I Hear a Búho

I Hear a Búho

I Hear a Búho

 

 

 

 

 

 

 

 

 

 

I Hear a Búho

Raquel Mackay

Armando Fonseca

Scribble Kids, 2024

32pp., hbk., RRP $A24.99

9781761380495

As night falls, a  mother and daughter snuggle together in a hammock on their porch, and listen to the sounds of the night. The young girl makes animal calls and her mother responds, identifying the creatures in Spanish while the striking illustrations identify them for those who don’t speak that language. Then to their surprise a real búho appears and flies across the night sky.

When she was little, Ms Almost-18 and I drove regularly between Canberra and Cooma and on the way she would delight in teaching me the Spanish words that she learned from watching Dora the Explorer and took even more delight in the words she knew and which I didn’t (and I had to guess from her clues).  Children are fascinated by other languages and so this new book, the first bilingual text from this publisher, not only gives young Spanish-speaking readers the buzz of seeing their language celebrated in a book but also offers non-Spanish speakers some new words to add to their vocabularies so they, too, can baffle their elders.

I recently gave another bilingual book to a friend teaching a couple of Italian-speaking children and she told me that the doors it opened and the bridges it built between school and home were remarkable as the whole family got involved in sharing it, so we should never underestimate the power of acknowledging the languages spoken by our children and demonstrating to parents that we do this.  The animals that are featured in this seemingly simple rhyming story are a dog, cat, frog and owl, so how inclusive would it be if we invited all students to teach us what their words for these creatures are, and then extend that to teaching us their words for other creatures that we see around us in the local environment, or for the sounds we hear as night falls.  The sights and  sounds of the city are very different to the sights and  sounds of the country.

As with many well-written picture books that appear at first glance to be for the very young, in the hands of an imaginative teacher they can become powerful teaching tools for all ages, and this one has great potential too.  

The Great Australian Science Book

The Great Australian Science Book

The Great Australian Science Book

 

 

 

 

 

 

 

 

 

 

The Great Australian Science Book

Prof. Luke O’Neill

Linda Fährlin

CSIRO Publishing, 2024

96pp., hbk., RRP $A29.99

9781486316595

“Science is a small word for a really big thing”.   And it starts with a question like “how far away is the sun and why is it so hot” and then continues with an idea that might provide the answer, an experiment to see if the idea might be possible and then a theory that explains what we were wondering about in the first place.  Then the theory is tested and tested and tested, maybe challenged and changed until it is confirmed and an answer revealed.  

For some younger students, the concept of science might be overwhelming but as they make their way through this book specifically written for the Australian and New Zealand market, and addressed directly at the reader, they will realise that they too can think like a scientist and start to make sense of their world.  Covering topics spanning The Universe, Planet Earth, The Human Body, and The Very Small as well as a timeline of major discoveries it answers many of the questions that vex young minds in manageable chunks using accessible language and lots of illustrations. It includes  how Australia has made huge contributions to science and offers a few experiments for the reader to undertake as they learn to think like a scientist.

There are any number of books introducing young readers to these basic topics that capture their curiosity, but because this one emphasises that need to be a creative and critical thinker (and even sums those steps up in a graphic)  it is unique.  There are teachers’ notes available to use the book as the basis for a science program but it is probably more useful as a dip-and-delve book for the individual to follow their curiosity and their questions arise. 

Dexter Lost His Boo-Woo

Dexter Lost His Boo-Woo

Dexter Lost His Boo-Woo

 

 

 

 

 

 

 

 

 

 

Dexter Lost His Boo-Woo

Shane Hegarty

Ben Mantle

Hodder Children’s, 2024

32pp., hbk., RRP $A26.99

9781444966350 

HELP! Dexter’s lost his Boo-Woo.

It’s a scary sounding beast! It has fiery eyes and floppy ears, and twenty pointy teeth!

Soon the whole town is on the hunt for the Boo-Woo… police officers, firefighters and so many more join in the search, each getting more and more concerned as Dexter describes the Boo-Woo.  They are very relieved when they find it,  but have they?

At first glance, this is a story written in fast-paced rhyme for very young children about finding something precious that has been lost and the emotions that that engenders, but it has the potential to be so much more because as the locals join the search, Dexter adds more and more information building up the picture of what his Boo-Woo looks like.  So much like The Dudgeon is Coming, young students can build group or individual pictures adding features as they are revealed, particularly if the first reading of the story is read aloud without showing the illustrator’s interpretation of the words (wrap the cover in brown paper) so the listeners really have to engage with the text as each new detail is revealed.  

It not only provides an excellent opportunity to focus on description and descriptors which will enrich their own writing, but also on perception because each drawing will be different and none will be the same as that of Ben Mantle.  You can talk about how our experiences shape our mind’s eye, and perhaps even introduce the classic poem, The Blind Men and the Elephant by John Godfrey Saxe. Extend the experience by having them draw the king in The King’s Breakfast by A. A. Milne, Dahl’s BFG as he walks down the street blowing dreams through the windows, or even Gandalf’s first meeting with Bilbo Baggins in The Hobbit. Each has a description that lends itself to be interpreted in a graphic and because each of us interprets what we see and hear differently can lead to discussions about perception, what is truth and how it is shaped by our beliefs, values and even our role in an incident.   

But to be able to hang such a series of lessons on a story, you first need an engaging story that appeals to its audience on the surface, and Dexter and his Boo-Woo is certainly that, with the ending lending itself to even more possibilities!  

‘Twas the Night Before Pride

'Twas the Night Before Pride

‘Twas the Night Before Pride

 

 

 

 

 

 

 

 

 

 

Twas the Night Before Pride

Joanna McClintick

Juana Media

Walker Books, 2023

32pp., pbk., RRP $A16.99

9781529512502

 On the night before Pride, families everywhere are preparing to take part in this special parade celebrating gender diversity and honouring those in the LBGTQ+ community who fought against injustice and inequality. As one family packs snacks and makes signs, an older sibling shares the importance of the parade with the newest member of the family. Reflecting on the day, the siblings agree that the best thing about Pride is getting to be yourself.

This book has been sitting on my shelf waiting for the right opportunity to review it, and that seemed to present itself in the last week or two. Firstly, there was a conversation with a number of women of a certain age who still seem to believe that gender diversity is an active choice made by the individual and who not only thought it “disgusting” but believed it to be a result of the child’s upbringing and so condemned all those involved, which in this instance, included me.  Secondly, there was a request to a teacher librarian forum for LGBTQIA+ book suggestions for a primary school including how to deal with anticipated parental backlash.  So clearly there remains a need to continually educate and advocate for those who don’t fit the accepted norm, and the lines from the story

It sometimes happens we’re not given respect. It can take a long time for some to accept

becomes even more poignant and relevant, especially in light of some of the policies in schools in parts of the US and book bannings in libraries which clearly, some would prefer to have here as well.  

It remains my hope that one day soon that family and gender diversity in stories will not be a cause for comment, let alone a label but until then we need to continue to include books that demonstrate that people are people regardless of who they might share their nights with in our collection so that our young people don’t have the prejudices that are clearly still in our community.  This one, written to the rhythm of “Twas the Night Before Christmas”, although written for a US audience with reference to historical events there, is nevertheless, a worthwhile addition to your collection particularly because of the lines I’ve quoted, and to help our young ones understand the message behind the parade at Mardi Gras.

In the meantime, if you’re looking for appropriate titles, search this blog for LGBTQIA+, check out this list from Walker Books, or this one from Readings, and if you need to explain or defend your position, see how it is dealt with in this sample collection policy and this blog post

Super Sloth: Revenge of the Chick-Oats

Super Sloth: Revenge of the Chick-Oats

Super Sloth: Revenge of the Chick-Oats

 

 

 

 

 

 

 

 

 

 

 

Super Sloth: Revenge of the Chick-Oats

Aleesah Darlison

Cheri Hughes

Big Sky, 2024

140pp., pbk., RRP $A14.99

9781923004948

On a remote itty-bitty island off the coast of Panama there is an itty-bitty community of itty-bitty creatures. And while the rest of these pygmy sloths are content to dwell in the trees and move around “as slow as a rainy winter weekend”, Romeo Fortez, is different.  At his naming ceremony, the heavens do spectacular and amazing things and  Romeo is imbibed with powers of speed, intelligence, and irresistibly hypnotic good looks. As he grows up, Romeo craves speed and adventure and even his parents know that Escudo Island would never be big enough for him. But then he overhears a reference to New York – the city that never sleeps – and he knows that that is where he must be…

In the second episode of this action-packed series for newly independent young readers, ,Romeo’s nemesis, the unhinged Professor Ian Weird-Warp, is at it again. Bent on revenge, he concocts a quirky catastrophe. Mixing chicken and goat genes, he spawns a gang of eccentric chick-oats and they’re on the loose in the Big Apple, destroying everything in their path all the while chanting, ‘Berk-berk-baa!’

As the team faces off against Professor Weird-Warp’s sinister demands for Romeo’s surrender, they must hatch a brilliant plan to thwart the mad professor’s wicked schemes once and for all. Can this unlikely crew save the city from the clutches of the chick-oats?

Apart from being a fun read, it ends with the professor obviously intending more shenanigans so readers might like to have fun imagining what his next mutations might be – firstly it was a shark and a wolf, now chickens and goats so what could be next?  Perhaps they could even draw what they visualise and develop their own story based on what they already know of the resident characters, Weird-Warp’s motivations and their own imaginations.  

Stacey Casey and the Lost City

Stacey Casey and the Lost City

Stacey Casey and the Lost City

 

 

 

 

 

 

 

 

 

 

Stacey Casey and the Lost City

Michael C. Madden

Nancy Bevington

Big Sky, 2024

164pp., pbk., RRP $A14.99

9781922896667

Stacey Casey’s father is a terrible inventor. But now, despite years of failed inventions, he has created a functioning time machine.  But instead of sending him back in time, he turns their entire house into a time machine, transporting everyone and everything in it back into history, although they still have access to parts of 2022 like mobile phones and the internet.

In this, the third episode, while Stacey, her dad and the baby dinosaur have escaped back to 2022 after robbing a bank with Ned Kelly, Oliver was captured by the evil Isla Palmer. But now he has turned up at their home but as an old man…  Travelling back to 1964 to rescue him, and to stop an evil woman from stealing a powerful artifact and taking over the world, Stacey and her friends  take on a dangerous quest that takes them to a place outside of all time and space as they team up with the world’s most famous philosopher, Plato, to explore the lost city of Atlantis. And somehow, they have a dinosaur to return to its mum…

This is a series best read in order so there is continuity of the narrative but it is one that will appeal to those who prefer to go back in time rather than forward for their reading matter.  Atlantis, a mythical island in the Atlantic Ocean born in the imagination of Plato has always held intrigue for many, and this story may even inspire young readers to delve deeper into its origins, opening up new reading horizons.

Where Is the Cat?

Where Is the Cat?

Where Is the Cat?

 

 

 

 

 

 

 

 

 

 

Where Is the Cat?

Eva Eland

Andersen Press, 2024

32pp., hbk., RRP $A25.99

9781839131837

Whenever Suzy visits Auntie, all she wants to do is play with the cat.  But Cat is nowhere to be found, or is he?  No matter where Suzy looks, she can’t find Cat, but is she looking hard enough?

This is a joyous story for very young readers who will enjoy spotting Cat even though Suzy can’t.  They will love joining in to point him out, much like the audience in a pantomime, as well as learning and understanding prepositions like “behind”, “under” and so forth. There is also the opportunity to talk about how the cat, used to a quiet, good life, might feel when confronted by the boisterous, effervescent Suzy.

While it’s a familiar theme, nevertheless these sorts of stories are always enjoyable for our younger readers who like the feelings they have as they engage with the print and pictures, all helping them to enjoy the power of story believe that they can be readers themselves.

Miimi and Buwaarr, Mother and Baby

Miimi and Buwaarr, Mother and Baby

Miimi and Buwaarr, Mother and Baby

 

 

 

 

 

 

 

 

 

 

Miimi and Buwaarr, Mother and Baby

Melissa Greenwood

ABC Books, 2024

24pp., hbk., RRP $A24.99

9780733343018

Being your miimi (mother) is the most precious gift life can give.

When you were born you opened my heart as wide as the ocean.

There is no stronger bond than that between mother and child and using a palette as soft and gentle as the accompanying text,  Gumbaynggir storyteller, artist and designer Melissa Greenwood, has created an ode between mother and newborn that tells the baby of the connections to their family, totems, language and environment both past and present and how they can draw on the characteristics  to guide and protect them through their journey through life. 

While it is a story that echoes the feeling between any mother and newborn. it is expressed in a way that shows the long, strong connections to family, land and culture that reach far into the past of First Nations families.

While it is written in a combination of English and Gumbaynggirr  with a full Gumbaynggirr translation included, at the end, it is nevertheless one that could be in any language spoken in the world, so universal is it message. And as children learn their mother language-its meaning, its rhythm, its expression, its nuances -whatever it is, through listening to it, there is much that they absorb during these personal, precious moments beyond that expression of love. Therefore, these sort of lullabies have a unique place in language learning and should not only be among the gifts given to any new mother but also be the first in the baby’s library, regardless of their heritage..

Tree

Tree

Tree

 

 

 

 

 

 

 

 

 

 

Tree

Claire Saxby

Jess Racklyeft

A & U Children, 2024

28pp., hbk., RRP $A24.99

9781761069505

On a misty mountain morning, just like the one outside my window this morning, the tree stands tall in the forest, high above those that surround it , “older than those who find it, younger than the land it grows from.”

From its roots that gather food and the tiny, feathery threads that connect it to other trees to the tips of it top leaves that reach for the sun and give dappled shade from it, the tree brims with life – both its own and those who seek shelter and food from it.

Known as “the forest giant” as they can soar to a height of more than 100 metres, and sometimes living up to 300 years old, this is the story of a mountain ashEucalyptus regnans – native to the forests of Tasmania and Victoria, born from a seed the size of a pinhead but uniquely designed to be able to push its way through the ash of a bushfire and begin its rapid growth that helps regenerate the scorched land below. 

Just like Iceberg this is another incredible offering from this team of author and illustrator, one that brings to life the life of something so ordinary yet extraordinary  in words and pictures (including an amazing three-page spread) in a way that should be used as a role model for students tasked with research-and-report writing.  Compare “In the layered litter, a a scaly thrush flicks. A lyrebird scritch-scratches. Slaters curl, beetles burrow and centipedes scurry.” to  something like “At the bottom of the tree lots of birds and animals live among the dropped leaves and twigs.” It is the lyricism of Saxby’s language that shines through in all her books and in this case, Racklyeft’s watercolour illustrations put the reader right in with those little inhabitants.

But whether the tree is a magnificent mountain ash, or a humble backyard specimen, this is one that will spark awareness of the value that any tree adds to both the landscape and life itself, and thus needs protection rather than destruction. 

 

When the World Was Soft

When the World Was Soft

When the World Was Soft

 

 

 

 

 

 

 

 

 

 

When the World Was Soft: Yindjibarndi Creation Stories

Juluwarlu Group Aboriginal Corporation
96pp., graphic novel, RRP $A34.99
9781761180651
Yindjibarndi people traditionally lived in the area near the town of Roebourne in the Pilbara region of Western Australia and believe “all creation is written in our landscape and was sung long ago, filling our Ngurra (Country) with sacred meanings and deep religious significance. At the dawn of time, Ngurra Nyujunggamu, the world was soft as clay and the sky was very low. Our Creator, Minkala, sang the songs from which all life and Ngurra evolved.”
Encapsulated in this new publication with dramatic artwork by Alex Mankiewicz  in graphic novel format, including paintings by members of the Juluwarlu Art Group are some of these stories including Ngurra Nyujunggamu – Creation;  Jargurrungu Wangangga Garranyga – Wedgetailed Eagle, Crow and Black Kite; Nyinkara the Stoneman; Jiruna Yuya -Pelican and Quail; Bunggaliyarra – Fallen and Barrimirndi – Water Serpent. Each story not only has deep significance about the origins of the place and its people, but embeds the timelessness of respect and responsibility for the land making it as relevant today as it was for the ancient elders.  And while the characters and their circumstances may vary from other indigenous nations, nevertheless that deep-held connection to Country and the continuity of life is common to all. So although these songlines are of the Yindjibarndi people, there is the opportunity to understand that unique relationship with the land and its inhabitants that all indigenous communities share and perhaps seek out those stories that are unique to the particular part of Country that the reader lives in. 
There are also a number of pages at the back explaining who the Juluwarlu Group is, as well as a glossary of specific cultural words, explanations of the paintings and other relevant information that offers even greater depth and understanding.