Untwisted: The Story of My Life
Untwisted: The Story of My Life
Allen & Unwin, 2020
336pp., hbk., RRP $A34.99
When you give a story to someone else to read, it is like sending out your love. If it is rejected it is a horrible experience. It takes courage to reveal your own soul to just one person, let alone put it into print. You make yourself incredibly vulnerable.”
But since 1983 when he was searching for a lighthouse in a stormy sea of a marriage breakdown, being a single dad to four children, and an uncertain professional future because of the change in his personal circumstances, Paul Jennings has been making himself vulnerable and to the harshest of critics – children.
And since 1985 when his first short story collection Unreal was published, generations of kids have been grateful that he has had the courage to show his vulnerability. He has shared 125 individual stories and sold 10 000 000 copies of them, changing the reading lives of hundreds of thousands of kids. And I, as a teacher and teacher librarian for 50 years have been privileged to see those changes and the impact they have had.
Forty odd years ago the children’s literature world was starting to change and while there were the established authors like Southall and Thiele (both heroes of Jennings) there was no one like this person who offered short stories that could be read in a sitting that brought a world of kids’ humour and interests to life. No one who touched on “unmentionable” subjects in a way that challenged more conservative teachers to read them aloud when the kids demanded them and certainly no one had reluctant readers, mostly boys, demanding time to read, lining up at the library door to be the first to get the new release, talking about books and reading in a way they never had before. But here, in my classrooms, it was happening – this former lecturer in Reading Education and Children with Special Needs put his professional knowledge to work, wittingly or not, and wrote the sorts of stories that these readers were craving (even if they didn’t know it because they had already written themselves off as readers.)
And perhaps, with this memoir that shows that Jennings was no silver-spoon kid, the reading journeys of another generation will take a new turn as they explore new ground. This is not a book written for children specifically; it is not one of those that picks out the salient turning points in a life and condenses the achievements into a quick-read factual account but it is one about someone whom the children know and love; whose work they are directly familiar with and which may open up the world of autobiographies and biographies to them.
There have already been many reviews and articles and so forth written by luminaries of the literary world about this book, its contents and quality, that I don’t need to add to them. Suffice to say that it is as engaging as his stories and that in the hands of an independent aficionado of even a young age, it could be a turning point. Jennings himself says that he believes his journey as a writer has been a journey about seeking love and acceptance starting as a six-year-old dressing as a pirate for the attention it afforded him, a journey that cast him as the “silly son” who finally returns home to discover himself because he has learned what is important. So, if him, then why not me? As he says, a real story is told, not plotted.