Archives

Giants, Trolls, Witches, Beasts – Ten Tales from the Deep, Dark Woods

Giants, Trolls, Witches, Beasts - Ten Tales from the Deep, Dark Woods

Giants, Trolls, Witches, Beasts – Ten Tales from the Deep, Dark Woods

 

 

 

 

 

 

 

 

 

 

Giants, Trolls, Witches, Beasts – Ten Tales from the Deep, Dark Woods

Craig Phillips

Allen & Unwin, 2017

192pp., pbk., RRP $A24.99

9781760113261

Ever since there have been children there has been children’s literature and having children learn lessons about life through this literature has been a constant thread in every culture across the globe.  Since the earliest days of mankind, stories have been created and told from generation to generation not just to explain the unknown but also to inspire better, more mature and moral behaviour in children with dire consequences inflicted by fearful creatures if boundaries were breached.  Didacticism was alive and well with stories featuring giants, trolls, witches, beasts and other fantastic figures achieving amazing things, wreaking havoc, surviving disasters or decreeing punishments so that adults as well as children lived in fear of retribution for misdeeds.

Now, with modern communication and science, while such creatures do not have the power of fear they once had, nevertheless they are still a central part of today’s literature with stories like the Harry Potter series and Game of Thrones commanding huge audiences as well as a continuing fascination for those stories in which the modern have their origins.  But until now, these have been retold and republished in formats that tend to scream “younger readers” and from which those who see themselves as more mature than the “picture book brigade” shy away from regardless of the quality of the content.  So to have ten traditional tales from ten countries brought together in graphic novel format as creator Craig Phillips has done is going to create a buzz of excitement.  Here, in one superbly illustrated volume, are stories featuring giants, trolls, witches and beasts with all their magical powers and chilling feats and universal messages of courage and obedience. that will appeal to those who are fascinated by this genre in a format that will support and sustain their reading.

Phillips has kept his audience in mind as he has drawn – the imaginary creatures are all sufficiently gruesome and grisly so their characters are clear but not so much that they will inspire nightmares. The mix of familiar and unfamiliar characters offers something for each reader to explore and perhaps think about why stories from such diverse origins have such similar themes.  Is there indeed, a moral and ethical code that links humans regardless of their beliefs and circumstance?

One that will appeal to a wide range of readers and deserving of its place among the 2018 CBCA Notables.

 

The Sleeping Beauty – The Australian Ballet

The Sleeping Beauty

The Sleeping Beauty

 

 

 

 

 

 

 

The Sleeping Beauty – The Australian Ballet

David McAllister

Gabriela Tylesova

Little Hare, 2017

40pp., hbk., RRP $A29.99

9781760129934

“From the stage to the page”.

Based on the Australian Ballet’s 2015 production of this iconic ballet in which Creative Director David McAllister wanted to preserve the original choreography by Pepita “while introducing modern pacing and narrative logic” this is a ballet lover’s must-have. 

Following the traditional story with no Disney additions in sight,  the story of Aurora, Carabosse, the Lilac Fairy and the handsome prince is told in simple narrative,  accompanied by the most exquisite illustrations created by Gabriela Tylesova who was also the designer of the stage production. In all the shades of grey and pink all the characters have a magical quality filled with intricate detail that makes their balletic movements jump off the page. You can see the ballet and hear the music, even in the silence of awe.

 

A peek inside...

A peek inside…

 

From the intriguing front cover to the stunning back one, this is a book that will needs to be in the ballet-lover’s collection as well as that of anyone who just likes beautiful things.  It thoroughly deserves its CBCA 2018 Notables nomination.

A Christmas Wish

 

 

 

A Christmas Wish

A Christmas Wish

 

 

 

 

 

 

 

A Christmas Wish

Beatrix Potter

Eleanor Taylor

Puffin, 2017

18pp., board book, RRP $A12.99

9780241291757

It’s Christmas Eve and Peter Rabbit and his sisters are excited, but Peter is worried too. They have all wished for a special present but Peter can’t sleep, and he knows Father Christmas won’t visit if he’s still awake. As the hours drag by anxious Peter hears a little creak here, and a little bump there, so now he’s even less likely to fall asleep, especially as he is convinced each noise must be Santa and he gets up to investigate. Then he decides to sit and gaze at the lights on the Christmas tree…will Santa come while he’s there?

The charm and delight of Beatrix Potter’s tales about Peter Rabbit have endured over decades and this adaptation is no exception.  Perfect for that final sleep on the BIG night, little ones will empathise with Peter as they share his excitement and find it just as tricky to get to sleep it will become a classic part of the annual Christmas Countdown.

.

Cinderella

Cinderella

Cinderella

 

 

 

 

 

 

 

Cinderella

Susanna Davidson

Sara Gianassi

Usborne Pop-Up Fairy Tales, 2017

10pp., pop-up, RRP$A14.99

9781474939553

What do you get when you combine one of the world’s most popular stories – there is a version in almost every culture with 345 of them being documented in 1893 – and the popular format of pop-up pictures?  You get this new version of this age-old tale recreated using the core of Perrault’s text and the most stunning paper engineering that will absolutely delight young readers.  

While maybe not suitable for general circulation through the library, it has its place in a collection of versions of the story that could be compared and contrasted with other versions both those we know and those from other cultures to identify the core elements which appear in each one as well as the central meaning. 

A new look for an old favourite.

The Return of the Jabberwock

The Return of the Jabberwock

The Return of the Jabberwock

 

 

 

 

 

 

 

 

The Return of the Jabberwock

Oakley Graham

David Neale

Big Sky 2017

32pp., pbk., RRP $A14.99

9781925675009

A long time ago, before you were born,

Lived a beast with eyes of flame and horns!

Your great grandfather defeated the Jabberwock beast

And returned home to a magnificent victory feast!

Inspired by his father’s tale and his great grandfather’s feats, the boy decides to go on his own quest to find his own Jabberwock, and so, armed with just a sword and helmet, he ventures into mysterious, gloomy Tulgey Wood where he is confronted by unimaginable monsters almost at every turn!  Monsters with long spidery legs, ugly beaks and toothless smiles, a turtle-like creature with the ears of a hog and the mouth of a shark… Bravely he continues on his quest but his legs turn to jelly when he sees two scary creatures – could these be the legendary Jubjub bird and the ferocious Bandersnatch?   Courageous though he is, when the Jabberwock itself appears, it is too much and the boy flees…

At this time of the year when scary monsters, ghost, witches and other fantastic creatures abound and people carve glaring pumpkin heads to frighten them off, this is the perfect story to send yet a few more tingles up the child’s spine!  With its atmospheric colour palette, the scene is set for an adventure like no other as each of us hopes we would be as brave as the little boy – but acknowledge there are limits. It’s a great opportunity to discuss fears and feelings and help young children understand that fear is not only shared emotion but an innate human response as encapsulated in the “fight or flight” response.  Do I stay or do I not? 

It is also an entry into the work of Lewis Carroll for those who may not have met him before, or who only know Alice in Wonderland through movie interpretations, as the original poem of The Jabberwocky first appeared in Through the Looking-Glass and What Alice Found There, the sequel to  Wonderland.  Considered one of the greatest nonsense poems written in English, Carroll penned the first verse in 1855 and since then its meaning has been discussed and debated.  But it not only confounded Alice…”It seems very pretty,” she said when she had finished it, “but it’s rather hard to understand!” (You see she didn’t like to confess, even to herself, that she couldn’t make it out at all.) “Somehow it seems to fill my head with ideas—only I don’t exactly know what they are! However, somebody killed something: that’s clear, at any rate,” Carroll himself later wrote that he did not know the origins of some of the words.

So while it is something a little different to share this Hallowe’en as those who have not yet been able to leave this  mortal coil wander around seeking their final release, it has application across the ages, across the curriculum and throughout the year. 

It is, indeed, a frabjous day when we find such a rich resource.

Once Upon an ABC

Once Upon an ABC

Once Upon an ABC

 

 

 

 

 

 

 

 

 

Once Upon an ABC

Sophie Masson

Christopher Nielsen

Little Hare, 2017

32pp., hbk., RRP $A24.99

9781760128432

A is for Anansi, both clever and neat,

B is for Brer Rabbit with tar-sticky feet…”

This is a clever romp-in-rhyme through the characters of familiar fairy tales and folktales that will bring back memories of loved stories as well as suggest new ones to explore. Who is Herd Boy?  Why was the Nymph protecting her tree? And why is ‘ugly’ just a disguise?  Perfect for extending children’s reading into traditional tales from a range of countries as they try to match character with story.

But while the illustrations are quirky, I’m not so sure that the target audience is attracted to these muted, retro colours that seem to be so prominent in children’s books at the moment. My experience of 45 years with littlies is that children will view the cover as quite dull and pass it over in favour of something more eye-catching, so that while the text is brilliant it will take an adult’s encouragement to entice the child to explore it.  

Concept is great, presentation not so.

All about Peter

All about Peter

All about Peter

 

 

 

 

 

 

 

 

 

 

All About Peter

Beatrix Potter

Penguin UK, 2017

10pp., board, RRP $A16.99

9780141374758

When Beatrix Potter first wrote about Peter Rabbit for five-year-old Noel Moore, son of Potter’s former governess Annie Carter Moore, in 1893 and then revised it until it was finally published by Frederick Warne in 1902, I wonder if Ms Potter could have imagined that 115 years later it would have been translated into 36 languages and sold over 45 000 000 copies worldwide.  I wonder if all those publishers who rejected it when she first submitted it to them are kicking themselves as yet another incarnation is set to introduce a new generation of little people to the wonderful characters and distinctive illustrations.

Moving away from its iconic appearance as the familiar small white-framed books perfect for little hands, this new version is a Peter Rabbit-shaped board book which introduces Peter in rhyme.  Little ones are introduced to Peter and then invited to join him as he hops, jumps and scampers through the woods with Cousin Benjamin until it’s time for sleep.  It’s the perfect introduction to this endearing and enduring cast of characters for today’s toddlers, getting them ready to meet all Peter’s family and friends and romp through Mr McGregor’s garden and the beautiful British countryside brought to life by Potter’s meticulous and detailed artworks.  

Miss 6 met Peter and his mates when she was still in her cot – now it’s time to pass the baton to Miss 2, the 4th generation of our family to be enchanted.  

Noah’s Ark

Noah's Ark

Noah’s Ark

 

 

 

 

 

 

 

 

 

Noah’s Ark

Charlotte Guillain

Lesley Grainger

Bloomsbury, 2017

24pp., board, RRP $A14.99

9781408883631

No matter your choice of religion or lack of it, the story of the flood caused by rain for 40 days and 40 nights and how Noah, his family and a collection of animals survived it by living on the Ark transcends them all and has almost become part of the folklore children are expected to know. 

This sturdy board book, the perfect size for little hands is a great introduction to this ageless story with its bright pictures and simple text.  Religion and story aside, it is also a great story to start a myriad of investigations taking the learner on a journey of their fancy.  They could investigate questions such as

Where did Noah live?

How big was the Ark?

How long is 40 days?

Why did he take two of each creature?

What makes rain?

What is a rainbow?

Geography, length, time, reproduction, family trees, weather, light and colour, history, can all be explored through this one story and each would lead to a better understanding of the world around them, something they strive to do. Such a rich story will be read over and over with something new to be discovered each time .Even if this board book  version isn’t the one for your students seek out a version that is appropriate for your students, surround it with a myriad of questions and let them loose!

 

Wolfie An Unlikely Hero

Wolfie An Unlikely Hero

Wolfie An Unlikely Hero

 

 

 

 

 

 

 

 

 

Wolfie An Unlikely Hero

Deborah Abela

Connah Brecon

Random House, 2017

32pp., hbk., RRP $A24.99

9780143781509

Whenever you ask young children what they are afraid of, you can be sure that some will say “a wolf”. Even though we don’t have them Australia, nevertheless they rank right up there because children’s storybooks are littered with wolves that do the wrong thing.  Little Red Riding Hood, The Three Little Pigs, Peter and the Wolf, The Boy who cried Wolf – all stories they hear over and over and all with the wolf as the baddie.  No wonder their ranking on the scare-o-meter is so high!

But what happens when the wolf wants to improve his image, reinvent himself and get some good PR? In this charming twist on the classics, Wolfie and the author have a conversation but no matter what evidence the wolf offers to defend himself, each time the author starts a new story it descends into the same-old, same-old cliché. And even when it DOES go further than the first page there is not a happy ending.  Is it possible to give a bad reputation a makeover?

This is a unique, hilarious story about trying to change your image which will appeal to all sorts of ages for all sorts of reasons.  Little ones will just love it as they recognise favourite characters and plots and the action-packed pictures; older readers might be encouraged to think about stereotypes, perceptions and preconceptions and even the phrase “being tarred with the same brush” which has particular application in today’s political arena. 

Unique, funny, and very readable for all ages.

 

Usborne Illustrated Myths from Around the World

Usborne Illustrated Myths from Around the World

Usborne Illustrated Myths from Around the World

 

 

 

 

 

 

 

 

 

Usborne Illustrated Myths from Around the World

Anya Klauss

Usborne, 2016

256 pp., hbk., RRP $A29.99

9781409596738

What do Demeter and Persephone, Finn MacCool and the fish of Maui all have in common?  Well, they are included in this collection of stories from around the world beautifully illustrated by Anya Klauss.

In times long past before the truth was known, many of the things like the sun’s passage across the sky or the formation of the land were a mystery to those observing them so they made up stories to explain the particular phenomenon.  Even though they came from far-flung places and diverse peoples. their common thread was to explain the seemingly inexplicable so that the world made sense to them. Whether it involved giants, mythical beings and creatures, magic or sorcery, each story sought to demystify and through their telling through generations across thousands of years they have endured, even though science may have intervened to expose the truth.

As well as being a wonderful introduction to these sorts of stories and embracing a range of cultures, such myths can also be the entry point into scientific investigations for young and not-so-young scientists.  If Maui did not fish the North Island of New Zealand out of the sea, how did it get there? If the changing of the seasons are not caused by Demeter’s love and loss, how are they formed?  A great way to link literature and science and start our students on their own quests.