Archive | July 2019

Playing with Collage

Playing with Collage

Playing with Collage

 

 

 

 

 

 

 

Playing with Collage

Jeannie Baker

Walker Books, 2019

40pp., hbk., RRP $A27.99

9781406378665

On the surface, this looks like a how-to guide to creating illustrations using collage, a technique defined by the Oxford Dictionary as “A piece of art made by sticking various different materials such as photographs and pieces of paper or fabric on to a backing”.  Created by Jeannie Baker whose collage masterpieces have fascinated readers in all her works including Where the Forest Meets the Sea and Window, the reader is led through various sections that explore and explain such things as the tools to be used, the materials that lend themselves to being used and even a page that challenges the reader to identify a variety of those materials.

But to me, its power lies in its introduction. Ms Baker shares how even examining paint that has dried and weathered fascinated her, and how its cracks and layers told her so much about the story of the object it was adhered to.  Each was another story in its history and made her curious and she would carefully collect a piece to add to other pieces that would help tell a similar story. She finds the materials for her work everywhere, both natural and manmade, and she has become more and more observant of the things that make up this world and how they can be used together to create something new and equally wondrous.  And as she says, the purpose of the book is to inspire the reader to be and do the same – to look more closely, to discover “secrets and gems”, to think about them beyond their original purpose or state, and to create more and different magic with them.

As young children move through the natural stages of creating pictures, they get to one where their creation must be lifelike and when it doesn’t meet their expectations, that’s where their artistic abilities stall.  They are so dissatisfied with their efforts they tell themselves they can’t draw and the negative self-talk takes over.  But, as Ms Baker points out, “When you work in abstract, you don’t have to worry about how things ‘should’ be done -it allows for you to be far more creative and free. There are no right or wrong answers: nothing is ‘bad, just trust your instincts and PLAY!”

By offering the reader ideas for starting their own collage and sharing samples of her work by putting the individual found pieces into a pleasing arrangement, this book should kickstart those who have stalled off in a new direction, encouraging them to pay closer attention to the shapes, colours and textures of the world around them, as well as sending them back to Baker’s earlier works  to examine them in closer detail.

In the breakneck speed that our children seem to lead their lives, anything that gives them cause to pause, stop, look and wonder, perhaps even create, has to be a positive influence. There is tremendous scope to use this as the centrepiece of a group activity in the library, with children invited to bring in suitable materials and arrange them in interesting ways – rather like the group jigsaw but much more creative because there is no “right way.” Get started with the Teachers Resource Kit and worksheets.

She also talks to the ABC about her long career, her love of collage and her passion for the environment here.

 

Miss Franklin: How Miles Franklin’s brilliant career began

Miss Franklin: How Miles Franklin's brilliant career began

Miss Franklin: How Miles Franklin’s brilliant career began

 

 

 

 

 

 

 

 

 

Miss Franklin: How Miles Franklin’s brilliant career began

Libby Hathorn

Phil Lesnie

Lothian Children’s, 2019

32pp., hbk., RRP $A26.99

9780734417879

Imp is a wild child, roaming the paddocks of the farm where Miss Franklin is employed as governess to the Davis children. Disdained by them as a “real naughty girl” they have been warned by their mother to keep away from her, although Florrie has struck up a friendship of sorts, and dismissive of learning to read and write as a “waste of time”, nevertheless she continues to hang around the schoolhouse and gradually a trust builds between her and Miss Franklin.

Miss Franklin, who had taken the job to help her family out of financial difficulties, has bigger dreams than being a governess, and when she eventually confesses these to Imp, Imp gives her some advice that changes her path and her life forever.

Written about Miles Franklin, author of My Brilliant Career,  and namesake of two major literary prizes, this not only shines a light on the author’s early life but demonstrates how famous people start out as very ordinary and it can be just chance that sets them on their path to fulfil their dreams. And while most of us have dreams, sometimes it’s the most unlikely thing that gives us the impetus to pursue them and the courage and determination to make them come true.  Even though Imp’s dream was nowhere near as grand as that of Miss Franklin, she too was able to take the first steps towards achieving it. The endpapers tell her story! So as much as Libby Hathorn and Phil Lesnie have captured Miss Franklin’s story, it is also an encouragement to anyone to take and chance and chase what they want. 

 

 

 

 

 

Detention

Detention

Detention

 

 

 

 

 

 

 

Detention

Tristan Bancks

Puffin, 2019

240pp., pbk., RRP $A16.99

9780143791799

Sima and her family are pressed to the rough, cold ground among fifty others. They lie next to the tall fence designed to keep them in. The wires are cut one by one. 

When they make their escape, a guard raises the alarm. Shouting, smoke bombs, people tackled to the ground. In the chaos Sima loses her parents. 

Dad told her to run, so she does, hiding in a school and triggering a lockdown. A boy, Dan, finds her hiding in the toilet block. 

What should he do? Help her? Dob her in? She’s breaking the law, but is it right to lock kids up? And if he helps, should Sima trust him? Or run?

Whatever decisions are made will change their lives forever.

With the rise and spread of nationalist, right-wing conservative governments around the globe, xenophobia is alive and well in communities and countries around the world. In Australia it is always a hot topic particularly around election time and especially since former prime minister John Howard declared, “It’s about this nation saying to the world we are a generous open hearted people, taking more refugees on a per capita basis than any nation except Canada, we have a proud record of welcoming people from 140 different nations. But we will decide who comes to this country and the circumstances in which they come” in an election speech just weeks after the attacks on the World Trade Centre buildings in 2001.

Having just had another federal election with the rhetoric of asylum seekers, detention centres and people’s rights claiming a lot of media space and votes, this new book from Tristan Bancks is very timely. In it, through the students in the Reading Superstars class and their teacher Miss Aston, he asks the questions that need to be considered about the plight of refugees, particularly as much of what the children say is the echo of their parents’ perspectives. Bancks says he has tried to tell the story as “a human one, rather than a political one” and he has achieved this as the reader becomes very invested in the plights of Simi and Dan and constantly wonders what would they do if they were either of those characters.

In my opinion, the greatest power of this book is in the hands of a class teacher reading it aloud and discussing the issues as Miss Aston does while she and her charges are in lockdown. That way, a range of points of view can be explored and explained, taking the story to a whole new level, rather than being an individual read that throws up questions but for which the reader doesn’t seek answers. And that teacher should be prepared to answer the inevitable, “What would you do if you were Miss Aston?”

Books for this age group are rarely the focus of reviews on this blog, but I believe that this is such an essential read as part of any study about migration and refugees, it deserves all the publicity it can get. Superb.

 

 

The Boy in the Big Blue Glasses

The Boy in the Big Blue Glasses

The Boy in the Big Blue Glasses

 

 

 

 

 

 

 

 

The Boy in the Big Blue Glasses

Susanne Gervay

Marjorie Crosby-Fairall

EK Books, 2019

32pp., hbk., RRP $A24.99

9781925335996

Superhero Sam has had to get glasses – big blue ones – but he doesn’t like them. They make his ears hurt and even though, his well-meaning parents and  grandparents and even his teacher say he looks handsome in them, he hates that.  It’s as though it’s all about his glasses and he, himself, is invisible. They make such a fuss about this new superhero, it’s as though they’ve forgotten the old superhero he was before.  

His best friend George still knows him and plays with him though, but then the day comes when George is not at school and the other children start to make fun of him…

Every now and then you pick up a story that really resonates with you and Sam was me 60+ years ago, my son 40 years ago and my granddaughter seven years ago.  Each of us had to go through the trauma of appearing in public wearing glasses, and despite the well-intended comments of others, it’s tricky to know who you are when you don’t recognise yourself in the mirror but you know you are still you inside.

Sam is just one of hundreds of other kids who face this situation, and author Susanne Gervay is well-known for taking those everyday but confronting situations and putting them into the spotlight so the extraordinary becomes ordinary, and inspiring hope for happiness ahead.  No one likes to be different when they are little and wearing glasses seems like a huge placard that tells others you are not 100% perfect and that somehow you are less than the other children in your class.  Yet inside you know you are just the same person you were the day before when you didn’t have glasses.

Superbly and sensitively illustrated, this is a book that not only belongs in any collection for young readers and which should be actively promoted because so many children will see it as a mirror and learn to love reading even more as they read about themselves. Others might see it as a window and begin to understand how self-conscious Sam and others feel and how they can be more empathetic, rather than unkind like the children in the story who call Sam “googly-eyes” and “pufferfish”. It might even be an opportunity to  explore other “disabilities” and the sorts of ways that science and technology can now assist in overcoming them comparing the advances to the days when no such help was available and life became a misery. 

Excellent, down-to-earth, and one for everyone, glasses or not!