The calling of Jackdaw Hollow

The calling of Jackdaw Hollow

The Calling of Jackdaw Hollow

 

 

 

 

 

 

 

 

 

 

The Calling of Jackdaw Hollow

Kate Gordon

UQP, 2022

208pp., pbk., RRP $A14.99

9780702263484

When Jackdaw Crow is found underneath an apple tree, orphaned as a tiny baby by a lightning strike, he is taken to Direleafe Hall, where its principal Mrs Beekman, raises him as her own son.  But for all that he is loved and cherished, Jackdaw, as the only boy in that school for girls,  never feels quite content as he feels there is something missing in his life, comfortable though it is.  

Then he overhears a conversation between two of the kitchen girls, one saying that he was responsible for the death of his parents for if he hadn’t been such a crier, they would never have taken him outside to see the storm that killed them; but it is the words of Angharad that ‘clung to his soul’ – “How can a baby, brand new and pure, be blamed for anything? A baby ain’t done nothing yet. A baby has no dreams or calling…” 

And so he sets out to find his calling, the reason he was spared when his parents weren’t.  But when he befriends Angeline, a wildling girl who knows her destiny lies with the circus, he ignores the wisdom of the ghosts of Nell, Florence and Lucy and tries to save her from the brutal Mrs Bristleroad, even though Angeline is determined to save herself – that is her calling- he goes too far and loses sight of what’s most important.

This is the third  in this intriguing trilogy which includes The Heartsong of Wonder Quinn and The Ballad of Melodie Rose both of which also incorporate the themes of lost, lonely souls seeking friendships, struggling with who they are and their reason for being but learning to remain true to themselves regardless, (familiar themes for the readers who face the same issues), but whether it is the beginning or the end of the sequence depends on how you interpret the powerful epilogue which draws the circle together. 

As with its companions, Gordon’s evocative language and phrasing draws the reader in to this other-worldly experience, even those like me who are not particular fans of this genre, and there is much wisdom and food for thought between and beyond the lines, as well as along them.  I loved Wonder Quinn so much that I kept it and now I have all three to pass on to both Miss Almost 16 and Miss Just 11 because I think that each of them, despite being different in both age and taste, will thoroughly enjoy them.  Just as it is a timeless piece of writing, so it is a timeless read.  

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