The Travelling Bookshop: Mim and the Woeful Wedding

The Travelling Bookshop: Mim and the Woeful Wedding

The Travelling Bookshop: Mim and the Woeful Wedding













The Travelling Bookshop: Mim and the Woeful Wedding

Katrina Nannestad

Cheryl Orsini

ABC Books, 2022 

240pp., pbk., RRP $A14.99


Imagine being a young girl travelling the world in an old wooden caravan pulled by a horse that decides where they will go and which seems to have magical powers that mean borders and mountains and oceans are no barriers.  And that caravan is full of books, because it, too, has a magic that means that it is like a Tardis with so much more on the inside than appears on the outside. 

That is the life of 10-year-old Miriam-Rose Cohen (who prefers Mim), her father and little brother Nat, Coco the cockatoo and Flossy the horse.  They travel to wherever they are needed, wherever there is a child in need of a book to make their world right again because “the line between books and real life is not as clear as people suppose.”

This time, in the second in this series,  Mim has arrived on a charming Greek Island, where a wedding is about to take place. Everyone is excited – everyone, that is, except the bride and groom. Mim knows they’re here to help Anjelica, the bride. To stop the wedding. To set her free to follow her dreams. If only Anjelica would read the right book, the one Mim gave her. If only she would stop reading the wrong book…

The first book in this series captivated me from the get-go and this one was no different.  Young readers will delight in meeting Mim and Nat and their dad again as well as travelling to a completely different country and they have the third, due in early August, to look forward to.  Could there be a better life?

Our Library

Our Library

Our Library












Our Library

Donna Rawlins

Wild Dog Books, 2022

32pp., hbk., RRP $A24.99


Sharing a book called “Our Library” on networks dominated by teacher librarians seems to be like preaching to the converted but…

Although libraries for the public have their roots deep into history – they have been traced back to the Assyrian Empire in Mesopotamia in 700BCE and the Library of Alexandria in Egypt in 300BCE  and down through the centuries and civilisations although they were  only for the exclusive use of royalty and scholars as a symbol of wealth, position and power- it wasn’t until the 17th century with the development of the printing press and paper that their transformation to what we know now began, although they were still only accessible to those with the income to pay the subscription.  And then along came wealthy but philanthropic Andrew Carnegie…

And he would have been delighted to see the 21st century realisation of his vision which is captured in this delightful book for little people who adore their public library and its librarian, Suzy.  Every day, Monday to Saturday, she has a special session planned for them including Make-new-friends-Monday, Dinosaur Tuesday, I-can-do-it Wednesday, Wiggle and Jiggle Thursday, Nature Day on Friday and Everyone and Everything Day on Saturday. With Librarian Suzy’s rich array of books and resources, her imagination and her unfrazzled nature she welcomes the children to new adventures every day and parents and pre-schoolers alike not only value what she offers but sees their visit to the  library as the highlight of their day. Suzy is that librarian we all saw ourselves being until bureaucracy, curriculum, ignorant principals and paperwork got in the way.  

It celebrates the communal nature of the library where there is so much more than books and reading (although they are central) and while it might seem a million miles from the precepts of the founders of the first public library in Australia, the Melbourne Library (now the State Library of Victoria ) in 1854 who believed ” that access to knowledge was critical for the development of a civil and prosperous community, and [they] created the library as ‘the people’s university,’ nevertheless Suzy is laying those critical concepts in the children’s minds of the library being the place to go to find out about what you don’t know, of it being a fun place to learn where there are people who will help you and new pathways stretch into the future at the turning of a cover… Her space is the epitome of the recommendations of the Horton Report commissioned in the 70s by then prime minister Gough Whitlam which was that libraries should be community hubs, one of more than 1600 public library outlets now in this country. 

When I did my Master of Information Studies in 2011 I viewed it through the lens of how my expertise and experience of being a teacher librarian could enrich and enhance a Children’s Services Librarian role, but this book offers the opportunity for us to look at that CSL role and envision how that could enrich and enhance the position of the TL.  What can we learn from Suzy?  At the very least we can teach our littlies about the local public library and what it offers, that there is a facility in their neighbourhood or nearby that offers an even wider range of resources than the school library, that is a great place to discover new reads, do new things and meet new friends, and that it is all free!  We could even team up with the local CSL and make sure that students have the  application for their very own library card in their hands by the time you have shared this book.  


Arabella’s Alphabet Adventure

Arabella's Alphabet Adventure

Arabella’s Alphabet Adventure











Arabella’s Alphabet Adventure

Suzy Zail

Christopher Nielsen

Walker Books, 2022

32pp., hbk., RRP $A25.99


On the library shelf marked “Especially for Children”, sits Arabella’s Alphabet Adventure, a book with just 26 letters, one to a page yet not one single word.

“I’m an ABC book and that’s all I’ll ever be,” Arabella complained to her capital C.  How she wished she was filled with words and stuffed with stories like the other books even though she has flaps to lift and levers to pull and is the most beautiful and most borrowed book in the library – but only ever by children. Tired of having her pages torn by sticky fingers, Arabella slips into the Very Serious Book section of the library and takes an adventure within the pages of an African travel guide. But will Arabella realise that where she belongs is closer than she thinks?

As well as the strong message about being careful what you wish for, Arabella offers young readers the opportunity to explore the different sorts of books in the library – there are so many more than just the story books they are probably familiar with providing a pathway to exploring fiction and non fiction, picture books and novels, and all the other variations and their characteristics,  Astute teachers might even touch on how Arabella had an impact on others’ lives even though she wasn’t aware of it and how that can happen with people too.  “If someone has lost their smile, give them one of yours” is as necessary today as it was when I first heard it as a child myself. 

There are other themes to explore too and these can be found on the free  Read to Us! Story Time Kit , a new initiative from the publishers offering ideas and activities for some of their new publications providing the opportunity to make them more than just a single read.  

This is one of those splendid picture books that offer something new to explore every time you share it – it’s no wonder it was the most popular book in the library!














Sally Sutton

Brian Lovelock

Walker, 2015

22pp., board book, RRP $A16.99


Big machines fascinate little kids and this sequel to Roadworks and Demolition fills the bill perfectly as it follows the process of constructing a building using repetitive text and onomatopoeia which just invite the reader to join in.

Fill the holes. Fill the holes. Let the concrete drop. Spread it fast before it sets… sloosh, slosh slop.

But the best part is the final reveal of the building that is being constructed – one that opens doors for everyone!

Little people love stories and they learn to talk and read by listening to them and then reading them for themselves, especially those in board book format that withstand little hands.  It is a critical part of the development of early reading behaviours and to have one that will inspire them to seek out even more to read, is just perfect! 


Little Word Whizz

Little Word Whizz

Little Word Whizz











365 First Words


An Interesting Word for Every Day of the Year


Dr. Meredith L. Rowe

Monika Forsberg

Magic Cat, 2022

112pp., hbk., RRP $A29.99

Did you know a ‘cartographer” is a person who takes photos of cars?  That was the definition given to a colleague recently by a young child as they were introduced to the wonderful world of mapping.  Trying not to LOL, she explained its true meaning to her students, and it is unlikely they will forget it.  Once again proving that children are fascinated with new words – the longer the better.  Who knows a little one who can correctly identify and say the names of all the dinosaurs?

Talking is an inherent behaviour that children learn by listening to their mother tongue as everyday life goes on around them, picking up not just the vocabulary but the context in which it is used and the nuances of sound as it is expressed.  365 First Words offers parents a pathway to help their children learn the words associated with  common first concepts including colours, numbers and shapes, as well as parts of the body, things that go, animals and the world around us. Thus it also builds up the connections between the words in the groups so if a child goes to a farm or hears a story with a farm setting, their brain is wired for the things they are likely to see and the words for them.

However, because the words are in English – just one per item – it could also have a role in helping those with a different mother-tongue learn the English equivalents, or perhaps it could become the English-whatever first steps to learning another language.

Its companion, An Interesting Word for Every Day of the Year, takes vocabulary building to a more sophisticated level as it offers 52 fully illustrated scenes which provide  “a fun and supportive platform to introduce little readers to big words and extend their vocabulary, which studies have recently proven to be the biggest indicator of a child’s potential later in life.”  Building vocabulary has become a particular focus of literacy lessons in recent years (and so the wheel turns again) so as well as introducing the child to the particular words on the page (they have their meanings explained in a table at the bottom of the page) there is also scope to use these as starter-words to build synonyms and antonyms, providing a basis for both interesting speech and writing.  Students might also create their own scene from a medium of their choice and, using the book’s examples as a model, add appropriate words that extend their vocabulary and that of their peers.

Both books are based on common concepts but both offer wide-ranging opportunities in the hands of creative teachers. 

A peek inside...

A peek inside…



This Tree is Just for Me!

This Tree is Just for Me!

This Tree is Just for Me!











This Tree is Just for Me!

Lucy Rowland

Laura Hughes

Bloomsbury, 2022

32pp., pbk., RRP $A14.99


Jack was very excited. He had just received a new book in the mail and all he wanted was a small quiet nook so he could read it in peace.  But with blackbirds tweeting and squirrels eating, he was having a hard time finding somewhere secluded so he decided to find a tree of his own.  And there it was in the corner of the garden- the perfect tree!  Or is it?

The perfect book for this year’s CBCA Book Week theme Dreaming with eyes open, this is a delightful story about being careful what you wish for and learning that there are times when sharing your good fortune is so much better than keeping it to yourself.  With its rhyming text and vibrant illustrations, young readers will really be attracted to it and will want to share not only their favourite stories but their favourite places to read them.  It’s the perfect opportunity to share Dr Seuss’s iconic poem and develop a stunning display for the beginning of the year… students can draw themselves reading or better still, share a photograph.  Don’t forget to include yourself in it!

Unleash Your Creative Monster: A Children’s Guide to Writing

Unleash Your Creative Monster: A Children's Guide to Writing

Unleash Your Creative Monster: A Children’s Guide to Writing













Unleash Your Creative Monster: A Children’s Guide to Writing

Andy Jones

Olaf Falafel

Walker Books, 2021

176pp., pbk., RRP $A24.99


Over my 50+ years working with children, and particularly following my passion for developing their literacy skills, I have been exposed to as many “magic bullet” pedagogies for getting them to write well as there are theories of child development.  From a tightly structured approach where the writer is given topic, focus, essay-length and limited vocabulary to the revolution of the freedom of Donald Graves’ ‘process writing” – his books are still on my shelf – and back again, the one constant is that putting pen to paper is an individual task, and the ‘best’ approach is as unique as the individual doing the writing.

Some find writing to be their preferred way of expressing themselves, others like to sing, dance, paint or just talk. Of the writers, some like to write fiction, others prefer mon fiction; some like to draw first, others loathe drawing; some like to let the thoughts run free and edit at the end, others like to fix as they go… 

So this book is not a one-size-fits-all that a parent can give to their child and envisage another J. K. Rowling; it is not a step-by-step guide for a teacher to follow as their writing syllabus for the year; and it is certainly not a tool to teach all those obscure technical terms and techniques so beloved by today’s English teachers and curriculum writers. What it is is a guide for those who already like to write to help them hone their skills and develop their ideas. Begun as a way to amuse the author’s daughters on wet days, it presents a monster as a muse – because monsters are “exciting, unpredictable, powerful” – and by speaking directly to the reader, they are encouraged to work through the book (or dip and delve if they choose) engaging in a series of exercise and story prompts to learn the basics of stories, developing characters, settings and plots as they develop their vocabulary – all the fundamentals of story writing but at their own point of need and their own pace.  

With its easily accessible text and myriad of cartoon-style illustrations it takes the would-be writer on a personal journey of development, tapping into their existing desire to write.  However, while it is not that do this-do that guide for the busy classroom teacher, it is one that is more than worthwhile having because it offers explanations and explorations that the teacher can pass on to the student to encourage them to try new things, to delve deeper and expand their horizons.  It encourages originality and diversity rather than the cookie-cutter approach and there’s none of that technical jargon in sight.

Being the child of journalists, I could use a typewriter before I could use a telephone and it was expected that both my brother and I would be able to put words on paper as easily as we spoke. But even in such an environment, one of us went much further than the other and neither of us wrote in the style of our parents.  Certainly, my preferred genre is non fiction and mastery of my imagination eludes me.  But with this book in hand, perhaps I could try again and find a new path… 

Roald Dahl: On the First Day of Christmas






Roald Dahl: On the First Day of Christmas

Roald Dahl: On the First Day of Christmas











Roald Dahl: On the First Day of Christmas

Roald Dahl

Quentin Blake

Puffin, 2021

16pp., board book, RRP $A14.99


On the twelfth day of Christmas a grown-up gave to me…

12 books a-balancing

And so begins a less-than-traditional countdown to Christmas featuring many of Dahl’s most well-known and well-loved characters and Quentin Blake’s iconic illustrations.  But as well as being a counting book, it is also the best introduction for little ones to the works of this much-loved author whose books, while largely written for more independent readers, will nevertheless entertain our youngest ones if they’re shared as a read-aloud.  No child should go through their young life without knowing what a whizz-popper is or dreaming of winning that golden ticket!

And when they’ve heard those classics, there are the other stories featured in this book to work through and then a whole host of others crafted by one of the most popular authors in a primary school library.  Can you think of a better, more enduring gift to give a little one? 

Pages & Co. 4- The Book Smugglers

Pages & Co. 4- The Book Smugglers

Pages & Co. 4- The Book Smugglers











Pages & Co. 4- The Book Smugglers

Anna James

HarperCollins, 2021

432pp,, hbk., RRP $A19.99


“From outside on the busy north London high street, Pages & Co looked like an entirely normal bookshop. but once inside it didn’t quite make sense how everything fitted inside its ordinary walls. The shop was made up of five floors of corners and cubbyholes, sofas and squashy armchairs, and a labyrinth of bookshelves heading off in different direction.  A spiral staircase danced up one wall, and painted wooden ladders stretched into difficult-to-reach corners.  Tall arched windows above made it feel a little like a church when the light spilled in and danced on the air. When it was good weather the sun pooled on the floor and the bookshop cat – named Alice for her curious nature- could often be found dozing in the warmest spots.  During the summer the big fireplace behind the till was filled to bursting with fresh flowers, but at is was October, a fire was roaring there…”

This is the home of Matilda Page, always known as Tilly,  who prefers the company of book characters to the people in real life and, although not having been outside London, is a seasoned traveller within the pages of the books that abound on the shelves for in the first in the series she discovered her father was a fictional character and she, herself, was half fictional.  As she and her best friend Oskar search for her missing mother, they meet the powerful but sinister Underwood family, search for the mysterious  Archivists and encounter the Sesquipedalian, a magical train that uses the power of imagination to travel through both Story and the real world. It is owned by Horatio Bolt who specialises dodgy dealings as a book smuggler trading in rare books, and his nephew Milo .

When Horatio takes on a dangerous new job, he needs Tilly’s help o and because she owes Horatio a favour she feels she has little choice. But when poisoned copies of The Wizard of Oz are sent to Horatio and Tilly’s grandfather, sending them both into deep sleeps, Milo and Tilly find themselves racing against time to save them – and to figure out what is going on. Their journey takes them to the Emerald City with Dorothy, rocketing on the unruly Quip, and eventually to Venice in Italy, in pursuit of the mysterious Alchemist. The very essence of imagination, story itself, may be in danger . . .

This is a series that, IMO, has the potential to rival Harry Potter among younger readers and certainly when I told Miss 10 I had the latest addition she begged me to post it to her rather than waiting for the restrictions of interstate lockdowns to end. Even though this one includes a brief summary of what has gone before, it is a series that is best read in order and I found myself wanting to go back to read the previous three again. (I shall have to persuade Miss 10 to lend it back to me!) 

If I were still in a school, I’d be recommending this to the parents of those who are already hooked as a must-have for the Santa Sack because there is just not enough time left in the school year (particularly with borrowing restrictions in place) for every student who will want to read it to have access to it. Imagine the joy of getting the WHOLE series all at once – what a binge-read that would be! Don’t think we will see much of Miss 10 once she gets her copy!

The Best Cat, the Est Cat

The Best Cat, the Est Cat

The Best Cat, the Est Cat










The Best Cat, the Est Cat

Libby Hathorn

Rosie Handley

State Library of NSW, 2021

32pp., hbk., RRP $A27.95


Situated n the heart of Sydney on the corner of Macquarie Street and Shakespeare Place since 1826, the State Library of NSW is the oldest library in Australia.  And among its bigg-est, small-est, and strang-est items is a secret cat with magical powers that make it and its followers invisible.  And so young readers are taken on a special journey around the library -to the reading room which is the booki-est place; to the art gallery where ghosts might come alive; to  the stacks, seven stories below street level, where there are stories, poems and pictures from near and far as well all sorts of curios telling the story of this country;  to all parts of the library revealing its treasures both visible and not. The cat introduces them to the biggest, the smallest, the strangest, the rarest and the gluggiest objects, shows them secret places and spaces and ontroduces them to some of the workers.

Using clever rhyme and superlative language and illustrations which are a blend of collage, digital artwork and sketching, the cat explores all the corners of this institution finally revealing itself to be none other than Trim, the cat that helped Matthew Flinders put Australia on the map.  And all the items that are featured in the story are given their own brief explanation in the final pages not only encouraging demonstrating the broad spectrum of items on offer but encouraging further exploration.

Any NSW resident who has a public library card can access the State Library’s collections and so introducing young readers to all that is on offer opens up one of the finest collections of books (end to end, they would stretch 140km), letters, journals, paintings, photographs, maps and objects that they can access for free to assist with whatever investigation they are undertaking.

The Best Cat even has its own web presence with teachers’ notes and a competition offering the opportunity  to win a special behind-the-scenes tour of the Library with author Libby Hathorn and illustrator Rosie Handley.  

This is the Library’s first foray into publishing children’s books and it has set an extremely high bar.