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The Poppy

The Poppy

The Poppy

 

 

 

 

 

 

 

 

 

 

The Poppy

Andrew Plant

Ford Street, 2014

Hbk., RRP $A26.95 9781925000313

Pbk., RRP $A16.95  9781925000320

In Flanders fields the poppies blow
Between the crosses, row on row,
That mark our place; and in the sky

The larks, still bravely singing, fly
Scarce heard amid the guns below.

We are the Dead. Short days ago
We lived, felt dawn, saw sunset glow,
Loved and were loved, and now we lie,
In Flanders fields.

This poem, by John McRae, has become one of the most enduring written about World War I and has provided the most recognisable symbol of remembrance for Australians and New Zealanders – the poppy. Although Flanders Fields, itself, is in Belgium, the poem and the poppy have become symbolic of the whole of that terrible conflict on the Western Front, and so this new book by illustrator Andrew Plant is aptly named, beautifully told and superbly illustrated.

Starting on the front cover with the brilliant red of the poppy set in front of ghostly images of other poppies entwined in barbed wire and against a background of stormy black skies, this is a beautiful “photo-essay” of the story of Villiers-Bretonnneux, which on ANZAC Day 1918 became the scene of one of Australia’s greatest victories and which forged a bond between two nations that grows stronger each year.  Except the photos are not photos – they are eerily haunting paintings that tell the story of the building of that bond. Bordered in black and accompanied by simple text in white, their bright colours are a stunning contrast which suggests feelings of hope and future and endurance.

The petal of the poppy is whipped off in the winter wind and blows across the village to show  the Villiers-Bretonneux school, known as Victoria School, because it was rebuilt through the contributions of the people of Victoria so that even now the flags of two nations fly above it and carvings of Australian flora and fauna adorn the school hall; it flies through the village past the Musée Franco Australien, and is carried further above the fields and up a broad, low hill to a tall cross and a great tower where thousands of names are carved – those who died but whose bodies were never recovered – and then out over the rows and rows of headstones, some nameless, not even their nationality known. 

But the stories of the soldiers are known and told and not forgotten.  As the winter winds grip the Somme, the Australian and French flags fly side by side and once again, the land turns red. But now it is the petals of the poppies, not the blood of the fallen.

So often our younger students’ knowledge of World War I is limited to the events at Anzac Cove in Gallipoli – here, in this stunning book is the pathway to their understanding of the much more drawn-out battle of the Somme and the Western Front, stories our children should know as well as those students in Victoria School who see “N’Oublions Jamais l’Australie” in every classroom. Stories and a motto which led them to raise nearly $21 000 to donate towards the rebuilding of Strathewan Primary School after it was destroyed in the Victorian bushfires, Black Saturday, 2009. World War 1 was so much more than the hell of the eight months on the Gallipoli Peninsula. 

 

 

A peek inside...

A peek inside…

First published February 25, 2014

Updated April 5, 2023

Simpson’s Donkey: A wartime journey to Gallipoli and beyond

Simpson's Donkey

Simpson’s Donkey

Simpson’s Donkey: A wartime journey to Gallipoli and beyond

Peter Stanley

Michelle Dawson

Pier 9, 2011

pbk; 159pp ; RRP $A14.99

9781741968118

ebook, 2011, 9781742664033

 

The story of John Simpson Kirkpatrick and his donkey carrying the wounded to safety from the battlefields to the beach at Gallipoli is one that all Australian children grow up with, one which has been told in many versions for all ages. 

But how did the donkeys get to Gallipoli in the first place?  This story beautifully told  by Peter Stanley offers some answers.  It follows the life of Sevilen, a donkey born on the island of Lemnos, who, through the actions of a variety of masters, including Simpson, has a remarkable journey through the eastern Mediterranean region during the First World War. Told as though it is his autobiography, Sevilen’s story gives us a unique insight into the theatres of war at that time as he encounters Australians, New Zealanders, Greeks, Turks, Britons, Arabs and Indians. 

Author Peter Stanley has had a long association with the Australian War Memorial as the Principal Historian and was then the Director of the Centre for Historical Research at the National Museum of Australia, and currently at UNSW ADFA, so his credentials as an historian are impeccable and his ability as a storyteller, engaging.  It is a book of World War I that will capture the imagination and empathy of middle to upper primary students, offering an example of how a familiar story can be told through a different lens.  Now only available as an ebook, it would be one to share as schools focus on the upcoming commemoration of ANZAC Day, not only reminding them of Simpson the legend and his legacy, but also offering yet another example of the role that animals played, and continue to play, in war opening up a whole new field of investigation.  

Originally published January 3, 2015

Updated April 4 2023

One Minute’s Silence

One Minute's Silence

One Minute’s Silence

 

 

 

 

 

 

 

 

 

 

One Minute’s Silence

David Metzenthen

Michael Camilleri

Allen & Unwin, 2019

48pp., pbk RRP $A16.99

9781760527051

 

One minute’s silence is the traditional way of honouring the memory of those who have died, particularly military personnel.  And during that one minute’s silence, we are urged to think about those who have fallen and the sacrifice they have made for their country.  But what do you really think about?  Are you like the bored, disinterested Year 12 students who open this story? Do you think about the feats and fears of our soldiers and what they did?  Do you ever think about what it was like for those on the other side of our bullets and bayonets? For, in this powerful picture book, we are encouraged to do just that, to consider what it was like both for those who made that fateful landing on the shores of Gallipoli in 1915 and those whom they were fighting against.

“In one minute’s silence you can imagine the grinding in your guts as the ironbark bows of the Australian boats bumped the stony shore of Gallipoli on the twenty-fifth of April 1915…when twelve thousand wild colonial boys dashed across the shivering Turkish sand in the pale light of a dairy farmer’s dawn lashed with flying lead.

But can you imagine, in one minute’s silence, lines of young Turkish soldiers from distant villages, hearts hammering, standing shoulder-to-shoulder in trenches cut like wounds…firing on strangers wading through the shallows intent on streaming into the homeland of the Turkish people.”  

This remarkable retelling of the events that  form the focus of the annual commemorations of those eight fateful months in 1915 starts with a picture of that group of senior students who have been asked to observe one minute’s silence on the 11th hour of the 11th day of the 11th month – Remembrance Day in Australia. Their expressions of here-we-go-again-we’ve-been-doing-this-for years have been captured perfectly in the pencil strokes of Michael Camilleri and one might wonder what this book has to offer that has not been done before. But then the narration begins and as the events unfold the students are drawn into them, gradually realising the youth and ordinariness of those who were embroiled in this conflict over 100 years ago. These were kids just like them. They can put themselves in the picture, as Camilleri has. However, not only do they see themselves in the Australian uniform, but their attention is also drawn to the youth and the ordinariness of those on the other side and their perspective. They are no longer just a faceless enemy responsible for the deaths and maiming of these students’ bygone family members. The futility of war is apparent…

“In one minute’s silence you can imagine the solitary day when these men without weapons, sharing cigarettes and shovels as they buried their dead in the cool Turkish earth…and the sound of the wind and waves, and quiet talking, replacing the crack, boom and blast of war.

But can you imagine the fierce Anzacs and the fighting Turks quietly returning to their trenches after this one day of truce then firing at each other that afternoon, although they truly knew that the other M.Ed.(TL) were not so much different after all.”

Metzenthen has done a remarkable thing in this story – he has provoked the reader into walking a mile in another man’s shoes; a mile that is thought-provoking and enlightening.  The juxtaposition of the Australian and Turkish experience which really serves to emphasise their similarities is masterful. Camilleri’s illustrations are equally as powerful. The scene is set on the front cover where two boys – one Australian, the other Turkish – eye each other off and every image within is just as potent.   Could there be anything more evocative about death than a double-page spread of a very large fly surrounded by hundreds of its cousins? Unless it’s the picture of men retreating over a hill that has hundreds of bodies beneath their feet? The imagery used to help students understand the difficult concepts surrounding war is outstanding.  Michael Camilleri has provided information about the extraordinary research and thought that underpin each image at 

Teachers notes are available and it is also one of the feature texts in the PETAA Lest We Forget collection for those with membership. Since its original publication in hardback form in 2014, as predicted this book has won a number of prestigious awards including

  • Winner, CBCA Book of the Year, Crichton Award for New Illustrators, 2015, AU
  • Winner, Prime Minister’s Literary Award – Children’s Fiction, 2015, AU
  • Runner-up, CBCA Picture Book of the Year, 2015, AU
  • Short-listed, The Nib Anzac Centenary Prize for Literature, 2015, AU
  • Short-listed, Adelaide Festival Awards for Literature – Children’s Literature Award, 2016, AU
  • Short-listed, Western Australian Premier’s Book Awards – Children’s Books, 2016, AU
  • Long-listed, CBCA Book of the Year, Eve Pownell Award for Information Books, 2015, AU

This it is an essential addition to any collection of resources about this period in our history.

Originally published November 11 2014

Updated April 1, 2023

Last Man Out

Last Man Out

Last Man Out

 

 

 

 

 

 

 

 

 

 

Last Man Out

Louise Park

Wild Dog, 2023

80pp., pbk., RRP $A24.99

9781742036427

While most children in Australia and New Zealand learn much about the landing of their combined troops at ANZAC Cove on April 25, 1915 that built the legends and legacy that the bonds of the two nations are now so solidly built on, and that these days, they learn that from the get-go this was a disastrous campaign starting by the soldiers being dropped at the wrong location, not so much is known about the subsequent withdrawal in December 1915 masterminded by Australian Lieutenant Colonel Cyril Brudenell White.  And that for the plan to be successful, audacious as it was, there needed to be a handful of men to remain behind to the end to provide cover for their fellow soldiers, even though to be part of that mission meant that they, themselves, would probably not leave the battleground alive.

Author Louise Park’s grandfather was one of those chosen to be part of that rear guard – an assignment hotly contested amongst those who remained because of the bonds forged during those eight torturous months – and, using his letters home as well as meticulous research, she has crafted an eye-opening story that sheds new light on what those times and that miraculous evacuation (which he survived) were really like.  This is a personal account of what life was really like in the trenches, told first-hand rather than a third-party voice that can never truly capture the reality.  It tells of the deprivations, the lack of sleep,  food and water, the pain  of the never-ending digging of trenches, the illnesses like “Gallipoli Gallop”, the strategies employed to trick the Turks, the dangers and most of all, the mateship that grew between the soldiers and the respect that they developed for the enemy, because they are just defending their families and farms from invaders, as the ANZACs would do if it were their country.  

The reader is right there beside John Park, Charles Rankin, Freddy Woods, Francis Owen, and Lieutenant Riddell and all the others, including my own grandfather – ordinary men doing extraordinary things – and we learn about the true meaning of “loyalty, having each other’s backs no matter what, and valuing something greater than yourself”.  The Gallipoli Campaign took an estimated 400 000 direct casualties , an impersonal statistic difficult for young (and older) minds to comprehend, and while there have been many accounts written for all ages, this one for younger, independent readers stands apart because John Park and his buddies are real people with a real story rather than an anonymous fictitious character invented to carry the narrative along.  With my own dad named after Lord Kitchener, this could have been the story of my grandfather, my grandchildren’s great, great-grandfather, any of our students’ ancestors, regardless of the side they were on, and that makes it personal..

John Park was a seasoned soldier aged 36 when he was at Gallipoli and he clearly understood the importance of documenting his experiences, whereas my grandfather was a young lad of just 18 and even if he did write, the letters have long been lost.  And as with so many who finally did return, (after Gallipoli, he was sent to the Western Front and gassed on the Somme), he didn’t share what he had seen and done with those who had not been there; there was no 24/7 news cycle to bring pictures into the family living room and so it is left for people like the author to tell their family’s stories so that we can better understand ours, 

An essential addition to any ANZAC collection.

Dreaming Soldiers

Dreaming Soldiers

Dreaming Soldiers

 

 

 

 

 

 

 

 

 

 

Dreaming Soldiers

Catherine Bauer

Shane McGrath

Big Sky, 2018

32pp., pbk., RRP $A14.99

9781925675528

Jimmy Watson and Johnno Hogan were the best of friends – swimming-in-waterholes, camping-under-the-stars, sharing-water-bottles kind of friends. Throughout their lives they did everything together and even when their paths diverged because there were different rules and expectations for “white” and indigenous children then, they still came back together as close as they had ever been.  And then one day they went into town for supplies, heeded the call for men to fight in a war far away and enlisted…

This could be the story of any number of friendships of the early 20th century when ‘white’ and indigenous kids on farms formed friendships that were blind to colour, cultural differences or any other racial prejudices and its strong focus on that friendship is its positive. While the treatment of indigenous soldiers during the conflicts that Australia has been involved in since the Boer War in 1899 could have been its focus, its power lies in that spotlight on the friendship, the shared adventures and stories, the fears and hopes that are common regardless of skin colour. Teaching notes are available. 

Within the Australian Curriculum, the Aboriginal and Torres Strait Islander Histories and Cultures cross-curriculum priority is designed for all students to engage in reconciliation, respect and recognition of the world’s oldest continuous living cultures, and so this book offers the opportunity to help our younger students understand that despite rules against their enrolment (those not of “substantially European origin” were excluded from enlisting by the Defence Act 1903) and not being recognised as citizens until 1967,their neglect and exclusion on their return, indigenous people have fought for Australia in many overseas conflicts and their contribution has been vital.  Now, each year following the Dawn Service at the Australian War Memorial in Canberra, there is a special ceremony acknowledging their service. 

Further information, and some of the stories of the estimated 1000 who managed to enlist can be found on the Australian War Memorial site and an internet search will provide links to further valuable resources.


 

Originally published April 23, 2020

Updated March 2023

Finding Winnie: The True Story of the World’s Most Famous Bear

Finding Winnie: The True Story of the World's Most Famous Bear

Finding Winnie: The True Story of the World’s Most Famous Bear

 

 

 

 

 

 

 

 

 

 

 

Finding Winnie: The True Story of the World’s Most Famous Bear

Lindsay Mattick

Sophie Blackall

Little Brown, 2015

56pp., hbk

9780316324908

 

Cole asks his mother for a bedtime story – a true one about a bear.  And it just so happens that Lindsay Mattick is the great-great-granddaughter of Harry Colebourn, a Canadian vet who, in 1914, was conscripted to join the war effort to look after the soldiers’ horses. On his way to the training ground far from his native Winnipeg, the train pulls into a station and Harry spies a baby bear on a rope held by a trapper who is unlikely to raise him and love him as Harry did all animals.  After a lot of thought, twenty dollars changes hands and Harry finds himself back on the train with the bear cub and a lot of curious mates and one astonished colonel.  But the bear whom Harry has named Winnie after his home town, wins over the troops and she soon establishes herself as the regiment’s mascot. 

Winnie travels with the soldiers to England, but when it is time for them to embark for France, Harry knows Winnie can not go.  So he leaves Winnie at The London Zoo where she is loved by hundreds of children including a certain little boy named Christopher Robin Milne – and from there a whole other story begins.

2016 winner of the Randolph Caldecott Medal for the most distinguished American picture book for children, this is a charming story that has that intimacy of a story shared between mother and child. Beautifully illustrated by Sophie Blackall with meticulously researched details in muted watercolour and ink colours which reflect the mood and emotions, it also contains photos of Harry with Winnie and other memorabilia that demonstrate the authenticity of the tale.    The conversations between the narrator and her son which are interspersed throughout the story not only add to its reality but also make it more than just a non-fiction recount.  With its undertones of A. A. Milne’s writing, and the final pages that trace the lineage of Harry Colebourne to Cole, this is a very personal account that is as engaging as it is interesting. Because she is telling the story to her own young son, there are several occasions where she chooses her words very carefully so he will not be upset and this then makes it suitable as a read-aloud for even the youngest of listeners. 

One of many stories published to coincide with  the centenary of World War 1 continues, there are many stories commemorating the contribution that a whole range of creatures made to the conflict, but this one with its direct ties to the beloved character of Winnie-the-Pooh which all children know, is one that will linger in the mind for a long time.  

You could also trace Winnie’s story with Christopher Robin from the time he first appeared in A A. Milne’s anthology, When We Were Very Young, as a poem called Teddy Bear …

A bear, however hard he tries,
Grows tubby without exercise.
Our Teddy Bear is short and fat,
Which is not to be wondered at;
He gets what exercise he can
By falling off the ottoman,
But generally seems to lack
The energy to clamber back.

Now tubbiness is just the thing
Which gets a fellow wondering;
And Teddy worried lots about
The fact that he was rather stout.
He thought: “If only I were thin!
But how does anyone begin?”
He thought: “It really isn’t fair
To grudge one exercise and air.”For many weeks he pressed in vain
His nose against the window-pane,
And envied those who walked about
Reducing their unwanted stout.
None of the people he could see
“Is quite” (he said) “as fat as me!”
Then, with a still more moving sigh,
“I mean” (he said) “as fat as I!

Now Teddy, as was only right,
Slept in the ottoman at night,
And with him crowded in as well
More animals than I can tell;
Not only these, but books and things,
Such as a kind relation brings –
Old tales of “Once upon a time,”
And history retold in rhyme.

One night it happened that he took
A peep at an old picture-book,
Wherein he came across by chance
The picture of a King of France
(A stoutish man) and, down below,
These words: “King Louis So and So,
Nicknamed ‘The Handsome!'” There he sat,
And (think of it!) the man was fat!

Our bear rejoiced like anything
To read about this famous King,
Nicknamed “The Handsome.” There he sat,
And certainly the man was fat.
Nicknamed “The Handsome.” Not a doubt
The man was definitely stout.
Why then, a bear (for all his tub )
Might yet be named “The Handsome Cub!”

“Might yet be named.” Or did he mean
That years ago he “might have been”?
For now he felt a slight misgiving:
“Is Louis So and So still living?
Fashions in beauty have a way
Of altering from day to day.
Is ‘Handsome Louis’ with us yet?
Unfortunately I forget.
Next morning (nose to window pane)

The doubt occurred to him again.
One question hammered in his head:
“Is he alive or is he dead?”
Thus, nose to pane, he pondered; but
The lattice window, loosely shut,
Swung open. With one startled “Oh!”
Our Teddy disappeared below.”

There happened to be passing by
A plump man with a twinkling eye,
Who, seeing Teddy in the street,
Raised him politely to his feet,
And murmured kindly in his ear
Soft words of comfort and of cheer:
“Well, well!” “Allow me!” “Not at all.”
“Tut-tut! A very nasty fall.”

Our Teddy answered not a word;
It’s doubtful if he even heard.
Our bear could only look and look:
The stout man in the picture-book!
That ‘handsome’ King – could this be he,
This man of adiposity?
“Impossible,” he thought. “But still,
No harm in asking. Yes I will!”

“Are you,” he said, “by any chance
His Majesty the King of France?”
The other answered, “I am that,”
Bowed stiffly, and removed his hat;
Then said, “Excuse me,” with an air,
“But is it Mr Edward Bear?”
And Teddy, bending very low,
Replied politely, “Even so!”

They stood beneath the

window there,
The King and Mr Edward Bear,
And, handsome, if a trifle fat,
Talked carelessly of this and that….
Then said His Majesty, “Well, well,
I must get on,” and rang the bell.
“Your bear, I think,” he smiled. “Good-day!”
And turned, and went upon his way.

A bear, however hard he tries,
Grows tubby without exercise.
Our Teddy Bear is short and fat,
Which is not to be wondered at.
But do you think it worries him
To know that he is far from slim?
No, just the other way about –
He’s proud of being short and stout.

Or listen to this 1929 sound recording by the Dominion Gramophone Company in which Milne reads the third chapter of his classic, “In Which Pooh and Piglet Go Hunting and Nearly Catch a Woozle,” or the movie A Bear Named Winnie with Stephen Fry and Michael Fassender. 
Of all the stories written about teddy bears over the generations, the adventures of Winnie the Pooh and Michael Bond’s Paddington Bear are arguably the most enduring and to discover that Winne was real, and had a life and following long before Disney discovered it, will delight both young and not-so-young.  A must-have book for any fan. 
Originally published February 16, 2016
Updated February 2023

A Day to Remember

A Day to Remember

A Day to Remember

 

 

 

 

 

 

 

 

 

 

A Day to Remember: the Story of ANZAC Day

Jackie French

Mark Wilson

HarperCollins, 2014

pbk; RRP $14.99

9780732293611

April 25, 1915 is a date imprinted on the Australian psyche.  In fact, some say, that despite the political calendar of January 1, 1901, this was the day that Australia became a nation.

Much has been written for students to help them understand the events and the significance of this day, and in a way, this book honours that because after providing an outline of those events on that Turkish beach, author Jackie French and illustrator Mark Wilson trace the commemoration of that day from its shaky, tentative beginnings of parades in Australia, New Zealand and London in 1916 to the huge crowds that now gather annually to honour those who have served their country in this way.  At intervals throughout Australia’s history, French and Wilson pause on April 25 and examine what was happening on that day. We learn about the vast difference between the excitement and anticipation when the troops left in 1914, and their return in 1919; the touching story behind the advent of the Dawn Service and how men only were allowed to attend in case the women’s crying disturbed the silence;  the desperation of many veterans left jobless as drought and the Depression hit; and then Australia is plunged into war again. 

Throughout the book, tribute is paid to all those in the conflicts that Australians have been involved in as well as their peacekeeping roles.  There is the sad reminder that after the Vietnam War which had so divided the nation’s young, so few marched  and watched that perhaps “no one would march at all.”   But awareness was growing behind the scenes through teachers teaching Australia’s history and the recognition of the sacrifices of Australia’s young people through iconic songs like Eric Bogle’s “And the Band Played Waltzing Matilda” and Redgum’s “Only 19.”  In 1985 the Turkish government officially recognised the name  Anzac Cove and in 1990 the first dawn service was held there, attended by those few veterans of the original conflict who were still left to honour.

Being at Anzac Cove for the Dawn Service has become a pilgrimage for many; an item on the bucket list for others. Ceremonies are  held wherever Anzacs have served and suffered and wherever their sacrifice can be acknowledged. Who can imagine what the centenary in 2015 will be like?

IMO, this is Jackie French and Mark Wilson at their best. As the granddaughter of a Gallipoli survivor and the daughter of an ordinary New Zealand soldier who spent his war as a POW in Germany after being captured on Crete, the words and illustrations of this beautiful, haunting book touch me in a way I find hard to describe. Jackie grew up, as I did, “with the battered and weary of World War Two around me, men still scarred in body and mind by Japanese prison camps or the Burma railway, women who had survived concentration camps” and “saw boys of my own generation march away as conscripts, while I marched in anti war demonstrations” and yet we know so little about where Australians have served or how often they have. 

The story of 100 years of history is a difficult one to tell, and even more so in a picture book, yet it is encapsulated perfectly in this partnership. On the one hand, the text could not live without the pictures and vice versa; yet on the other, both media are so perfect within themselves that they stand alone. Jackie and Mark give their own interpretations  in their teachers’ notes I can do no better than that, but if you only have the money for five books this year, this HAS to be one of them.

Lest we forget.

Originally reviewed as a hardback April 16, 2012

Updated February 2023

 

Lone Pine

Lone Pine

Lone Pine

 

 

 

 

 

 

 

 

 

 

 

Lone Pine (First World War Centenary edition)

Susie Brown & Margaret Warner

Sebastian Ciaffaglione

Little Hare, 2014 

hbk, 32pp., RRP $A24.95

9781742978703

 

In 1915, on a Turkish hillside a lone pine stood in a barren wasteland above a fierce battle being waged between the Turks and ANZACs, a conflict that has become part of Australia’s history and identity. 

In 1934, a sapling grown from that lone pine was planted in the grounds of the Australian War Memorial in Canberra, Australia’s national capital.

In 2012, and still in 2023,  that tree stands tall in beautiful, lush surroundings in memory and recognition of the events of 1915.

 

The 80-year-old Lone Pine tree at the Australian War Memorial in Canberra

The 80-year-old Lone Pine tree at the Australian War Memorial in Canberra

 

Lone Pine is the true story of that journey.  From a soldier looking for his brother, a mother mourning the loss of her son, a gardener understanding both the significance and the vision, a Duke performing a ceremonial duty we learn of how a tiny pine cone from that solitary tree has become such a symbol in our commemorations.  Told in simple prose against a backdrop of muted but magnificent artistry, the story is both moving and haunting.  The soldier’s mother plants three seeds but only two saplings survive, just like her sons; fierce storms batter the sapling the day it is planted at the AWM, just as war clouds started rumbling around Europe once again; it survives to stand tall and strong despite the storms it has to weather, just as our hope for peace does. The continuity of life through the pine tree echoes the seasons and cycles of human life.

Jointly written by a teacher librarian and a teacher, there is a real understanding of how to engage the target audience and tell a true story that is not just a recount of an historical event. Accompanying the story are notes about the events it depicts including more information about the tree itself which  reinforce the theme of the renewal and continuity of life.  As well as the sapling planted at the AWM, its twin was planted as a memorial to the fallen brother in Inverell, and even though this has since been removed because of disease, its son lives on at Inverell High School, planted by the fallen soldier’s nephew.  Two trees propagated from the pine at the AWM were taken to the Gallipoli Peninsula and planted there by a group of ANZACs in 1990.

A search of the Australian War Memorial site offers much more about the tree and its descendants  and teaching notes  take the students well beyond the story of a remarkable tree. 

With the 110th anniversary of both World War I and ANZAC Day drawing closer, the resurgence of the significance of ANZAC Day in the understanding of our young, and a pilgrimage to the Dawn Service at ANZAC Cove becoming a must-do, life-changing event, the story of the lone pine deserves to be better known, and this wonderful book HAS to be a part of any school library’s ANZAC collection.

Original review: April 22, 2014

Updated February 11, 2023

Australia Remembers 2: Customs and Traditions of the Australian Defence Force

Australia Remembers 2: Customs and Traditions of the Australian Defence Force

Australia Remembers 2: Customs and Traditions of the Australian Defence Force

 

 

 

 

 

 

 

 

 

 

Australia Remembers 2: Customs and Traditions of the Australian Defence Force

Allison Paterson

Big Sky, 2021

72pp., hbk., RRP $A24.99

9781922265234

As our nation prepares to honour those who have served this country in both war and peace on ANZAC Day 2021,  once again we will see and hold commemorations that while confronting in their origins are comforting in their familiarity. Regardless of which town or city we are in, there will be many aspects of the services that are familiar because they have been traditionally associated with ANZAC Day (and other remembrance days) for over a century.

In this new book, a companion to Australia Remembers  the author has worked closely with the Department of Defence and History and Heritage units of the Navy, Army & RAAF to deliver answers to questions I have often been asked as a teacher on our major days of commemoration, Beginning with answering the question “Why do we have customs and traditions?,  chapters address items such as mottos, codes, music, parades and drills, flags, banners and pennants, badges and awards, ranks, uniforms, animals and mascots and many other elements that go together to make up these special days.  It is more than just pomp and pageantry – there is a story behind each story!

With hundreds of photos, easily accessible language and all the supports needed to navigate the text easily, this is a fascinating look behind the scenes enabling students to have a better understanding of not just the overall ceremony but why things are done the way they are. Having been a teacher librarian for over 20 years, the author knows just what is needed to make a text student-friendly.

Remembering those who have served has a prominent and rightful place in the ceremonial life of our schools, as was demonstrated in 2020 when thousands stood at dawn in their driveways because COVID-19 prevented them from participating in the traditional assemblies (itself the beginning of a new tradition) and this new volume in this series  is another significant contribution to the library collection so that the memories and the understanding continue.

It will joined by Australia Remembers 3: Len Waters – Boundless and Born to Fly in September, which tells the story of Kamilaroi man Len Waters, who, during World War II became Australia’s first known Aboriginal fighter pilot.

 

Puffin Littles (series)

Puffin Littles (series)

Puffin Littles (series)

 

 

 

 

 

 

 

 

 

 

The ANZACs 

9781760897024

Robotics

9781760897680 

The Ocean

9781760897666 

Puffin, 2020

96pp., pbk., RRP $A12.99

 

A familiar symbol in and on children’s literature for 80 years, Puffin introduces our young readers to a whole range of interesting information in this new series of non fiction titles, the perfect size and format for little hands. Voiced by Puffin Little and speaking directly to the reader in a narrative style which ensures engagement, there is much to carry interest and open up new fields to explore.  The contents page and glossary help develop those early information literacy skills while the quiz on the final page consolidates what has been learned.

Joining the first collection of three are Little Explorer Ocean,  Little Scientist Robotics and Little Historian The ANZACs offering  a variety of topics to tempt a diverse range of interests for those who prefer non fiction and are looking for something that will satisfy their curiosity but not overwhelm with detail. They are ideal for answering those questions that are a step beyond initial curiosity offering enough information using accessible language that respects their existing knowledge and skills. Young readers will appreciate this series because there has clearly been a lot of thought put into addressing their unique needs as emerging readers as well as tapping into subjects that appeal. 

When Allen Lane first established Puffin 80 years ago with a dream of establishing a publishing house devoted to children’s literature, he began by publishing four non fiction titles for children who had been evacuated to the country to keep them safe from German bombing and invasion – War on Land, War at Sea, War in the Air and On the Farm – so it seems fitting that the dream has turned full circle and this anniversary year has been marked by this no-frills non fiction series for little ones.