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There Is No Big Bad Wolf In This Story

There Is No Big Bad Wolf In This Story

There Is No Big Bad Wolf In This Story

 

 

 

 

 

 

 

 

 

 

There Is No Big Bad Wolf In This Story

Lou Carter

Deborah Allwright

Bloomsbury, 2021

32pp., pbk., RRP $A14.99

9781526608161

The Big Bad Wolf is late AGAIN and is ruining stories as he rushes through the forest to Grandma’s house. When the Three Little Pigs get seriously grumpy AGAIN, Wolf tells them he’s had ENOUGH. There will be no more HUFFING and PUFFING from this Big Bad Wolf. The fairytale characters aren’t worried – they can totally manage without him!

But Big Bad Wolfing is harder than it looks … And what happens when they realise that they really need a Big Bad Wolf in this story.

Like its predecessor, There is No Dragon in this Story, this is another charming romp through Fairytale Land, this time The Three Little Pigs and Little Red Riding Hood, particularly, with some other familiar characters thrown in.  This is more for readers who are familiar with the original tales and characters that are commonly found in fairytales as that will help them appreciate the nuances of the story and its irony. Would the little pigs really want their houses blown down and would the wolf really want to end up in the pot each time? There is also a subtle message about taking others for granted and working as a team that threads its way through  and it offers an introduction to investigating the role of the ‘villain’ in these sorts of stories, as well as the original didactic purpose of the genre itself.  On an even deeper level, some could consider whether stories such as The Three Little Pigs and Little Red Riding Hood colour a person’s perceptions of the wolf from a young age leading to situations like those of Fourteen Wolves allowing for real differentiation of the curriculum through one apparently simple book.

Nevertheless, even without the maturity to view the story through those lenses, this is one that little ones will enjoy because of its familiar characters, bright illustrations and fast-paced action. But I’m glad it allowed me to dig deeper for possibilities, as all quality picture books do. 

Goldilocks: Wanted Dead or Alive

Goldilocks: Wanted Dead or Alive

Goldilocks: Wanted Dead or Alive

 

 

 

 

 

 

 

 

 

 

Goldilocks: Wanted Dead or Alive

Chris Colfer

Jon Proctor

Little Brown, 2021

330pp., pbk., RRP $A22.99

9781510202504

When we first meet her in The Land of Stories: The Wishing Spell, Goldilocks is a beautiful and tough-as-nails outlaw. In this brand new, lushly illustrated full-colour graphic novel, readers learn her origin story as she takes you on adventures where she may or may not break a few laws along the way.

Once upon a time, the kingdoms of the fairy-tale world lived in perfect harmony under the guidance of the Happily Ever After Assembly. But not all creatures and territories have been invited to this peaceful union. Monsters and criminals have found refuge in the Dwarf Forests, a land without rulers or law. When a plot by the Charming brothers is unveiled and threatens to push society’s unwanted from their homes, the fairy-tale world’s harmony and Goldilocks’ home are put in jeopardy…

Not being able to read graphic novels (not even comics as a child) I drew on the wisdom of my colleagues for advice about the suitability of this book and series for those in the target parameters of this blog and I was assured that it would be very suitable for mature independent readers at the upper end of its reach, so late Year 3 and beyond.  The series features on the NSW Premier’s Reading Challenge for Years 5 and 6  and when I mentioned it to Miss 10, she immediately said, “Save it for me, Grandma.” (The series is now heading for her Santa Sack.)

I love when one book leads to so many more that can satisfy our readers, particularly at a time when reading will be filling many hours. 

Shockingly Good Stories

Shockingly Good Stories

Shockingly Good Stories

 

 

 

 

 

 

 

 

 

 

Shockingly Good Stories

R. A. Spratt

Puffin Books, 2021

240pp/. pbk., RRP $A19.99

9781761043376

Begin a collection of short stories with the foreword…

This collection of short stories was created to be shared during a challenging time. They were written to be read aloud, preferably in silly voices. So be brave, set dignity aside and go for it.”

Couple that with tips like inserting family members into the roles of the wicked and the weird to personalise the stories and adding in a shouted BOOM or KAPOW deliberately to startle the child so they don’t fall asleep before the end and you know this will be collection that will engage and entertain,  But better still, have the creator of the stories be the same person behind such memorable characters as Nanny Piggins, Friday Barnes and the Peski Kids   and immediately you are building anticipation  for a fun family reading time. 

Fractured fairytales, new adventures with Friday Barnes and a host of other weird and wacky adventures make this a great collection to share and there is also a collection of 75 stories on Spratt’s Spotify channel. Details are on her website.

And having shared and laughed your way through all the tales, the backword encourages the reader to make up some “outrageously silly and unbelievably wild’ stories of their own, even providing a blank page to get them started!!!

Good Question

Good Question

Good Question

 

 

 

 

 

 

 

 

 

Good Question

Sue Whiting

Annie White

Walker, 2020

32pp., hbk., RRP $A24.99

9781760650841

Remember the story of Henny Penny, Ducky Lucky and their mates who were on their way to tell the King that the sky was falling when they met up with Fox? Well, this is the story behind the story that explains just how Fox came to be in the right place at the right time to get himself something to fill his empty tummy.

There is a hint on the front endpapers that there is more to this story than meets the eye with a number of familiar fairytale characters in the woods, although the main story starts with Fox high in a tree talking to the reader and ready to explain why he is there.  It’s an intriguing tale of cause and effect that takes the reader back through his frustrating day told in a monologue that engages the  reader and makes them want to turn the page.  How do all those characters fit in to one story?

Accompanied by action-packed illustrations that enrich Fox’s narrative in the best way, there is a repetitive refrain that drives the story on until we are back to why Fox is up the tree.  And what happens then? Good question.  I thought you’d never ask.  And to discover the answer you have to look closely and follow right to the final endpages.

As well as being a most entertaining story, this has so much potential to be a model for a class or individual story.  The great storytellers always say they start with the end in mind – they know where their main character is going to finish up and then it’s a matter of working backwards to untangle how that happens and how they got there.  So the story end becomes the story start. Younger writers might all start with the same stimulus of a particular picture that has a character in an unusual situation and track the story backwards, offering the potential for a class book of imaginative interpretations while older students might choose their own character and situation.

This really deserves its place as a CBCA Picture Book of the Year Notable for 2021.

Cinders and Sparks (series)

Cinders and Sparks (series)

Cinders and Sparks (series)

 

 

 

 

 

 

 

Cinders and Sparks (series)

Magic at Midnight

 9780008292119

Fairies in the Forest

9780008292140

Goblins and Gold

9780008292171

Lindsay Kelk

Pippa Curnick

HarperCollins, 2019-2020

176pp., pbk., RRP $A12.99

Cinders lives a boring life with her selfish stepsisters and mean stepmother, doing the chores and tending to their every need, just like her traditional counterpart.  While they prefer to stay indoors all day listening to their mother read, Cinders would dearly love to be outside playing and although they can’t see the value of that she is allowed to do so once her chores are completed.  But something strange happens while she is outside –  her dog Sparks starts talking to her, her wishes start coming true and her fairy godmother, Brian, materialises.  (It’s been hard to track Cinders down because she is not on social media.)

And so begins a new series for young independent girls who are ready for a solid adventure story but still believe in magic and the characters of their childhood.  Easy to read, engaging and funny in parts,familiar characters and an ongoing quest make this a great read but at the same time, it has an underlying message that celebrates diversity and reaffirms that it is OK to be different. 

Miss 9 asked for The Worst Witch series for her birthday six weeks ago, and she is going to be thrilled when she discovers this series in her letterbox as a follow up because it will be perfect for her.  Thoroughly modern, thoroughly entertaining and just right for a winter read.

 

Bold Tales for Brave-hearted Boys

Bold Tales for Brave-hearted Boys

Bold Tales for Brave-hearted Boys

 

 

 

 

 

 

 

 

 

 

Bold Tales for Brave-hearted Boys

Susannah McFarlane

Allen & Unwin, 2019

128pp., hbk., RRP $A24.99

9781760524715

“Bold: typically describes one who is willing to take risks; who is brave in heart as well as deed.”

In this new collection of rewritten, remastered fairy tales featuring  Jack and the BeanstalkHansel and GretelThe Emperor’s New Clothes and Prince Leo and the Sleeping Princess, Susannah McFarlane  editor of Stuff Happens one of my favourite series for boys,  shows that there is more to brave than brawn and bravado slaying dragons and rescuing damsels in distress. It’s about doing what’s right, being clever and honest, that how you do something is as important as what you do.

Illustrated by Simon Howe, Matt Huynh, Louie Joyce and Brenton McKenna, four of our leading illustrators, in a style that takes the book beyond the realm of the cutsey, Disneyfied fairytale, it is the perfect companion to Fairytales for Feisty Girls which turns  Rapunzel, Little Red Riding Hood, Cinderella and Thumbelina around to meet the demands of the modern young lady. 

Designed for independent readers in novel format with chapters within each story, it is ideal for re-engaging young students with the traditional tales of childhood literature and start discussions about how things change over time to meet the needs of the audience – these are indeed a long way from the didactic tales of Grimm et al whose purpose was to scare little ones into doing the right thing because of the dire consequences that awaited if they didn’t. 

 

 

 

Who’s Afraid of the Quite Nice Wolf?

Who's Afraid of the Quite Nice Wolf?

Who’s Afraid of the Quite Nice Wolf?

 

 

 

 

 

 

 

 

 

Who’s Afraid of the Quite Nice Wolf?

Kitty Black

Laura Wood

New Frontier, 2019

32pp., hbk., RRP $A24.99

9781925594706

Unlike the not-nice wolf pack he lived with, Wilfred was a quite-nice wolf, who, instead of eating rabbits they captured, he preferred to help them! Rather than being a carnivore, he was a vegetarian much to the disgust of his wolf-pack brothers. So when they propose to raid the local herd of sheep, Wilfred is not only alarmed but feels he must do something…

Given a new meaning to “a wolf in sheep’s clothing”, this is an hilarious romp that will engage young readers from cover to endpaper, as it celebrates the courage of the individual to be true to themselves and who they are rather than give into the pack and peer pressure. How hard was it for Wilfred to “betray” the leader of the pack?  But it could also spark discussions about stereotypes and the perceptions we hold about people and creatures because of our experiences or what we have been told, and perhaps encourage broader investigations. Stories that work well as entertainment, as this does, are fabulous but those that make the mind probe a little deeper, see the world through different eyes and perhaps hear a different tune are even better.  This is one of those.

I Am So Clever

I Am So Clever

I Am So Clever

 

 

 

 

 

 

 

 

 

 

I Am So Clever

Marcos Ramos

Gecko Press, 2019

48pp., hbk., RRP $A27.99

9781776572489

Little Red Riding Hood is on her way through the woods to Grandma’s house when she encounters the wolf.  Thinking that his dinner will be delightful with Grandmother for the main course and a little raspberry for dessert, he persuades Little Red Riding Hood to pick some flowers while he races off to Grandma’s house.  But she is not there – all he finds is her pink frilly nightie and nightcap.  

So he decides to change his plans – and that’s where the story goes off-piste into a well-fractured fairytale that features a whole cast of characters from the Land of Fairytales. Readers who are familiar with the original tale will appreciate the twists in this one and its unlikely ending. 

Written by respected Belgian author Mario Ramos, this is a companion to I am so Strong and I am so Handsome, both featuring the hapless wolf in encounters with favourite fairytale characters.

Baaa Baa Black Sheep, The Fleeced Fleece (Nursery Crimes: Case 1)

Baaa Baa Black Sheep, The Fleeced Fleece

Baaa Baa Black Sheep, The Fleeced Fleece

 

 

 

 

 

 

 

 

Baaa Baa Black Sheep, The Fleeced Fleece

John Barwick

Dave Atze

Big Sky, 2019

120pp., pbk., RRP $A12.99

9781925675993

Sheep go to a lot of trouble to grow their wool to keep themselves warm, but as soon as it gets to a certain length the farmer shears it off and sells it, often making a lot of money for it, particularly if it is black like Baaa Baa’s. Surrounded by high fences, spotlights and video cameras so neither she nor her wool could be stolen, Baaa Baa was fed the best food and was shorn twice a year whereas her lighter cousins were only shorn once. Once shorn the wool was stored in a closely-monitored control centre with television surveillance so it is certainly precious. So when Farmer Fred sells one of the three precious bags to the local headmaster, another to Dame Horrida and the third to Theodore Thumpnose, the local bully, when he could have got much for it at the wool market, suspicions are raised….

This is the first of seven stories investigating the crimes in the nursery rhymes that little ones hear so often. Told in an interesting style where the narrator and an imaginary reader engage in a conversation, as  though the narrator is anticipating the questions a real reader might ask, it is engaging and different and designed to appeal to the newly-independent reader who is ready to move on but would still benefit from the familiarity of known characters.  It is reminiscent of the fractured fairytale format where something well-known is turned on its head and examined more closely, told from a different perspective and raises issues that might not otherwise have been thought about. 

Cleverly illustrated by David Atze that takes it out of the realm of the usual cutsie graphics of nursery rhymes, this is fun and perfect for those who like something out of left-field.

Beware the Deep Dark Forest

Beware the Deep Dark Forest

Beware the Deep Dark Forest

 

 

 

 

 

 

 

 

 

 

Beware the Deep Dark Forest

Sue Whiting

Anne White

Walker Books, 2018

32pp., hbk., RRP $A24.99

9781742032344

People say that the deep dark forest is thick with danger – carnivorous plants and venomous snakes are just two of its threats – but when Rosie’s little pup Tinky runs into it, she knows she has to face its fearful reputation and rescue him.  Despite the strange noises that made her knees wobble and made her eyes as round as the moon, she put her brave on and in she went, going further and further into the unknown, calling for Tinky.  But then she came across something worse than a venomous snake or a carnivorous plant…

Echoing the perils that heroes have to encounter in traditional fairy tales and illustrated in a style that brings the creepy scariness of the woods to life, this is a story for young readers who like a bit of tension in their tales but no so scary that it can’t be a bedtime read.  There is plenty of scope for the young reader to predict what could be scarier than a venomous snake or a carnivorous plant or how Rosie might cross the “dizzily, dangerously, dreadfully, deep ravine”, encouraging them to let their imaginations roam and reveal a little of their own fears.

As well as immersing themselves in the stunning illustrations which add the atmosphere as well as the detail, they can explore the meaning of the vocabulary which certainly doesn’t talk down to them.  Knowing what words like ‘venomous’ and ‘carnivorous’ mean and investigating why animals and plants have such mechanisms can be very empowering, like being able to say the names of the dinosaurs.  And having them put themselves in Rosie’s shows as she encounters the problem of the ravine enables them to be active listeners rather than passive participants while being Rosie and shouting at the troll would just be pure fun! So much scope for follow-up activities too!

Stories that engage and involve readers so they become part of the action are my favourites – this would be one of those.