Archive | July 2016

On the River

On the River

On the River

 

 

 

 

 

 

 

 

 

 

On the River

Roland Harvey

Allen & Unwin, 2016

32pp., hbk., RRP $A24.99

9781760112455

 

“Each year, as the winter snow falls on the mountains, the currawongs head down to the valleys and the mountains are silent under their new white blanket.  In spring, as the snows melt and the streams roar, the currawongs return to feast on the new hatches of bogong moths.  The mountains explode in a riot of flowers.  Here in the foothills, tadpoles practise to be grown-up frogs in crystal-clear ponds, surrounded by wiry grasses and tough little plants that have spent the winter sleeping under the snow.  Small fish dart to and fro, hidden beneath overhanging grasses, and brightly coloured beetles go exploring in the green moss beds.

These are the headwaters of the Murray River, where this story begins.”

In this latest addition to his At the Beach series, Roland Harvey takes us on a journey from the mountains to the sea along the waters of the mighty Murray River, the state boundary between New South Wales and Victoria, from its humble beginnings high on the western slopes of the Australian Alps to its junctions with the Murrumbidgee and Darling Rivers and down through South Australia to where it empties itself into the ocean in the Coorong – Storm Boy country. A journey of more than 2500 kilometres that has as many tales as it has twists and turns, a history longer than the river itself and a diversity of flora and fauna richer than any fortune made from its waters.

In his iconic illustrative style and ‘handwritten’ text, Harvey tells the stories of the river as it wends its way through the landscape – there’s Paterson’s meeting with Jack Riley who inspired The Man from Snowy River and whose grave is in the cemetery at Corryong; there’s the hilarious passage through the gorge known as Murray Gates; the weir near Albury Wodonga known as Lake Hume that is a fisherman’s paradise (if it hasn’t all but dried up in a drought): the rich river wetlands that are host to a plethora of amazing bird and river life; the pier at Echuca which was so critical to opening up the inland in the days of wool and paddle-steamers; the historic, ancient Lake Mungo – on and on through double spreads of both history and geography, life and landscape, finally spilling into the sea through its newly re-opened mouth, welcoming  the birdlife back but still feeding and watering everything on its winding, wandering journey.

On the River is a celebration of this remarkable river system that is so critical to the well-being of such a huge part of this arid continent. In so many ways it brings life and livings to the people on its shores as well as the creatures within.  So important that for many years the Primary English Teachers Association hosted the Special Forever project in conjunction with the Murray-Darling Basin Authority which encouraged the children of the schools on and near the river to explore its significance to their lives through prose, poetry and illustration, the best of which were published annually and distributed to schools.  Often the project was the focus of the curriculum for the school for the year.  While Special Forever is no longer happening, many of the units of work that evolved from it are available via Scootle including River Highways (R11373), A Sense of Place R11374, A Sense of Time R11379 and a host of other resources that would be the perfect accompaniment to this wonderful book.

Because this river is so important to this nation’s history and geography, On the River belongs in every library collection – not just those of those who live on the river.  It is a book that needed to be written and Roland Harvey the perfect person to do it.

A superb addition to Australia: Story Country for all the stories it has to tell – and even more to add if you invite your students to tell theirs.

This Girl That Girl

This Girl That Girl

This Girl That Girl

 

 

 

 

 

 

 

 

This Girl That Girl

Charlotte Lance

Allen & Unwin, 2016

32pp., hbk., RRP $A24.99

9781760291709

This is this girl, and that is that girl. This girl likes to do things like this, and that girl likes to do things like that. Neighbours who are so different  – one demure, the other eccentric; one tidy, the other messy; one domesticated; one not so much. And each has a dad who is the opposite to who they are and each lives in a house that is not what you would expect. Miss Prim and Proper lives in a wacky colourful house complete with slides and rope bridges and a falling-down fence, while Miss Wild and Free lives in an orderly, symmetrical home reminiscent of a formal English mansion enclosed by a walled garden.  Are they SO different that they can never be friends – or are the similarities that unite stronger that the differences which divide?  The answer comes when both dads decide to build a treehouse – with the help of their respective daughters…

Vignettes on each page provide insights into the characters of each girl (and the patience of their fathers) and no doubt readers will recognise themselves in some of them and wish they could be like one or the other.

Author and illustrator Charlotte Lance says that the story was inspired by her two sons who are so different but regardless, they each get to where they need to be even if the route is different.  But before I read the publisher’s blurb, as I read the story I was thinking that they were one and the same girl, each with an inner personality trying to break through.  Did Miss Prim and Proper really, deep within, want to be Miss Wild and Free and vice versa? Or were they two separate girls determined to break free of their fathers’ influence by being the opposite of them?  Perhaps those questions are way too deep for the intended audience of young readers but I do like books that pose such philosophical questions that can be explored and take the reader’s thinking to a deeper level. 

Perhaps it’s just a fun story told in minimal text but maximum colour and movement about how personalities and talents can combine to produce a similar outcome – that despite the particular pathway we take, co-operation, collaboration and determination will deliver us to our destination.  And that there is no right way or wrong way, no better or worse – just different. The ultimate message is the total love between father and daughter and their unquestioning acceptance of each other for who they are, even if it’s not quite the same as them.  That has to be good.

Go Home, Cheeky Animals

Go Home, Cheeky Animals

  Go Home, Cheeky Animals

 

 

 

 

 

 

 

 

Go Home, Cheeky Animals

Johanna Bell

Dion Beasley

Allen & Unwin, 2016

32pp., hbk., RRP $A24.99
9781760291655

In the Northern Territory is the remote indigenous community of Canteen Creek, a tiny settlement that seems to have more dogs than people.  Grandpa feeds them so they like his house best and even when Mum tries to shoo them away, he tells her to let them stay because they keep the cheeky animals away.  For, as the weather works through its annual cycle of big rains, the sweaty season, the cool winds, the drying grass and the dry soaks a gang of goats, a drove of donkeys, a herd of horses, a bunch of buffaloes, even a caravan of camels invade the little town one after the other making life awkward.  Nothing seems to deter them – not Dad’s flapping arms; not Uncle’s stamping foot; not Aunty’s big stick; not even sister’s thong and certainly not the horde of cheeky dogs – who just lie there despite Grandpa’s beliefs!  Until the big rains come again…

This is an unusual book that has a fascinating back story  The most striking aspect is the illustrations which look like they have been done by someone the age of the intended audience, and that in itself will appeal because young children love that their style is validated in a “real book”.  So often they dismiss their efforts because they don’t look like “book pictures” or the “real thing” so to have illustrations that they themselves could have done will draw them into the story.  A bit of research though indicates that the artist, Dion Beasley, was born with multiple disabilities – profoundly deaf and with muscular dystrophy – and the whole book is testament to celebrating the diversity of abilities that people have, focusing on what they can do, not what they can’t. It would be perfect as the centrepiece for the International Day of People with a Disability on December 3 and Don’t Dis My Ability 

But illustrations do not necessarily a story make, and the text, too, is fascinating as it cycles through the seasons in a land that we all live in but most are so unfamiliar with.  The northern climate is so different from the four distinct seasons that we southerners experience and the changes on the landscape are subtle but profound so as well as being introduced to the feral animals of the north, the reader is also taken on a journey that is in sharp contrast to what most would be familiar with. Right there is the kernel of an investigation that could stretch across year levels and even countries.

In the bio blurb, Johanna Bell says that working with Dion has changed the way she sees the world and tells stories.  In the hands of an informed, imaginative teacher this book could have a similar impact on our students.  Perfect for Australia: Story Country.

A peek inside...

A peek inside…