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Say My Name

Say My Name

Say My Name

 

 

 

 

 

 

 

 

 

 

Say My Name

Joanna Ho

Khoa Le

HarperCollins, 2023

40pp., hbk., RRP $A24.99

9780063205338

There is an old riddle that goes, “What is yours alone but used by everyone else? Your name”. 

There is so much embodied in a person’s name that it can be (and was) one of the most popular units of work that I did with my students at the beginning of each year.  They loved to discover why they had the name they did, its history and significance within their family, its meaning, its cultural connections  and how it shaped their own identity. They enjoyed having conversations with family members about why it was chosen, seeing their birth announcements and sharing their stories.  But most importantly, they wanted to teach us how to say it properly because that demonstrated that we respected them, cared enough about them,  to make the effort to learn it and use it and acknowledge that they were not invisible.  Even though some chose to use a more common “European” name, there was always a spark in their eyes if their birth name was used and pronounced correctly.

In this new book by Joanna Ho, whose stories  Eyes the Kiss in the Corners and Eyes that Speak to the Stars embody and celebrate diversity in a perception-changing way, six children of Chinese, Tongan, Persian, Diné, Nahuatl, or Akan descent share the meaning and history of their names. Names that are “full of tones and rhythms, melodies and harmonies, chords and cadences, Each syllable, each sound, is a building block in an architecture constructed over oceans and across generations.” (And there is a pronunciation guide and other material included in the final pages to help you out.)

Accompanied by stunning illustrations that are rich in the symbolism of the culture of the child, the lyrical text shows us how important it is to each child, indeed each person on the planet, to say their name correctly because “My name is a window to my world, a door to my destiny, a key to unlock the dreams of my ancestors, the hopes of my family and the divine that lives within. Anything less is not me.”

Sadly for some children having someone say their name and smile is the only positive acknowledgement that they will get in a day and it is that affirmation that they exist that is enough to bring them back to school for one more day.  If ever there was a book that demonstrates just how important your name is and how we each cling to its uniqueness, this is it.  With a pronunciation guide and other material included in the final pages to serve as a model for each child’s story, here, embedded in this literary treasure,  is your program for the first few weeks of Term 1 2024 sorted…

A Life Song

A Life Song

A Life Song

 

 

 

 

 

 

 

 

 

 

A Life Song

Jane Godwin

Anna Walker

Puffin, 2023

32pp., hbk., RRP $A24.99

9781761047640

When you are born, you make up a song
It doesn’t rhyme, and it isn’t long
A song of everything you hold dear
It’s your own tune, it’s loud and clear

And your whole world is in it…

One of the favourite units my Kindy kids loved to explore was one based on A. A. Milne’s poem, The End. They loved to discover how much they had grown and changed and learned since they had been born and feel the sense of empowerment and excitement of being in charge of what was to come next. 

The End

When I was One,
I had just begun.When I was Two,
I was nearly new.

When I was Three,
I was hardly me.

When I was Four,
I was not much more.

When I was Five,
I was just alive.

But now I am six,
I’m as clever as clever

So I think I’ll be six now
Forever and ever.

This new release is the perfect complement to that showing how the child has grown, building on the song of their life as they mature, learn and do more things, and meet more people, each of whom contributes something to the lyrics, loud or soft. Likened to a tiny stream at birth, it grows stronger and bigger as does the child, meandering this way and that as new people and experiences occur, until it becomes one with the river flowing ever onward.  The key difference between Milne’s poem and this, though, is that the poem focuses on the child exclusively while this has the suggestion that there is much more to the child’s song that their own melody – that it started before they were born, will gather momentum during their lifetime and rather than reaching a crescendo at the end, will continue on afterwards.  So it adds to that reflection and appreciation of where they have come from by speculating and anticipating what might come next.  

One for the collection and toolbox of any teacher working with little ones who need reassurance that they are unique, that there are brighter days coming and that they have much to offer and contribute not only to their song but to the orchestra playing it. 

Listen

Listen

Listen

 

 

 

 

 

 

 

 

 

 

Listen

Duncan Smith & Nicole Godwin

Jandamarra Cadd

Wild Dog, 2023

32pp., hbk., RRP $A24.99

9781742036731

Listen, and you will hear the voices of Ancestors.

At a time when there is such an important focus on Australia’s First Nations peoples,  this is a timely release to help students better understand the need for the referendum, where it has come from and what it is based on. 

Accompanied by the stunning artworks of Yorta Yorta man Jandamarra Cadd, each of which has its own story and significance, this is a book that has the minim um of text but the maximum of meaning.  While our students may have some knowledge and awareness of the importance of Country to indigenous people, this book explains the weight behind the acknowledgement of the phrase “elders, past, present and emerging” that is expressed in any Welcome to Country address.

This is a book that should not be shared without also using the teachers’ notes because they provide critical background information…

The Uluru Statement from the Heart
Key elements from the Uluru Statement from the Heart underpins the text … The Uluru Statement from the Heart is an invitation to all Australians to walk together towards a better future. It provides a roadmap with three key pillars – Voice, Treaty and Truth.

It explains why and what The Voice is, why it requires a referendum to be put in place, and what it will achieve if the referendum is successful.

But beyond that, it also has a strong element of text-to-self as readers are encouraged to consider the hopes and dreams of the children on the front cover and relate that to their own, while also having them investigate the Country they live on, its indigenous languages and stories. 

 If the referendum is unsuccessful, it is unlikely to be the end of the narrative of the requests and rights of our First Nations people to be recognised, so this book, in conjunction with We are Australians should form the core of a modern indigenous library collection as well as the Aboriginal and Torres Strait Islander Histories and Cultures strand of the curriculum.

Together, they are a powerful and essential resource on which to base positive change for the future. 

Not Here to Make You Comfortable

Not Here to Make You Comfortable

Not Here to Make You Comfortable

 

 

 

 

 

 

 

 

 

 

Not Here to Make You Comfortable

50 Women Who Stand Up, Speak Out, Inspire Change

Puffin, 2023

176pp., pbk., RRP $A22.99

 9781761340581

In the vein of Shout Out to the Girls: A Celebration of Awesome Australian Women, this is a collection of one page vignettes of 50 women who ” did something brave. Something disruptive. Something exceptional.”

Featuring familiar names from the Australian landscape such as Ash Barty, Celeste Barber, Grace Tame, Turia Pitt,  Julia Gillard and Tayla Harris, as well as a host of contemporary women from around the world, this collection was inspired by the way that Grace Tame’s unsmiling face at a reception with then prime minister Scott Morrison was shared world wide and her behaviour dissected and demeaned around the world, diminishing both her and what she had fought so hard for.  Once again, just as with Tayla Harris, it was a female’s appearance and demeanour that became the news story rather than their accomplishments.

And so the women at PRH Young Readers publishing section have put together this compelling collection of stories of real young women, famous and not-so, who have had the courage to stand up for their beliefs, to be bold and true to themselves, “a celebration of assertiveness and certitude”. Each entry begins with the phrase, “There was that time when…” and continues with a description of the incident, its impact, a thumbnail sketch of the person and a full-page sketch from a new or emerging illustrator. 

Each is an affirmation of empowerment, often taking great courage, but resonating with today’s girls and encouraging them to be just as bold if needs be.

The activities of women in both World Wars I and II as they stepped into men’s shoes made great strides in changing the attitudes of men towards women, the activists of the 60s continued that and there have been decades of trail-blazers and game-changers since then, yet still 50% of the world’s population is subjected to irrelevant judgements, continual media coverage focusing on their appearance rather than their accomplishments, social media trolling, and toxic behaviour that is inevitably claimed to have been “consensual”. So while a book of this nature inspiring girls to be more than a pretty face and affirming their right to be so is still required, it is a grim indictment of society that it is.  While the treatment of women in countries like Iran and Afghanistan, is of huge concern as it should be, it is appalling that even in Australia in the 21st century, it is clear that misogyny is still alive and flourishing and our girls need role models like those in this book to tell the world, “We’re not here to make you comfortable.  We’re here to celebrate being ourselves.”

Gigantic

Gigantic

Gigantic

 

 

 

 

 

 

 

 

 

 

Gigantic

Rob Biddulph

HarperCollins, 2023

32pp., hbk., RRP $A24.99

9780008413439

A mulberry sky full of flashes and rumbles

An ocean alive as it flashes and tumbles

And there, ‘neath the waves of a sunny Atlantic,

There lives a blue whale and his name is Gigantic.

But Gigantic is the smallest whale in the pod, constantly taunted and tormented by his big brother Titan and his friends,. But  when Titan finds himself in trouble after another bout of teasing Gigantic and his best friend Myrtle the Turtle, he learns that sometimes you don’t have to be big to be mighty. 

The message in this story is quite clear – you can be tiny and tough – and young readers will probably have stories of their own to share about when being a kid really has its advantages. But it also reminiscent of the fable The Lion and the Mouse, so this could be an opportunity to introduce them to that and other fables by Aesop to show how stories have been used to teach such lessons for centuries. Investigating the stories and their meanings, and even extending  that to fairy tales which were also essentially didactic tales of good versus evil, can help young students start to develop their critical thinking skills as they learn to read between and beyond the lines, rather than just along them. Asking themselves about the key purpose of the author’s writing – to persuade, inform, entertain or reflect – and then unpacking the underlying intent helps them interpret and assess information sources as they mature. 

So, even though this is an entertaining and engaging story just as it stands, it has the potential to broaden the reader’s horizons far beyond the depths of the Atlantic. 

The Gargoyle

The Gargoyle

The Gargoyle

 

 

 

 

 

 

 

 

 

 

The Gargoyle

Zana Fraillon

Lothian, 2023

32pp., hbk., RRP $A24.99

9780734421241

Forced off his rooftop to make way for a new urban development in a barren cityscape, the old gargoyle packs a battered suitcase and boards a train going who knows where. But he is unseen to all those who are packed on it, except for a child  who has the time and the presence to ponder the gargoyle’s story…

He’s old, this gargoyle. Very old. Older than me. Older than anyone. He looks tired. If I had a seat, I would give it to him.

He shuffles past me and stands near the door and watches the city smushing past.

I think I hear him sigh. An echoey, achy, hollow sort of sigh, like the wind when it gusts down lanes and through tunnels and in and out of the big drains that stretch under the city.

Invisible to all who are so engrossed in what is to come that they don’t see the here and now, except for the ticket collector who forces him off the train when he cannot produce a ticket, the gargoyle is a forlorn sight, testament to the often unnoticed and ignored elderly, disabled and homeless among us.  But he leaves his suitcase behind and when the child, overcome by curiosity and compassion, opens the case he unleashes the gargoyle’s many memories of the city and its inhabitants. When the case crumbles, leaving nothing but a small seed, the child decides to find a place to bring the gargoyle, and the soul of the city, back.

This is a poignant picture book that works on many levels both for younger and older students as they explore it, each visit exposing something different.  For example, on a literal level, the meaning and history of “gargoyles” could be investigated  to build vocabulary and children could be encouraged to not only identify structures in their town that feature them but also learn architecturally related words such as buttress and belfry, perhaps even compare modern and bygone construction styles and methods.   

Others might like to consider what memories are contained in the gargoyle’s case, and if he were a gargoyle from one of their town’s structures, what changes and events might he have seen and packed into that case.

Older readers who can dig deeper into the messages that lie beyond the words might look more at the humanitarian issues that are addressed- the trials and tribulation of ageing and how those who are in their senior years become invisible and often ignored as though they no longer have anything  to contribute; the way buildings and structures are often valued and preserved more than those who constructed them; the destruction of those buildings in the ever-growing need for quick-fix housing; the knowledge and memories of people and places past that could be drawn on to build a better future so the same mistakes are not repeated; society’s attitudes towards and treatment of the homeless… And having examined those issues, consider and plan what might grow from the seed that the boy plants.

Teachers’ notes offer discussion points about these as well as ideas for exploring its language, literary devices and visual literacy – both the author’s and illustrator’s notes add much – but the lingering emotion for the reader is one of empathy and compassion, of a desire to acknowledge and celebrate the legacies of those who have gone before us and consider the legacy that we, ourselves, might leave. 

I do expect to see this among the award winners of the upcoming year. 

The Daring Tale of Gloria the Great

The Daring Tale of Gloria the Great

The Daring Tale of Gloria the Great

 

 

 

 

 

 

 

 

 

 

The Daring Tale of Gloria the Great

Jacqueline Harvey

Kate Isobel Scott

Puffin, 2023

32pp., hbk., RRP $A19.99

9781761043284

This is a tale of a chicken who wasn’t chicken.  In fact, Gloria was the opposite…

She was brave, she was bold, never did what she was told…

She ran her own face, she got in your face,,,

Then, one night she disappeared without trace! Although the family searched high and low when Gloria did not take her place on the perch, and feared the worst when they saw a no-longer-trim hawk circling, the other chooks were quite glad she wasn’t there because they didn’t really like her.  However, after a week they started to miss her and began accusing each other of being the one to scare her away. Will Gloria ever grace the henhouse again, or was that hawk not-so-trim for a reason?

This is an hilarious story from the versatile Jacqueline Harvey (Kensy and Max, Willa and Woof, Alice-Miranda and Clementine Rose)made even more special by the glorious illustrations of Kate Isobel Scott, the second time the two have partnered to produce a picture book.  Young readers who also march to the beat of their own drum will resonate with Gloria as will those who can be intimidated by such leadership potential, while adults of a certain vintage will appreciate the reference to, perhaps inspiration for, Gloria  Gaynor’s immortal song, I Will Survive.

Because, thankfully, Gloria does survive and lives to rule another roost!!! 

Meet Mim

Meet Mim

Meet Mim

 

 

 

 

 

 

 

 

 

 

Meet Mim

Sandra Severgnini

EK Books, 2023

32pp., hbk., RRP $A24.99

9781922539557

Where the cool river meets the warm ocean and the roots of the mangroves provide sanctuary for all sorts of creatures on the sandy seabeds of the Indo-Pacific region, lives Thaumoctopus mimicus. But what is this creature? Is it a brown=spotted flatfish? A spiked lionfish? A banded sea snake?  Perhaps it is a hermit crab, maybe a jellyfish or even a sea anemone. A seahorse? A feather star? A seashell or stingray… No? Wait, perhaps it is all of these things…

In this intriguing book young readers are introduced to a fascinating creature that can change colour, shape and skin texture at will mimicking those around it to deter predators.  For Mim, is, in fact an octopus!!  Discovered in 1998 off the coast of Sulawesi in Indonesia but also found around the Great Barrier Reef, this master of disguise is the first of the genus to be observed impersonating other creatures and is the first known species to take on the characteristics of multiple species.

Using a guessing game technique that is so much more engaging than a fact sheet, accompanied by detailed illustrations, this is a book that will captivate young readers who are interested in the miracles of Mother Nature, particularly how creatures protect themselves through camouflage.  The double-page spread that compares Mim to those she imitates is fascinating and the STEM activities of the teachers’ notes offer lots of suggestions that will encourage further exploration, including investigating the differences between “disguise” and “mimicry”. They also offer some suggestions for how we, as humans, can develop mindfulness strategies by mimicking Mim but perhaps older students could explore the concept of human disguise – who are we and what are we doing when we choose to use make up, follow a fashion trend, adopt a hairstyle and so forth. Why do we try to “disguise” ourselves and are our strategies successful?  

This is another of the new breed of non fiction that demands to be in the collection so that our students have access to all sorts of stuff that goes beyond the curriculum and into the worlds of wonder and curiosity to spark the imagination and investigation.  Seriously, who among us knew of this little creature let alone well enough to introduce it to our students?  

I am Lupe

I am Lupe

I am Lupe

 

 

 

 

 

 

 

 

 

 

I am Lupe

Sela Ahosivi-Atiola

Yani Agustina

Lothian, 2023

32pp., hbk., RRP $A24.99

9780734422538

Unlike her classmates, Lupe has curly black hair just like her dad, deep brown eyes just like her mum and the coconut oil her mum lathers into her brown skin each day makes it glisten in the sunlight.  And her friends ask about those differences, making Lupe feel awkward because she doesn’t know what to say.  And her mother’s answer shows that in reality, Lupe is just like every other kid – she is a daughter, a big sister, a friend, fearless and funny… she is who she is and that is enough.

This theme of a child being physically different from their peers is common  among picture books for young children such as the magnificent Eyes that Kiss in the Corners as is the revelation that despite our appearances, we share more similarities than differences.  Written by a Tongan-Australian writer this story opens up a different part of the world for many because Lupe is of Tongan descent – “I was born in … the first place on earth to see the sunrise each day” – and stories that have children from the Pacific Islands as their lead characters are rare. From the teachers notes we learn that the fish dish her mother is preparing is ota ika, a raw fish salad, offering the opportunities to not only investigate the traditional foods of Tonga, but also the traditional ways that fish is prepared in other cultures – it’s not always fried and served with chips.  And that can lead to all sorts of investigations about our Pacific neighbours allowing our students from those countries to share their stories and have their heritage acknowledged.

Over my 50+ years of working with children, I have never worked in a classroom where there were only “white Anglo-Saxon” children as Lupe’s class appears to be,  and there would be few nationalities I haven’t encountered, and the greatest joy has been not only seeing the children all meld together as one getting on with the business of being a child and learning and playing together, but all that they have taught me over the years.  And while I’ve not directly experienced the sort of open conversation that Lupe has with her peers, I do know that often kids see their own differences as being bigger than they really are and that this can lead to self-consciousness and anxiety, so the more we share these sorts of books and reassure them that regardless of red hair, wheelchairs, purple skin or knobbly knees, who they are is enough and welcome, the better. To have one in which our Pacific nations kids can see themselves, is a bonus. 

 

The Lucky Shack

The Lucky Shack

The Lucky Shack

 

 

 

 

 

 

 

 

 

 

The Lucky Shack

Apsana Baldovino

Jennifer Falkner

Working Title, 2023

32pp., hbk., RRP $A24.99

9781922033154

Having grown up in a harbour town at the very south of the South Island of New Zealand, where the next stop is literally Antarctica, and my childhood days were bordered by either daylight fading or the tide turning, it is neither secret nor surprise that my favourite place to be is by the sea.  Or that I escape there whenever I can, particularly to the more remote places. But remoteness is becoming a luxury as grand McMansions swallow all those little beach shacks that used to be the escape for city-dwellers, although every now and then you see one tucked in amongst its imposing neighbours.  Yet even though the land value puts it out of reach of the bank balance of mere teachers and teacher librarians, nevertheless, we can dream and think about the stories it must have to tell as generations have passed through it, usually since the time at the end of World War II when many were constructed as safe havens for returning soldiers.

In this beautifully illustrated debut title for both author and illustrator, one little shack tells its story. Perched on the shore it watches the boats on the water and the colours of the landscape shine and blur throughout the days and seasons, lovingly cared for by the old fisherman. But dark, monochromatic times come as it slips into loneliness and abandonment as he no longer visits, until one day there is a new glimmer of hope…

As well as being a completely original concept, this a story of  the timelessness of the sea and the seasons, of the cycle and circle of life and of enduring hope for a better future.  Because even at its darkest moments, when it is starting to crumble and fall into the sea,  the little shack believes that all is not lost and indeed, the ending shows that not only can it be restored but its future is assured.  A bit like a person, really.

By telling the story from the perspective of the shack itself, rather than an observant narrator, the reader becomes invested in its tale, feeling its joy when the fisherman brings it to life with warm fires and music, its desolation as it is battered by the elements,  its happiness when a new owner comes and then its delight when children come too.  So even though, on the surface, this would seem like a story for young readers, older readers can explore the concepts of perspective and personification and the impact of those on both the writing and the reading experience.  Teaching notes explore these concepts really well, and readers might even like to try their hand at telling their own story of a tree passing through the seasons from the tree’s perspective, with groups of four each taking a particular season.  As this winter seems endless with its fog and frosts (at least here in the mountains) it is the new buds appearing that offer hope that the world will turn – but, then, is that the same in tropical regions?  Perhaps there is the opportunity for a whole integrated STEM unit!