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Dexter Lost His Boo-Woo

Dexter Lost His Boo-Woo

Dexter Lost His Boo-Woo

 

 

 

 

 

 

 

 

 

 

Dexter Lost His Boo-Woo

Shane Hegarty

Ben Mantle

Hodder Children’s, 2024

32pp., hbk., RRP $A26.99

9781444966350 

HELP! Dexter’s lost his Boo-Woo.

It’s a scary sounding beast! It has fiery eyes and floppy ears, and twenty pointy teeth!

Soon the whole town is on the hunt for the Boo-Woo… police officers, firefighters and so many more join in the search, each getting more and more concerned as Dexter describes the Boo-Woo.  They are very relieved when they find it,  but have they?

At first glance, this is a story written in fast-paced rhyme for very young children about finding something precious that has been lost and the emotions that that engenders, but it has the potential to be so much more because as the locals join the search, Dexter adds more and more information building up the picture of what his Boo-Woo looks like.  So much like The Dudgeon is Coming, young students can build group or individual pictures adding features as they are revealed, particularly if the first reading of the story is read aloud without showing the illustrator’s interpretation of the words (wrap the cover in brown paper) so the listeners really have to engage with the text as each new detail is revealed.  

It not only provides an excellent opportunity to focus on description and descriptors which will enrich their own writing, but also on perception because each drawing will be different and none will be the same as that of Ben Mantle.  You can talk about how our experiences shape our mind’s eye, and perhaps even introduce the classic poem, The Blind Men and the Elephant by John Godfrey Saxe. Extend the experience by having them draw the king in The King’s Breakfast by A. A. Milne, Dahl’s BFG as he walks down the street blowing dreams through the windows, or even Gandalf’s first meeting with Bilbo Baggins in The Hobbit. Each has a description that lends itself to be interpreted in a graphic and because each of us interprets what we see and hear differently can lead to discussions about perception, what is truth and how it is shaped by our beliefs, values and even our role in an incident.   

But to be able to hang such a series of lessons on a story, you first need an engaging story that appeals to its audience on the surface, and Dexter and his Boo-Woo is certainly that, with the ending lending itself to even more possibilities!  

‘Twas the Night Before Pride

'Twas the Night Before Pride

‘Twas the Night Before Pride

 

 

 

 

 

 

 

 

 

 

Twas the Night Before Pride

Joanna McClintick

Juana Media

Walker Books, 2023

32pp., pbk., RRP $A16.99

9781529512502

 On the night before Pride, families everywhere are preparing to take part in this special parade celebrating gender diversity and honouring those in the LBGTQ+ community who fought against injustice and inequality. As one family packs snacks and makes signs, an older sibling shares the importance of the parade with the newest member of the family. Reflecting on the day, the siblings agree that the best thing about Pride is getting to be yourself.

This book has been sitting on my shelf waiting for the right opportunity to review it, and that seemed to present itself in the last week or two. Firstly, there was a conversation with a number of women of a certain age who still seem to believe that gender diversity is an active choice made by the individual and who not only thought it “disgusting” but believed it to be a result of the child’s upbringing and so condemned all those involved, which in this instance, included me.  Secondly, there was a request to a teacher librarian forum for LGBTQIA+ book suggestions for a primary school including how to deal with anticipated parental backlash.  So clearly there remains a need to continually educate and advocate for those who don’t fit the accepted norm, and the lines from the story

It sometimes happens we’re not given respect. It can take a long time for some to accept

becomes even more poignant and relevant, especially in light of some of the policies in schools in parts of the US and book bannings in libraries which clearly, some would prefer to have here as well.  

It remains my hope that one day soon that family and gender diversity in stories will not be a cause for comment, let alone a label but until then we need to continue to include books that demonstrate that people are people regardless of who they might share their nights with in our collection so that our young people don’t have the prejudices that are clearly still in our community.  This one, written to the rhythm of “Twas the Night Before Christmas”, although written for a US audience with reference to historical events there, is nevertheless, a worthwhile addition to your collection particularly because of the lines I’ve quoted, and to help our young ones understand the message behind the parade at Mardi Gras.

In the meantime, if you’re looking for appropriate titles, search this blog for LGBTQIA+, check out this list from Walker Books, or this one from Readings, and if you need to explain or defend your position, see how it is dealt with in this sample collection policy and this blog post

Where Is the Cat?

Where Is the Cat?

Where Is the Cat?

 

 

 

 

 

 

 

 

 

 

Where Is the Cat?

Eva Eland

Andersen Press, 2024

32pp., hbk., RRP $A25.99

9781839131837

Whenever Suzy visits Auntie, all she wants to do is play with the cat.  But Cat is nowhere to be found, or is he?  No matter where Suzy looks, she can’t find Cat, but is she looking hard enough?

This is a joyous story for very young readers who will enjoy spotting Cat even though Suzy can’t.  They will love joining in to point him out, much like the audience in a pantomime, as well as learning and understanding prepositions like “behind”, “under” and so forth. There is also the opportunity to talk about how the cat, used to a quiet, good life, might feel when confronted by the boisterous, effervescent Suzy.

While it’s a familiar theme, nevertheless these sorts of stories are always enjoyable for our younger readers who like the feelings they have as they engage with the print and pictures, all helping them to enjoy the power of story believe that they can be readers themselves.

Miimi and Buwaarr, Mother and Baby

Miimi and Buwaarr, Mother and Baby

Miimi and Buwaarr, Mother and Baby

 

 

 

 

 

 

 

 

 

 

Miimi and Buwaarr, Mother and Baby

Melissa Greenwood

ABC Books, 2024

24pp., hbk., RRP $A24.99

9780733343018

Being your miimi (mother) is the most precious gift life can give.

When you were born you opened my heart as wide as the ocean.

There is no stronger bond than that between mother and child and using a palette as soft and gentle as the accompanying text,  Gumbaynggir storyteller, artist and designer Melissa Greenwood, has created an ode between mother and newborn that tells the baby of the connections to their family, totems, language and environment both past and present and how they can draw on the characteristics  to guide and protect them through their journey through life. 

While it is a story that echoes the feeling between any mother and newborn. it is expressed in a way that shows the long, strong connections to family, land and culture that reach far into the past of First Nations families.

While it is written in a combination of English and Gumbaynggirr  with a full Gumbaynggirr translation included, at the end, it is nevertheless one that could be in any language spoken in the world, so universal is it message. And as children learn their mother language-its meaning, its rhythm, its expression, its nuances -whatever it is, through listening to it, there is much that they absorb during these personal, precious moments beyond that expression of love. Therefore, these sort of lullabies have a unique place in language learning and should not only be among the gifts given to any new mother but also be the first in the baby’s library, regardless of their heritage..

Tree

Tree

Tree

 

 

 

 

 

 

 

 

 

 

Tree

Claire Saxby

Jess Racklyeft

A & U Children, 2024

28pp., hbk., RRP $A24.99

9781761069505

On a misty mountain morning, just like the one outside my window this morning, the tree stands tall in the forest, high above those that surround it , “older than those who find it, younger than the land it grows from.”

From its roots that gather food and the tiny, feathery threads that connect it to other trees to the tips of it top leaves that reach for the sun and give dappled shade from it, the tree brims with life – both its own and those who seek shelter and food from it.

Known as “the forest giant” as they can soar to a height of more than 100 metres, and sometimes living up to 300 years old, this is the story of a mountain ashEucalyptus regnans – native to the forests of Tasmania and Victoria, born from a seed the size of a pinhead but uniquely designed to be able to push its way through the ash of a bushfire and begin its rapid growth that helps regenerate the scorched land below. 

Just like Iceberg this is another incredible offering from this team of author and illustrator, one that brings to life the life of something so ordinary yet extraordinary  in words and pictures (including an amazing three-page spread) in a way that should be used as a role model for students tasked with research-and-report writing.  Compare “In the layered litter, a a scaly thrush flicks. A lyrebird scritch-scratches. Slaters curl, beetles burrow and centipedes scurry.” to  something like “At the bottom of the tree lots of birds and animals live among the dropped leaves and twigs.” It is the lyricism of Saxby’s language that shines through in all her books and in this case, Racklyeft’s watercolour illustrations put the reader right in with those little inhabitants.

But whether the tree is a magnificent mountain ash, or a humble backyard specimen, this is one that will spark awareness of the value that any tree adds to both the landscape and life itself, and thus needs protection rather than destruction. 

 

Elephants Can’t Jump

Elephants Can't Jump

Elephants Can’t Jump

 

 

 

 

 

 

 

 

 

 

Elephants Can’t Jump

Venita Dimos

Natasha Curtin

Walker Books, 2024

32pp., hbk., RRP $A25.99

9781760656140

All the animals have had fun at Mini the elephant’s birthday and now it is time to open the presents.  She deliberately saved opening her best friend Mila’s present until last because Milo always gave the best presents and this one, wrapped in her favourite shade of pink was very big and bulky.  

But she was SO disappointed when she opened it because it was a trampoline  and while all the others could have fun, Milo should have known the elephants can’t jump!  So what use was the present to her?  And she was so angry with Milo she stopped talking to him.  And she got angrier and angrier as Milo suggested other games like hopscotch and hide-and-seek that were no fun for elephants, and so she decided to have nothing to do with Milo, even running away from him.  The final straw came when she went to Milo’s place on Friday afternoon (because Milo always had the most scrumptious food) and all her other friends were having fun on a jumping castle. Will the two ever resolve their differences and be friends again? 

The tag on this book is “Big Skills for Mini People” and it is a series written for our youngest readers to not only help them manage their emotions but help them navigate their way through relationships as they venture into the world of friendships beyond family and have to learn about competitiveness, managing inner voices, learning to listen, and communicating effectively. Learning to negotiate, compromise and consider others as they emerge from that egocentric world of toddlerhood can be tricky and so books like these, read with sensitive adults who can ask questions like “What could Mini have done instead of getting angry?” can help develop skills and strategies that will provide well for the future.  

One for the mindfulness collection that will help young people learning about the issues associated with assuming things.

Pidge’s Poppies

Pidge’s Poppies

Pidge’s Poppies

 

 

 

 

 

 

 

 

 

 

Pidge’s Poppies

Jan Andrews

Timothy Ide

Ford Street, 2024

32pp., hbk., RRP $A27.99

9781922696380

High on a ledge in the Tomb of the Unknown Soldier at the Australian Wat Memorial in Canberra, there is a blodge of bright scarlet that stands out even against the colour of the stunning stained glass windows. And if you’re lucky, your keen eye might just pick out a couple of proud pigeons in this nest made from the remembrance poppies people have placed beside the names of their loved ones in the Hall of Remembrance down below to show that they and their service has not been forgotten.

Based on a true story that took place in 2019, and bringing the story of the role that pigeons played during World War I and II to life, this is a sensitive but compelling read that offers a new perspective to the commemoration of ANZAC Day, one that acknowledges the human sacrifices made but focuses on the contribution of these little birds – the many-times great grandmother and great grandfather of Pidge and Henry- instead.

In 2019, the Australian Parliament declared 24 February each year as the National Day for War Animals, also known as Purple Poppy Day. It’s a day to pause, wear a purple poppy, and pay tribute to the many animals who served alongside soldiers and this is a poignant and stunningly illustrated tribute to all those creatures, often symbolised by Simpson’s donkey but which involved so many other species doing so many other things in so many fields. So important have they been that there is now an international war memorial for animals at Posières in France and those who have provided outstanding service or displayed incredible courage and loyalty can be awarded the Dickin Medal or the Blue Cross Medal.

Accompanied by thoughtful teachers’ notes, this would be an ideal addition to your collection, particularly if used alongside Wear a Purple Poppy, and the resources  available through  the Australian War Memorial including a digitised version of their popular A is for Animals exhibition and its accompanying publication M is for Mates which may be in your collection already because it was distributed to all schools in 2010. There is also an education kit available.

Sadly, too many of our students have first-hand experience of war, or have relatives currently embroiled in conflict, so the commemoration of ANZAC  Day, while a critical part of the calendars of Australia and New Zealand, has to be handled in a different way, so perhaps exploring the stories of animals like Pidge’s relatives who served, and continue to do so, can put the horror at arm’s length yet still observe the purpose and solemnity of the day. 

How to Be Invisible

How to Be Invisible

How to Be Invisible

 

 

 

 

 

 

 

 

 

 

How to Be Invisible

Nick Bland

HarperCollins, 2024

32pp., pbk., RRP $A24.99

9781460764060

When Bunny arrives at the park wearing Grandpa’s hat, he thinks it has made him invisible. But Bird can still see him!  The more Bunny tries, the less invisible he seems. The best friends enjoy the hat even if it’s not magical. But are they sure it’s not a magical hat? Grandpa has a surprise for them!

This is the second in this series for our earliest readers who are just learning about the joy of stories in print, and they are going to be delighted to meet up with characters they already know, while impressing the grown-ups around them by not only saying the word “invisible” but knowing its meaning!  Can there be anything more empowering than learning and using such a big word? And in such an enjoyable way?

In my opinion, the real heroes in this world are those who can entertain, engage and educate our little ones so they have a strong platform on which to base their future formal learning, and Nick Bland is among those. His ability to take something simple and everyday and spin it into something magical through the clever use of words and pictures is amazing, the envy of others, and a gift that our youngest readers are grateful for. On their behalf, I say thank you.

 

 

 

The Crayons Love Our Planet

The Crayons Love Our Planet

The Crayons Love Our Planet

 

 

 

 

 

 

 

 

 

 

The Crayons Love Our Planet

Drew Daywalt

Oliver Jeffers

HarperCollins, 2024

32pp., hbk., RRP $A24.99

9780008560898

Our planet is a colourful place…white ice caps, green trees, blue oceans and skies, brown soil . . . and more! And each crayon is delighted to share their part in keeping it colourful, especially Beige who pops up constantly to highlight his contribution,  like a little toddler desperate not to be overlooked.

This is a funny addition to this series for young readers, as they are encouraged to look at the world around them and its colours and begin to develop an appreciation for their environment and their responsibility towards it. It opens up opportunities for some elementary data collection as natural elements and objects are classified according to colour as well as art appreciation as they discover the myriads of tints, tones and shades of the hues of the colour wheel represented in Nature.

As well as being lovable characters in themselves, the Crayons always have adventures and experiences that can lead to greater learning, and this one is just as promising as all the others. in the series. 

One Little Dung Beetle

One Little Dung Beetle

One Little Dung Beetle

 

 

 

 

 

 

 

 

 

 

One Little Dung Beetle

Rhiân Williams

Heather Potter & Mark Jackson

Wild Dog, 2024

32pp., hbk., RRP $A24.99

9781742036656

Australia is rich with fascinating beetles that all have a job to do. Using counting rhymes, young readers are introduced to some of these unique species and identifying the roles that each type of beetle plays in the environment including the dung beetle, the once-iconic Christmas beetle and some with the most remarkable colouring.  

With stunning endpapers, and accurate anatomical illustrations throughout, this offers an insight into the prevalence of beetles in the landscape and the critical role they perform in keeping it healthy and vibrant.  Teachers notes  offer further resources and links to investigate further, including the world of entomology, while also guiding young readers through the process of distinguishing a non fiction title from a fictional one, and how to use the cues and clues to prepare themselves for getting the most from it.

But while its format might suggest an early childhood audience, there is also scope for older readers to springboard their own investigations – why was the dung beetle introduced to Australia and were all introduced species as successful? Why do some have such remarkable colouring?  Why have all the Christmas beetles disappeared to the extent there is now a national count?  

Even if the reader is a little young to appreciate all the information, much of it embedded in the illustrations, they will enjoy practising their counting skills as they try to find all the beetles as well as the number of holes nibbled in the title number.  The pictures also include other creatures so there is also the opportunity to investigate the concepts of “more” and “less” and other early maths basics. 

With its focus topic which will encourage little ones to look at their environment with fresh eyes as well as its format, this is one that offers so much more than first meets the eye.  Give it with the gift of a magnifying glass and see the joy and wonder explode.