories can be about them and they have something worthwhile to offer.  Essential steps as they develop their early literacy skills.

 

A peek inside...

A peek inside…

 

The Last King of Angkor Wat

The Last King of Angkor Wat

The Last King of Angkor Wat

 

 

 

 

 

 

 

 

 

The Last King of Angkor Wat

Graeme Base

Viking/Penguin 2014

hbk., 32pp., RRP $A26.99

9780670077151

Amongst the ruins of Angkor Wat, the “City of Temples” built hundreds of years ago by the Khmer people in the north of what is now Cambodia, Tiger, Gibbon, Water Buffalo and Gecko look at the ancient stone carvings and muse on what it would like to have been a king.

Tiger believes he would have been a fine king because he is strong but Gibbon declares he would have been better because he would have ruled with compassion and kindness.  Water Buffalo says he would have never given up, no matter what, while tiny Gecko proclaims he would have been a fearless warrior.  And so an argument about who would have made the best king ensues.  Their talk is interrupted by Elephant.  “It takes many qualities to be a good king”, he says.  “Strength, compassion, resilience and courage.”  He then challenges them to find out if they are worthy by going to the temple at the top of the hill.  And so begins a race during which each creature encounters Snake and other obstacles, dealing with them accordingly, not realising what their decisions and actions are saying about them as potential rulers.  When they reach the temple at the top of the hill Elephant is waiting, but rather than the giving the title to the victor, he forces them to examine their journey and learn from it.  Who will be crowned king? Will any of them make the grade?

Set against a backdrop of opulent, evocative scenes detailed in the way that we associate with Graeme Base’s illustrations, this is a tale with a message about humility that would be a perfect adjunct to a values-based program. Often, Base embeds either a textual or visual puzzle into his books but this time, the puzzle is in the meaning of the words.  But even with the story told and retold and understood, the young reader will be drawn again and again to the elaborate, exquisite illustrations search for the riches within, perhaps discovering the butterfly who also makes the journey or the author’s signature. Such is Base’s reputation, his fans have learned to look for more than meets the eye.     

Another magnificent masterpiece.

Listen to an interview with Graeme Base about the creation of this book.