I’m trying something new soon. Something new and exciting . . .
Like many young Australians, a new adventure is on the horizon for Master Koala as the new school year looms (less than three weeks away for most) and it’s time to take the next step towards independence – preschool! There is much to do and prepare but he is convinced he is ready, even though there are some nervous butterflies in his tummy. But it’s OK – everyone else feels the same and with a teacher who is smiling and more toys than he has ever seen, his day passes quickly and he’s not ready to go home.
This is another in this series of books designed to mirror the lives of Australia’s youngest children as they encounter milestones in their lives, demonstrating that any anxieties are common and normal and that there are ways to deal with them. They can compare their own experiences with those of the characters as well as learning that books can be useful sources of information as well as entertainment as parents work through each page as they share them.
The perfect gift for the little reader in your life.
Fifteen-year-old Jack has just discovered the one thing he loves, and is really good at: go kart racing. With the support of his mentor, Patrick, an old race-car driver with a dark past, and his best mates Colin and Mandy, Jack must learn to control his reckless streak. Only then will he be in with a chance to defeat the best drivers in Australia, including his ruthless rival Dean, and win the National title.
Written by the author of Paper Planes and based on the movie this is a story that will appeal to a wide range of students, whether as a read-alone or a read-aloud. The movie has been billed as “one for the family” thus many will have seen it so having the print version available will be an encouragement for those who enjoyed it to delve deeper and really get to know the characters . There is an inset of photographs from the movie to bring back memories and it would make the perfect centrepiece of a display focusing on books that have been turned into movies and vice versa, perhaps sparking a discussion on which format is better and why it is preferred.
Princess Florizella was friends with some of the princesses who had studied the Princess Rules, and behaved just as the Rules said they should. Florizella thought their hair was lovely: so golden and so very long. And their clothes were nice: so richly embroidered. And their shoes were delightful: so tiny and handmade in silk. But their days bored her to death…”
Instead, Princess Florizella rides her horse, Jellybean, all over the kingdom, having adventures of her own…
Originally written for her daughters in 1989 when the concept of rebel princesses as heroines was scarcely heard of much beyond Munsch’s The Paper Bag Princess Philippa Gregory has reimagined this collection of three stories for her granddaughters and created a thoroughly modern tale. “I’m much clearer that she’s up against something worse than a bad fairy at a christening – the ‘rules’ that try to persuade bright multi-talented children into stereotype notes. Florizella and her BFF Prince Bennet find their own paths around giants, wolves and (of course) dragons.”
With humour that stabs at convention and stereotypes and their consequences, Gregory has created a feisty heroine who will appeal to today’s newly independent reader who may once have dreamed of life as Aurora or Belle or some other Disney princess but who will no doubt much prefer to be Florizella instead.
With a growing call for diversity in children’s literature, movies and other arts, the issue of stereotyping is a topical one so while this book may have a predominantly young female audience, it also has the scope to be a platform for exploring this topic among those much older. And Gregory’s experience as a writer shines through so it would not be considered as a twee, sugar-coated read beneath that older audience. It may even lead them to her more grown-up novels.
Young female readers will be delighted to know that the adventures of Clementine Rose, the sassy young girl who was delivered not in the usual way at a hospital but in the back of a mini-van in a basket of dinner rolls, continue. Living in the magnificent mansion in Penberthy Floss with her mother, her Aunt Violet, Digby Pertwhistle the butler and pet teacup pig, Lavender, Clementine Rose has had many adventures that her readers can really relate to, making her a favourite with newly independent readers.
In this the 15th and final instalment of the series first introduced in 2012, Clementine Rose will soon have a new brother or sister – she can’t wait! But not everything is ready for the baby and no one seems to care as much as Clementine. Not to worry, she’s taken matters into her into her own hands.
As the due date gets closer, things at the hotel just get busier. Aunt Violet and Uncle Digby are quarrelling and the guests are causing problems – especially Niki, the troublesome toddler. Can Clementine really do everything by herself? Or will there be chaos for the baby’s arrival?
Written for young independent readers, Jacqueline Harvey has created a character who resonates with her readers and as the new school year isn’t that far away, this is a series to introduce to a whole new group of readers looking for something that will engage and intrigue as they meet Clementine and her friends. Knowing there are now 15 in the series and they won’t have to wait for the wheels of publishing to turn before they can read a new episode, it is perfect for promoting to start a whole new year of reading.
Getting ready for Christmas is an exciting time for little ones. And it is no different for Miss Wombat’s family. There is much to do such as baking a big, round pudding from Great-great-great- Grandma’s recipe and decorating the tree.
Very young readers will love seeing the things that their families do reflected in this very Australian interpretation of the Christmas experience, all helping to build anticipation for the great day.
This is a new series of board books for our youngest readers shining a light on familiar events in their lives, aimed to bridge the gap between single-word concept books and the longer narrative of picture books. Little ones can compare what the characters do to their own lives learning valuable concepts about stories and how they entertain as they do, a vital part of early literacy development. While their story might parallel Miss Wombat’s, why isn’t there any snow and the other trappings of the northern hemisphere Christmas that are so prevalent in what they see in print and on film? Critical thinking can start as early as you like!
To those of us of a certain vintage, the 80s don’t seem all that long ago but to today’s generation they really are the olden days – the days of their parents’ childhood when technology was just starting to emerge and become part of everyone’s everyday life, rather than that of industry or business. In this light-hearted lookback, today’s kids are introduced to telephones that never left the house; movies that had to be hired from and returned to a store; music that was carried on the shoulder and clothes and hairstyles that will hopefully never return.
In the colours and style of the era, students like Miss 8 and Miss 13 can look at life when their parents were the same age, and wonder at how they coped in times before the Age of Instant Gratification. But even though it could be a little tongue-in-cheek, it could also be the kickstart to investigating the development of the things that are taken for granted today as well as the impact of technology on lives and lifestyles. And to be honest, if this were Miss 8 and Miss 13, they wouldn’t have to go far to discover working examples of most of the things mentioned in the book! Just because their grandfather is a Luddite….
Sulwe was born the colour of midnight – not the colour of dawn like her mother; the colour of dusk like her father or even the colour of high noon like her sister Mich. No one in her school was as dark as Sulwe and while Mich was called “Sunshine’ and “Ray ” and “beauty”, Sulwe was called “Blackie’ and “Darky” and “Night”, names that hurt her so she hid and wished with all her might that she could be lighter like her sister. But not even wishing, using an eraser on her skin, Mama’s makeup, eating only light-coloured foods or even praying made the slightest difference.
Desperately unhappy, she finally told her mother how she was feeling and her mother gave her some great advice but it is not until she has a magical nighttime adventure and hears the story of Day and Night that she finally gets some self-belief.
In some ways mirroring the experiences of the author, actress Lupita Nyong’o , this is a story deliberately written to inspire those who look different to look inside themselves for their beauty. While “what is on the outside is only one part of being beautiful…[and] it’s important to feel good about yourself when you look in the mirror …what is more important is working on being beautiful inside.” With body image still playing such a key role in our mental health, any story like this that helps our young readers begin to feel positive about themselves as early as possible before the ignorant taunts of others do their damage, has to be shared and discussed. Highlighting how Sulwe felt when she was called names, asking what if Sulwe was in this class, listing the mean names directed at students that are heard in the classroom and playground and their impact on their peers might be what is needed to confront the bullies with the impact and power of their words, calling the behaviour for what it is could be the tough love that some of our students need.Starting with the fiction but transferring it to reality, having the students be in the shoes of Sulwe, can be the most powerful teaching tool. This is a story that is not just about empowering the individual, it’s about awakening the collective.
Tom is really looking forward to his birthday- he has had to wait a whole year while all the others in his class have had theirs and he is the last to do so. It is also his Lucky Birthday – 11 on the 11th – and so it is sure to be extra special with amazing activities and lots of presents. But then disasters begin to befall the family – the Curse of the Tooth Fairy according to his little sister Meg – and his parents are so swamped they cancel his birthday. How can this be? And with the invitations designed and delivered already!!
But then Tom draws on his resistingance, and with the help of his friends decides to throw himself the best party ever! What could go wrong?
Written in the first person so the reader is constantly viewing the circumstances through Tom’s eyes and empathising, this is an engaging read for the newly-independent reader. Peppered with cartoon-like illustrations and Dad’s peculiar expressions, it is funny without resorting to toilet humour and a seriously hilarious but concerning twist at the end, this is one to promote to the boys who are looking for something quirky and fun.
Fourteen words. If books were priced based on the number of words the story had, then you would probably ask for your money back with this one, but those 14 words document a life-changing episode in one family – a family that could be any one of a number of those whose children we teach and will teach as conflict continues to circle the world. Just fourteen words to tell such a story that are more powerful than if there were 10 or 100 times that many.
War displaces the family and their pet duck and so they must escape on a boat into the unknown. At first there is the CHAOS of the conflict; then there is the WILD ocean as a storm tosses the boat and overturns it;but BEAUTY awaits as they finally sight land ahead and at last they are SAFE.
But words alone are not enough and it is the remarkable and powerful watercolour illustrations that meld with those 14 words to tell an all-too familiar story of despair, hope, courage, resilience and joy. In fact, more mature readers might be able to empathise with the family and retell the story using an emotion for each page, perhaps sparking greater understanding and compassion for their peers who have lived the nightmare. But while those illustrations have strong words to convey, they have soft lines and gentle colours so the humanity and reality of the people is maintained and the reader is not turned off by page after page of darkness.. Again, older students could compare the illustrations and mood of this book with those of the 2019 CBCA Honours Book The Mediterranean.
Accompanying notes tell us that both author and illustrator were driven by the need to tell what is becoming a common story so that there is greater understanding and compassion amongst those whose lives are less traumatic and through that, build stronger, more cohesive communities so that life is better, enriched and enhanced for everyone. Edmonds deliberately chose a Middle Eastern family as her centrepiece because of the richness of the culture so that the reader can appreciate the depth and meaning of what is being left behind – the dilemma of leaving all that is known and loved for the uncertainty of the unknown and the heartache and danger that either choice will bring.
Beyond the storyline itself, this is a book that so clearly demonstrates the critical, integral relationship between text and illustration, that a picture really is “worth a thousand words” , and often the picture book format is the most powerful way to tell a story.
Handa and her friends Akeyo live in Kenya, and when Handa has a sleepover with Akeyo, the girls are allowed to spend the night in a little hut near the house. They’re excited to be on their own, but as they get ready for bed, Handa feels more and more nervous. She keeps hearing things – strange snorts, chitter chattering, a big thud. Akeyo says it’s only her noisy family, but on the opposite page the reader sees the nocturnal animals who are really making the noise – and while some of them are familiar, others are very peculiar-looking indeed!
With rich, vibrant night-time illustrations, sound effects, and plenty of curious animals, coupled with Akeyo’s explanations which are not only hilarious, but ingenious. this is a story that will resonate with children the world over as they step out of the familiar and have their first sleepover away from home with all the unfamiliar noises that will keep them awake. While the causes might not be as exotic as those that kept Handa awake, nevertheless there is never a limit to the imagination when it’s dark.
We first met Handa from the Luo tribe in south-west Kenya in Handa’s Surprise nearly 25 years ago and that book was included in the Seven Stories’ Diverse Voices list – 50 best children’s books celebrating cultural diversity in the UK since 1950. That, and its sequel Handa’s Hen have sold more than a million copies globally, with each focusing on a topic that children all over the world can relate to, and perhaps even adapt to their own circumstances. If you were sleeping in a tent or a caravan, what might be making the snorting, chattering, rattling, squeaking and slurping noises you can hear? Rich pickings for the imagination!